2/10
Pure Schlock
23 November 2013
Warning: Spoilers
Like some other reviewers here, I was lured into watching this by Peter O'Toole's participation. But the name in the title - Thomas Kinkade - and the channel I saw it on - Hallmark - say it all. It's pure schlock - trite, hackneyed, predictable, blatantly sentimental, ponderously slow, heavy-handed, and manipulative. If you like Kinkade's paintings, you'll probably love this show. If, like me, you consider Kinkade's paintings trash, you should avoid this program.

I watched the first twenty minutes, and was astounded how bad it was - the mournful voice-over narration telegraphed sadness ahead, the characters and dialogue were clichéd, the story was so blatantly obvious I knew how it would end at once. The script was dreadful, the acting wooden. I fast forwarded, stopping to watch short segments, and it got worse. I watched the ending, just to assure myself I hadn't underestimated the show - alas, it was even worse than I expected, an ending so sappy and morose it was pathetic. O'Toole's performance is really no worse than anyone else's, but I expect a lot of him, so it was really embarrassing to watch him humiliate himself and let his fans down this way.

Don't get me wrong - I like a bit of cheap sentimentality now and then, especially this time of year. I enjoy a good tear-jerker, if it's well done. I like A Miracle on 34th Street, and It's a Wonderful Life, and White Christmas, and A Christmas Carol, and especially Bad Santa. I just like it done with a little skill, not cranked out like cotton candy.

BTW, one of my favorite Christmas tear-jerkers is The Christmas Tree (1969), with William Holden and Virna Lisi. They used to run it on TV every Christmas, but I guess it's too old now. If you can find it, and like a good cry, give it a try. I still get teary-eyed when I hear the guitar theme - "Romance" by Narciso Yepes, composed originally for the film "Jeux Interdits."
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