This is a very nice documentary made by Denny Tedesco, to honor the memory of his father, Tommy Tedesco who died in 1997 at the age of 67. Tommy was arguably the best studio guitarist back in the 1950s and 1960s and was part of a rag-tag group of studio musicians in Los Angeles that became affectionately known as "the wrecking crew." It was a name older coat-and-tie musicians bestowed on them, as in they were wrecking the established image of studio musicians.
This documentary is especially poignant for a guy like me, who is also a musician and who grew up on the music of the 1960s. You see, the wrecking crew played the backup music in studio recordings of many of the biggest hit records of the late 1950s and the 1960s.
When we listened to a hit record back then we never gave much thought to where the backup music came from. I suppose we just figured that the singer or the group had some musicians and we were hearing them play.
That absolutely was NOT the way it worked. The 20 or 30 or so guys and gals that collectively were known as the wrecking crew were hired to play for recording sessions for all the big groups and most of the record labels. They were real musicians, they may only have a chord sheet or a simple line to work with and they would often invent musical lines that they thought would work well with the song.
Seeing this documentary also makes it clear why groups often lip synced their records when they made live appearances or were on a TV show. Their traveling band could not play what was recorded in the studio, if they had tried to do it live it just wouldn't sound very good.
Excellent film, I really admire those musicians and will think of them every time I now listen to music recorded in the 1960s.
This documentary is especially poignant for a guy like me, who is also a musician and who grew up on the music of the 1960s. You see, the wrecking crew played the backup music in studio recordings of many of the biggest hit records of the late 1950s and the 1960s.
When we listened to a hit record back then we never gave much thought to where the backup music came from. I suppose we just figured that the singer or the group had some musicians and we were hearing them play.
That absolutely was NOT the way it worked. The 20 or 30 or so guys and gals that collectively were known as the wrecking crew were hired to play for recording sessions for all the big groups and most of the record labels. They were real musicians, they may only have a chord sheet or a simple line to work with and they would often invent musical lines that they thought would work well with the song.
Seeing this documentary also makes it clear why groups often lip synced their records when they made live appearances or were on a TV show. Their traveling band could not play what was recorded in the studio, if they had tried to do it live it just wouldn't sound very good.
Excellent film, I really admire those musicians and will think of them every time I now listen to music recorded in the 1960s.