For me, this is a movie about a great professional magician, sadly spoiled by a secondary personal relationship plot line introduced about 1/2 way though. This action erases the early cinematic and plot perfection leaving the whole experience flawed. The movie started aimed at one outcome, but then switches to a different target. The switch comes across as contrived, sort of a mixed metaphor.
The genre switches from comedy to tragedy, without an epic hero; the second half tragic protagonist is not Randi. The movie shot a lot of scene arrows, but at different targets, unnecessarily watering down the entire effort.
I came away liking and profoundly respecting the art and science of James Randi, who is quite the magician in his own right and time, turned detective and debunker of charlatans. His personal life was artfully dealt with at first, then paraded like dirty laundry when it wasn't. Maybe the storyteller's intent was to debunk the debunker, but the magic of the reveal was lacking, not consequential, but incidental. Therefore, the original comedic genre became a tragedy without pity or fear.
I recommend it for the first half alone, the part about the Amazing Randi, his acclaimed magic and debunking. Still, maybe walk out 1/2 way though when the protagonist shifts character unnecessarily in a spoiling way, turning a great wine of a movie sour.
The genre switches from comedy to tragedy, without an epic hero; the second half tragic protagonist is not Randi. The movie shot a lot of scene arrows, but at different targets, unnecessarily watering down the entire effort.
I came away liking and profoundly respecting the art and science of James Randi, who is quite the magician in his own right and time, turned detective and debunker of charlatans. His personal life was artfully dealt with at first, then paraded like dirty laundry when it wasn't. Maybe the storyteller's intent was to debunk the debunker, but the magic of the reveal was lacking, not consequential, but incidental. Therefore, the original comedic genre became a tragedy without pity or fear.
I recommend it for the first half alone, the part about the Amazing Randi, his acclaimed magic and debunking. Still, maybe walk out 1/2 way though when the protagonist shifts character unnecessarily in a spoiling way, turning a great wine of a movie sour.