This 1985 action/adventure film is fairly heavy handed and tends to shy away from the ultra violent action movies of the 80s that starred the Stallones, the Schwarzeneggers, or the Lundgrens at the height of their career. Instead, this is more of an episodic film, based on a true story that is more melodramatic in nature with elaborate character development and a big glaring message about industry vs nature. Director John Boorman ('Deliverance', 'Hope and Glory', 'The Exorcist II') chose to film 'The Emerald Forest' on location in the Amazon rainforest, which gives us a beautiful glimpse at the native people, the wildlife, and its surroundings. This is one of Boorman's more direct stories he has put on film and the result is a satisfying look at what parents would do for their children.
The first segment of 'The Emerald Forest' has us meeting a chief engineer named Bill (Powers Boothe), who is in the Amazon rainforest with his wife Jean (Meg Foster) and their two very young children. Bill is in charge of overseeing the construction of a giant dam that will restrict the flow of water to parts of the rainforest, which will flatten the land for future industrial and commercial buildings to be constructed. Boorman clearly shows which side he is on as he delicately shows us the beauty and wonder of the trees and animals, whereas the big bad city people are using their big tractors and fire to destroy the beautiful land.
Bill and Jean's young son is stolen by an indigenous tribe located in the heart of the forest known as 'The Invisible People', which causes despair for the family. We cut to ten years later where Bill and Jean are still living in Brazil where the dam is almost fully built. They are still trying to repair their broken lives without their son through work and charity. Bill walks with a journalist through the forest and comes across his now grown boy (Charley Boorman) after ten years. and is a contributing member of this new tribe and about to go through some big rituals into full fledged manhood. Bill soon realizes that what was once his son, now belongs to this primitive tribe.
The film switches gears and puts this reconnection on the back burner and focuses on another tribe, which is a much more violent people with more advanced weapons than the usual spears and rocks, known as the 'Fierce People', who are about to wage war on the peaceful 'Invisible People'. Meanwhile, the damn construction is nearing completion and the entire group of tribes have to keep moving further deep into the forest to avoid being killed or taken by authorities. And now Bill must make a big decision. Does he help his lost son and his tribe stand up and fight the bad guys and stop the dam, or does he move on, keeping his life's work in tact. It's a pretty powerful story.
But Boorman doesn't focus very much on the reconnection or kidnapping of Bill's son, which in my opinion was a very vital and integral part of the story. Not much time is given to the initial kidnapping and quickly fast forwards ten years into the future. And when the reconnection happens between father and son, it should have been a bigger moment, but Boorman focuses on the nature vs industry aspect right away with the construction of the dam and the rival tribes. Then, the last climactic few scenes of the film is a straight up revenge flick where Bill and his son come to respect each other's decision to move on with their separate lives.
Both Boothe and Foster turn in great performances as parents who are coping with the lost of one of their kids. Their anger and depression truly shows in their faces and body language throughout. 'The Emerald Forest' is a solid entry into the 80s action adventure category that stands on its own with its originality, despite the lack of hardcore action.
The first segment of 'The Emerald Forest' has us meeting a chief engineer named Bill (Powers Boothe), who is in the Amazon rainforest with his wife Jean (Meg Foster) and their two very young children. Bill is in charge of overseeing the construction of a giant dam that will restrict the flow of water to parts of the rainforest, which will flatten the land for future industrial and commercial buildings to be constructed. Boorman clearly shows which side he is on as he delicately shows us the beauty and wonder of the trees and animals, whereas the big bad city people are using their big tractors and fire to destroy the beautiful land.
Bill and Jean's young son is stolen by an indigenous tribe located in the heart of the forest known as 'The Invisible People', which causes despair for the family. We cut to ten years later where Bill and Jean are still living in Brazil where the dam is almost fully built. They are still trying to repair their broken lives without their son through work and charity. Bill walks with a journalist through the forest and comes across his now grown boy (Charley Boorman) after ten years. and is a contributing member of this new tribe and about to go through some big rituals into full fledged manhood. Bill soon realizes that what was once his son, now belongs to this primitive tribe.
The film switches gears and puts this reconnection on the back burner and focuses on another tribe, which is a much more violent people with more advanced weapons than the usual spears and rocks, known as the 'Fierce People', who are about to wage war on the peaceful 'Invisible People'. Meanwhile, the damn construction is nearing completion and the entire group of tribes have to keep moving further deep into the forest to avoid being killed or taken by authorities. And now Bill must make a big decision. Does he help his lost son and his tribe stand up and fight the bad guys and stop the dam, or does he move on, keeping his life's work in tact. It's a pretty powerful story.
But Boorman doesn't focus very much on the reconnection or kidnapping of Bill's son, which in my opinion was a very vital and integral part of the story. Not much time is given to the initial kidnapping and quickly fast forwards ten years into the future. And when the reconnection happens between father and son, it should have been a bigger moment, but Boorman focuses on the nature vs industry aspect right away with the construction of the dam and the rival tribes. Then, the last climactic few scenes of the film is a straight up revenge flick where Bill and his son come to respect each other's decision to move on with their separate lives.
Both Boothe and Foster turn in great performances as parents who are coping with the lost of one of their kids. Their anger and depression truly shows in their faces and body language throughout. 'The Emerald Forest' is a solid entry into the 80s action adventure category that stands on its own with its originality, despite the lack of hardcore action.