4/10
"Typecast?! He's a dog!"
21 April 2019
My friend knew I was a fan of Michael Winner, as previously I lent him a copy of "SCREAM FOR HELP". So he returned the favor with the polar opposite "WON TON TON THE DOG WHO SAVED HOLLYWOOD". This was one of those films I heard of, but never went out of my way to see. Watching it was eye-boggling, as I couldn't believe what I was seeing. It's the "Where's Wally" of Hollywood filmmaking, as star after star after star of golden age cinema show up in small and at times, unimportant roles. Just looking at that cast listing, is a curiosity, but what a waste. Still all of this does become a distraction, with it simply being a hyperbolic hodgepodge of situational humor done at a frenetic pace. It's obviously trying for that charming old-school slapstick comedy of errors and mischief, yet the scatterbrain energy, comic interplay and running gags begin to wear out its welcome. When you think it can't get any more ridiculous, it does, but that's when it kind shows up the shortcomings and lack of variety. It's very shallow, but I could be possibly missing something? A social commentary of the infatuating highs and devastating lows that makes Hollywood what it is? Nah, it's just an aspiring showbiz tale of a gal (Madeline Kahn), a guy (Bruce Dern) and a dog in twenties Hollywood consisting of numerous in-jokes and animated performances. The amusingly gleeful Madeline Kahn and an exaggerated Ron Leibman do steal most of the scenes. Well that's when Won Ton Ton is not doing his thing. It might be a train wreck, but it had its moments. Or you'll be pondering what were they thinking?
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