From Canada - the land of great short subjects 'n documentaries but a few too many dismal features - what's in their psyche that produces some of these misguided movies - could it be the cold that numbs their senses?. The opening of this movie looked most intriguing. Photographically it's all class, it has good performances, the music maybe a bit loose but it fitted the story. Looking at the "story" - it seems too many writers and directors want to copy the Cohen Bros - problem is, now that the Cohen Bros have gone commercial and begun copying themselves, it's become tiresome and overdue for a face lift. Are there so few left out there who remember how to tell a strait-quality-story?. It doesn't need to be outlandish just interesting!.
Apart from D.O.P. Daniel Voldheim's quality cinematography (AKF: Into The White '12) the best thing about this film is the fine performance from interesting Russian born Anton Yelchin (Hearts In Atlantis" '01). What a great shame we lost this interesting young man in such a tragic accident - way before his time. Will look forward to seeing his final complete performance in "We Don't Belong Here" '16/17, hoping it may offer a better departure note for Anton. Farewell Chekov.
This story seemed to be heading down an OK path till it wanders off the trail, then ends up stumbling over itself. It's yet another stylish looking movie in search of better overall treatment and script. The cultists will excuse its sometimes pretentious pseudo "psychology" along with the usual bunch of foul-mouthed-bad-ass low lifers but, anyone looking for depth could find themselves being led into a dismal driftless bog.
Apart from D.O.P. Daniel Voldheim's quality cinematography (AKF: Into The White '12) the best thing about this film is the fine performance from interesting Russian born Anton Yelchin (Hearts In Atlantis" '01). What a great shame we lost this interesting young man in such a tragic accident - way before his time. Will look forward to seeing his final complete performance in "We Don't Belong Here" '16/17, hoping it may offer a better departure note for Anton. Farewell Chekov.
This story seemed to be heading down an OK path till it wanders off the trail, then ends up stumbling over itself. It's yet another stylish looking movie in search of better overall treatment and script. The cultists will excuse its sometimes pretentious pseudo "psychology" along with the usual bunch of foul-mouthed-bad-ass low lifers but, anyone looking for depth could find themselves being led into a dismal driftless bog.