Breakdown (I) (1997)
10/10
Russell throws off the familiar guise, rejects showboat heroics and sweats for real. He's never been better.
17 September 2014
Kurt Russells character Jeff, search for his wife is reminiscent of The Vanishing and yet there is something else, an insidious violence that declares open season on strangers. Whatever is going on, and you never quite know for certain, it has an ugly echo of the dark side of country.

This could easily have been a style-washed film noir of the Red Rock West variety. Instead, Mostow remains believable, therefore increasing the tension. He makes you feel Taylor's terror and rage. He makes you breathe fast and shallow. Russell can be beef-caked and plastic films like Escape From New York, Big Trouble In Little China. He can be solid wood Stargate and stiff-upper ed The Thing. What Mostow achieves with him here is remarkable.

Taylor is not presented in Stallonescope, rather as an ordinary bloke who doesn't know what to do. Russell can slip into stereotype at the scratch of a producer's pen. What makes Breakdown such a convincing ride is his ability to convey fear and courage simultaneously. Taylor's out of his depth. He's scared, but he's going on. Russell throws off the familiar guise, rejects showboat heroics and sweats for real. He's never been better.
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