A shame really. With the talent, how could one go wrong with Doris Day, James Cagney, Gordon MacRae, Gene Nelson and Virginia Mayo, 'The West Point Story' could and should have been really good, even if not an instant classic.
Well something did go wrong, because 'The West Point Story' (despite being called 'Fine and Dandy' here, being British it is being referred to by its English, and original, title, just wanted to clarify to save any confusion) was a heavily problematic, lacklustre effort that doesn't even utilise its talent very well (even though they still come off well). Not an awful film, but not a particularly good one but more of a difficult to rate film for me.
The best thing about it is Cagney, who may not be exactly subtle (which came across to me as making the most out of, and doing at least something with, his material), but brings a tremendous amount of energy which is a marvel to watch. So much so that it makes one frustrated that that energy doesn't come over in most other elements. Day and MacRae also don't come off too shabbily. Day is fresh and endearing and one cannot get enough of her voice that shines even in not so great material. Meanwhile, MacRae shows off his warm baritone voice to perfection and is a charmer on screen, when he and Day are on screen they are irresistible.
Mayo and Nelson deserved better (as did Day and MacRae) but do a lot with what they have. Mayo is luminous, snappy and saucy, while Nelson's dancing is as dazzling as ever. The songs are pleasant enough and sung beautifully.
Against all that, of the songs there isn't one that stands out and it is crying out for a show-stopper. Likewise with having a show-stopper of a dancing sequence for Nelson, he dances really well and the choreography is witty and graceful but at the same time there is nothing extraordinary or memorable. As said though, Day and MacRae do sound wonderful and the songs suit their voices, one just wishes that the overall standard was more inspired.
Nothing against black and white (there is a very big group of great films and even masterpieces in black and white), but 'The West Point Story' also cried out for Technicolor. The sets do look shoestring-budget cheap with obvious rear projection and the cinematography is dull. Roy Del Ruth is the sort of director who could do this with his eyes closed and despite some energetic moments in some of the choreography elsewhere this was a real going through the motions effort from him.
Script goes overboard in the silliness and feels very limp too. Worst of all is the story, which is pedestrian in pace, takes silliness and contrivance to very high degrees and is filled with inconsistencies, dumbness and improbabilities, with very forced subplots and parts that don't really go anywhere. Day is also rather underused with a character that is given short shrift too much.
Overall, very difficult to rate but generally very disappointing. 5/10 Bethany Cox
Well something did go wrong, because 'The West Point Story' (despite being called 'Fine and Dandy' here, being British it is being referred to by its English, and original, title, just wanted to clarify to save any confusion) was a heavily problematic, lacklustre effort that doesn't even utilise its talent very well (even though they still come off well). Not an awful film, but not a particularly good one but more of a difficult to rate film for me.
The best thing about it is Cagney, who may not be exactly subtle (which came across to me as making the most out of, and doing at least something with, his material), but brings a tremendous amount of energy which is a marvel to watch. So much so that it makes one frustrated that that energy doesn't come over in most other elements. Day and MacRae also don't come off too shabbily. Day is fresh and endearing and one cannot get enough of her voice that shines even in not so great material. Meanwhile, MacRae shows off his warm baritone voice to perfection and is a charmer on screen, when he and Day are on screen they are irresistible.
Mayo and Nelson deserved better (as did Day and MacRae) but do a lot with what they have. Mayo is luminous, snappy and saucy, while Nelson's dancing is as dazzling as ever. The songs are pleasant enough and sung beautifully.
Against all that, of the songs there isn't one that stands out and it is crying out for a show-stopper. Likewise with having a show-stopper of a dancing sequence for Nelson, he dances really well and the choreography is witty and graceful but at the same time there is nothing extraordinary or memorable. As said though, Day and MacRae do sound wonderful and the songs suit their voices, one just wishes that the overall standard was more inspired.
Nothing against black and white (there is a very big group of great films and even masterpieces in black and white), but 'The West Point Story' also cried out for Technicolor. The sets do look shoestring-budget cheap with obvious rear projection and the cinematography is dull. Roy Del Ruth is the sort of director who could do this with his eyes closed and despite some energetic moments in some of the choreography elsewhere this was a real going through the motions effort from him.
Script goes overboard in the silliness and feels very limp too. Worst of all is the story, which is pedestrian in pace, takes silliness and contrivance to very high degrees and is filled with inconsistencies, dumbness and improbabilities, with very forced subplots and parts that don't really go anywhere. Day is also rather underused with a character that is given short shrift too much.
Overall, very difficult to rate but generally very disappointing. 5/10 Bethany Cox