"The Phantom of Paris" stars John Gilbert, Leila Hyams, C. Aubrey Smith, Lewis Stone, and Ian Keith. There's no Phantom, but the novel was written by the author of Phantom of the Opera, Gaston Leroux, so I suppose the producers wanted audiences to make the connection.
Made in 1931, the movie was somewhat of a surprise to me. I always had the idea that John Gilbert was a wimpy guy with a mustache - I had only seen him in Queen Christina - but I was wrong. Here he's handsome, elegant, and his acting is marvelous. So much has been written about his voice and how Louis Mayer changed it in "His Glorious Night" to make him sound silly - I actually never believed that. I think the corny dialogue and saying "I love you" out loud - something audiences had never heard - did him in. In truth, he had a beautiful speaking voice in a tenor range - he incorporated the mid- Atlantic speech of the day as did Bette Davis, Katharine Hepburn and others, and his diction was perfect.
Here he plays a renowned magician, Cheri-Bibi, who is in love with a beautiful socialite Cecile Bourrelier (Leila Hyams). Her father (C. Aubrey Smith) does not approve and instead wants her to marry the Marquis Du Touchais (Ian Keith). Cecile wants to marry Cheri-Bibi. Du Touchais then learns that Cecile's father is making up a new will and omitting him. He kills Bourrelier, but Cheri-Bibi is arrested and sentenced to death.
This is a really neat story but one has to account for dramatic license - the disguise used in this film is obvious, but entertaining nonetheless.
Leila Hyams was a beautiful, vivacious actress in the early days of talkies who retired, married an agent, and stayed married to him for 50 years. Ian Keith was a wonderful stage actor who played character roles in films - he does a great job here, as do C. Aubrey Smith, Lewis Stone, Jean Hersholt, and Natalie Moorhead.
John Gilbert would be dead five years later - "Phantom of Paris" is an excellent chance to see why he had such great stardom. I had a chance once to speak with his daughter, Leatrice Joy Gilbert, a lovely woman with two actor sons, John Fountain and Gideon Fountain. She was very proud of her father's work, as she should have been.
Made in 1931, the movie was somewhat of a surprise to me. I always had the idea that John Gilbert was a wimpy guy with a mustache - I had only seen him in Queen Christina - but I was wrong. Here he's handsome, elegant, and his acting is marvelous. So much has been written about his voice and how Louis Mayer changed it in "His Glorious Night" to make him sound silly - I actually never believed that. I think the corny dialogue and saying "I love you" out loud - something audiences had never heard - did him in. In truth, he had a beautiful speaking voice in a tenor range - he incorporated the mid- Atlantic speech of the day as did Bette Davis, Katharine Hepburn and others, and his diction was perfect.
Here he plays a renowned magician, Cheri-Bibi, who is in love with a beautiful socialite Cecile Bourrelier (Leila Hyams). Her father (C. Aubrey Smith) does not approve and instead wants her to marry the Marquis Du Touchais (Ian Keith). Cecile wants to marry Cheri-Bibi. Du Touchais then learns that Cecile's father is making up a new will and omitting him. He kills Bourrelier, but Cheri-Bibi is arrested and sentenced to death.
This is a really neat story but one has to account for dramatic license - the disguise used in this film is obvious, but entertaining nonetheless.
Leila Hyams was a beautiful, vivacious actress in the early days of talkies who retired, married an agent, and stayed married to him for 50 years. Ian Keith was a wonderful stage actor who played character roles in films - he does a great job here, as do C. Aubrey Smith, Lewis Stone, Jean Hersholt, and Natalie Moorhead.
John Gilbert would be dead five years later - "Phantom of Paris" is an excellent chance to see why he had such great stardom. I had a chance once to speak with his daughter, Leatrice Joy Gilbert, a lovely woman with two actor sons, John Fountain and Gideon Fountain. She was very proud of her father's work, as she should have been.