Allen Quinton (Joseph Cotten) is a soldier in World War II who has been writing love letters for fellow soldier Robert Morland to his girl back home. Morland's kind of a jerk but the letters written is his name make him appear to be a kind, romantic soul and the girl they are written to falls in love with him. When Allen returns home from the war he discovers Morland married the girl but it ended in tragedy. Allen is intent upon finding out what happened. This leads him to a number of twists and a meeting with an amnesiac girl named Singleton (Jennifer Jones).
Joseph Cotten's performance is great. Cotten, one of the great actors of his day, is sadly underrated today. Ann Richards gives a natural, sympathetic turn as Singleton's friend Dilly. Jennifer Jones is not up to Cotten's level. Her performance is OK but a little too manufactured. Still, she's competent here but outshined by Cotten, as well as supporting player Richards and vets Cecil Kellaway and Gladys Cooper.
William Dieterle creates a lovely, atmospheric picture. I love the sets, the houses, the matte painting backgrounds. Victor Young's music is evocative and romantic. The script is by Ayn Rand (!) from a novel by Christopher Massie. My one real gripe is that I hated the name Singleton for this girl and every time they said it, it was like nails on a chalkboard for me. Hearing Joseph Cotten say "I love you Singleton" sounds like some secret joke forgotten decades ago. Whether it was Rand's idea or Massie's, I don't know. But it was stupid and provides clunky hiccups in the dialogue. Despite a few quibbles, it's hard to dislike. Interesting, romantic, effective mystery film that should entertain all but the stone-hearted among us.
Joseph Cotten's performance is great. Cotten, one of the great actors of his day, is sadly underrated today. Ann Richards gives a natural, sympathetic turn as Singleton's friend Dilly. Jennifer Jones is not up to Cotten's level. Her performance is OK but a little too manufactured. Still, she's competent here but outshined by Cotten, as well as supporting player Richards and vets Cecil Kellaway and Gladys Cooper.
William Dieterle creates a lovely, atmospheric picture. I love the sets, the houses, the matte painting backgrounds. Victor Young's music is evocative and romantic. The script is by Ayn Rand (!) from a novel by Christopher Massie. My one real gripe is that I hated the name Singleton for this girl and every time they said it, it was like nails on a chalkboard for me. Hearing Joseph Cotten say "I love you Singleton" sounds like some secret joke forgotten decades ago. Whether it was Rand's idea or Massie's, I don't know. But it was stupid and provides clunky hiccups in the dialogue. Despite a few quibbles, it's hard to dislike. Interesting, romantic, effective mystery film that should entertain all but the stone-hearted among us.