U.K. release title: False Witness.
SYNOPSIS: When he discovers he is dying from an incurable brain tumor, an insurance investigator decides to frame himself for an unsolved murder.
COMMENT: Probably the most successful example of a TV style transferred to the cinema, Richard A. Colla's "Zigzag" is unrelentingly shot throughout in extreme close-ups, yet, because of its strong story- line and forceful performances (particularly by George Kennedy and Eli Wallach), it manages to come across with an impact that the use of wider long shots often dissipates. Admittedly, the plot is full of holes, but the method adopted by the screenwriter to expose the mystery is clever and ingenious enough to keep interest at a high pitch.
Despite her billing, Anne Jackson has a small, unrewarding, unmemorable role — catalytic but peripheral. It's a wonder (and a cause for joy) that the writer wasn't asked to expand her part by adding a few tedious domestic scenes for her! As it is, the script rightly focuses on the Kennedy character.
As might be expected, the budget is tight, but production values benefit from some on-location lensing.
SYNOPSIS: When he discovers he is dying from an incurable brain tumor, an insurance investigator decides to frame himself for an unsolved murder.
COMMENT: Probably the most successful example of a TV style transferred to the cinema, Richard A. Colla's "Zigzag" is unrelentingly shot throughout in extreme close-ups, yet, because of its strong story- line and forceful performances (particularly by George Kennedy and Eli Wallach), it manages to come across with an impact that the use of wider long shots often dissipates. Admittedly, the plot is full of holes, but the method adopted by the screenwriter to expose the mystery is clever and ingenious enough to keep interest at a high pitch.
Despite her billing, Anne Jackson has a small, unrewarding, unmemorable role — catalytic but peripheral. It's a wonder (and a cause for joy) that the writer wasn't asked to expand her part by adding a few tedious domestic scenes for her! As it is, the script rightly focuses on the Kennedy character.
As might be expected, the budget is tight, but production values benefit from some on-location lensing.