I did not feel uncomfortable with this film, for I could not see how the film was supposedly "incestous". It's pretty far fetched to state that. I simply did not find the movie to be worth the hype surrounding it.
The first Sridevi is super bugging, not by her acting but because of the stupid character she is given. Her acting is in fact, the only saving grace. I did not find her indecently dancing and interfering character to be a tad bit lovable.
The second Sridevi is even more weird, for she absolutely loves a man, who prefers to keep a huge distance from her. This love story did not make any sense.
Then there are the classic irritating Yash Raj elements. The hero pretends to love this girl whose love is supposedly questionable though she has waited years for him (just because she is not the heroine), to create a super sympathy seeking sacrifice scenario. There are 'funny' moments involving pathetic parodies by Anupam Kher and the new Sridevi. There is a 'kasam' by the heroine to marry only if the hero marries before her. I felt like sleeping through.
Yes, I see the Yash Raj power in the film. Namely, the power to make the same senseless stuff repeatedly, and getting it to be called a 'classic'. If cinematography was everything, what were the need for something called a storyline? I love Waheeda Rehman, and it was a treat to watch her. The only good part of this film.
The first Sridevi is super bugging, not by her acting but because of the stupid character she is given. Her acting is in fact, the only saving grace. I did not find her indecently dancing and interfering character to be a tad bit lovable.
The second Sridevi is even more weird, for she absolutely loves a man, who prefers to keep a huge distance from her. This love story did not make any sense.
Then there are the classic irritating Yash Raj elements. The hero pretends to love this girl whose love is supposedly questionable though she has waited years for him (just because she is not the heroine), to create a super sympathy seeking sacrifice scenario. There are 'funny' moments involving pathetic parodies by Anupam Kher and the new Sridevi. There is a 'kasam' by the heroine to marry only if the hero marries before her. I felt like sleeping through.
Yes, I see the Yash Raj power in the film. Namely, the power to make the same senseless stuff repeatedly, and getting it to be called a 'classic'. If cinematography was everything, what were the need for something called a storyline? I love Waheeda Rehman, and it was a treat to watch her. The only good part of this film.