On an expedition to a remote part of South America, Doctor Moran (George Coulouris) discovers a savage tribe who worship a carnivorous plant that feasts solely on young, beautiful, curvaceous women. No 'plain Janes', oldies, uglies, skinnies or fatties for this lean, green killing machine: it's only interested in attractive babes with impressive curves (quite how the plant has developed this discerning attitude towards its food is never explained).
Having devoured it's prey, the plant produces a liquid that can purportedly restore life to the dead, something that greatly interests the doctor, who arranges for the ravenous shrub to be transported back to his home in England, along with one of the tribesmen, Tanga (Jimmy Vaughn), to help him with his work (quite how Moran came to this arrangement with the bloodthirsty natives is also never explained). Luring women back to his secure, basement laboratory, Moran sets about feeding the plant in an effort to create enough of the sap to revive the dead.
Womaneater is made of the stuff that monster B-movie fans live for: there's the mad scientist with his creepy ethnic assistant, a ropey old tree creature with flailing limbs and tentacles, a bevy of buxom beauties in skimpy sacrificial robes, a pneumatic blonde heroine (sexy ex-funfair worker Sally, played by Vera Day), and a brave but chauvinistic mechanic hero, Jack Venner (Peter Wayn). As one might expect from a low budget '50s B-movie, the film is no Oscar winner, but what it lacks in logic or technical merit it sure makes up for in cheeze 'n' sleaze, with big helpings of both being served up by director Charles Saunders.
The shonky monster is guaranteed to illicit more laughs than screams, as will the sight of Tanga in his adult-sized nappy banging the bongos; the seedier content includes Moran prowling the streets and bars of London for suitable victims and his misogynistic treatment of devoted ex-lover/housekeeper Margaret (Joyce Gregg).
There's also an unexpectedly tacky moment when Sally helps Jack to fix a car: while Jack is in the foot-well, he eyes up Sally's impressive breasts (her '50s torpedo chest blatantly occupying the foreground), after which he rudely berates her for her inability to follow simple instructions. Considering how he has just asked her to marry him, the scene leaves the viewer wondering just how badly he might abuse her once the ring is actually on her finger.
A fun finalé adds even more sleaziness, with sexy Sally narrowly avoiding becoming a meal for the monstrous weed, but not before her blouse has been torn to give viewers a tantalising glimpse of her bra (this being 1958, I imagine that's all audiences needed to get hot and flustered!).
7.5 out of 10, rounded up to 8 for the very lovely Vera Day as Sally.
Having devoured it's prey, the plant produces a liquid that can purportedly restore life to the dead, something that greatly interests the doctor, who arranges for the ravenous shrub to be transported back to his home in England, along with one of the tribesmen, Tanga (Jimmy Vaughn), to help him with his work (quite how Moran came to this arrangement with the bloodthirsty natives is also never explained). Luring women back to his secure, basement laboratory, Moran sets about feeding the plant in an effort to create enough of the sap to revive the dead.
Womaneater is made of the stuff that monster B-movie fans live for: there's the mad scientist with his creepy ethnic assistant, a ropey old tree creature with flailing limbs and tentacles, a bevy of buxom beauties in skimpy sacrificial robes, a pneumatic blonde heroine (sexy ex-funfair worker Sally, played by Vera Day), and a brave but chauvinistic mechanic hero, Jack Venner (Peter Wayn). As one might expect from a low budget '50s B-movie, the film is no Oscar winner, but what it lacks in logic or technical merit it sure makes up for in cheeze 'n' sleaze, with big helpings of both being served up by director Charles Saunders.
The shonky monster is guaranteed to illicit more laughs than screams, as will the sight of Tanga in his adult-sized nappy banging the bongos; the seedier content includes Moran prowling the streets and bars of London for suitable victims and his misogynistic treatment of devoted ex-lover/housekeeper Margaret (Joyce Gregg).
There's also an unexpectedly tacky moment when Sally helps Jack to fix a car: while Jack is in the foot-well, he eyes up Sally's impressive breasts (her '50s torpedo chest blatantly occupying the foreground), after which he rudely berates her for her inability to follow simple instructions. Considering how he has just asked her to marry him, the scene leaves the viewer wondering just how badly he might abuse her once the ring is actually on her finger.
A fun finalé adds even more sleaziness, with sexy Sally narrowly avoiding becoming a meal for the monstrous weed, but not before her blouse has been torn to give viewers a tantalising glimpse of her bra (this being 1958, I imagine that's all audiences needed to get hot and flustered!).
7.5 out of 10, rounded up to 8 for the very lovely Vera Day as Sally.