An interesting late film noir based in L.A. It has a bit of the city "documentary" type filming. It starts out with an ambulance car racing down the street. We find out one of them is bleeding and they both escaped from jail. Vince, the driver, stole a can of what he thinks is heroine on his way out of jail. He feels like he can sell the drug and live off the money with his girlfriend.
The film also focuses on the police investigation which cuts into the development time of any of the characters, thus they all remain underdeveloped. The escaped criminal Vince does come of as menacing and we see him descend fast from his jail break "high." The audience finds out quickly that the canister is a radioactive powder form of Cobalt 60, while Vince thinks its full of highly price worthy drugs. The film, from Vince's perspective shows him trying to set up a sale of the drug, while from the police perspective, we see them trying to prevent a city wide panic.
There were good sequences and shots, like when Vince is trying to figure things out at night along a busy road and we see cuts of the cars passing by, Vince sweating and Vince holding on to the canister. But there is not enough to lift up the film from mediocrity. Interestingly, the musical score is conducted by the prolific Jerry Goldsmith. As far as noir films, it includes an interesting depiction of paranoia, egotism, violent consequences and illusions of grandeur. It is an inferior picture of Cold War, radioactive poisoning paranoia, but it will be an interesting film for fans of film noir movies who want to see the last throes of a great psychological cinematic movement.
The film also focuses on the police investigation which cuts into the development time of any of the characters, thus they all remain underdeveloped. The escaped criminal Vince does come of as menacing and we see him descend fast from his jail break "high." The audience finds out quickly that the canister is a radioactive powder form of Cobalt 60, while Vince thinks its full of highly price worthy drugs. The film, from Vince's perspective shows him trying to set up a sale of the drug, while from the police perspective, we see them trying to prevent a city wide panic.
There were good sequences and shots, like when Vince is trying to figure things out at night along a busy road and we see cuts of the cars passing by, Vince sweating and Vince holding on to the canister. But there is not enough to lift up the film from mediocrity. Interestingly, the musical score is conducted by the prolific Jerry Goldsmith. As far as noir films, it includes an interesting depiction of paranoia, egotism, violent consequences and illusions of grandeur. It is an inferior picture of Cold War, radioactive poisoning paranoia, but it will be an interesting film for fans of film noir movies who want to see the last throes of a great psychological cinematic movement.