As someone who detests most rock music, particularly the screaming histrionics of performers like the one played by Paul Dano in "For Ellen," I was surprised to find myself empathizing with his character, Joby Taylor. As the lead singer in a band, he may be on center stage surrounded by shouting fans, but in this movie we see him against a backdrop of ordinary suburban life, and he seems like a creature from outer space--a weird alien, cut off from the mainstream of life, a stranger in a strange land.
It is clear almost from the start that Joby has been reckless, self-centered, and irresponsible. This is driven home like the impact of a judge's gavel when, late in the film, his little daughter Ellen--custody of whom Joby has loudly refused to relinquish to his wife in their divorce negotiations--simply asks, "Why didn't you come to see me?" Father and daughter have a precious two hours together at a local mall, and then it is time for him to leave her with her mother. But he returns to the house and sneaks in through the window in order to ask Ellen what she thinks of him. To the end, it is his own self that he is focused on. When she answers that he seems like a nice person, I waited for him at least to say that he liked her too--but he never did.
The movie does manage to satirize ordinary middle class life through its portrayal of the young lawyer Fred Butler, played by Jon Heder. This sad sack, who still lives with Mom, seems downright goofy next to the "cool" Joby Taylor--to use Joby's term for just about anything that requires his approval. But in being so cool, Joby has lost out on any of the good that comes with ordinary "un-cool" life.
Paul Dano's performance is outstanding in this film. The director, So Young Kim, lets the camera linger a little too long on bleak landscapes and nearly deserted highways, but her long closeups of Joby Taylor's face are effective, thanks to Paul Dano.
The very final sequence is something of a cop-out. Even before we see where it is leading, I knew that it would be a replay of the final sequence in "Five Easy Pieces." And that explains why I have tagged this review with a Spoiler Alert.
It is clear almost from the start that Joby has been reckless, self-centered, and irresponsible. This is driven home like the impact of a judge's gavel when, late in the film, his little daughter Ellen--custody of whom Joby has loudly refused to relinquish to his wife in their divorce negotiations--simply asks, "Why didn't you come to see me?" Father and daughter have a precious two hours together at a local mall, and then it is time for him to leave her with her mother. But he returns to the house and sneaks in through the window in order to ask Ellen what she thinks of him. To the end, it is his own self that he is focused on. When she answers that he seems like a nice person, I waited for him at least to say that he liked her too--but he never did.
The movie does manage to satirize ordinary middle class life through its portrayal of the young lawyer Fred Butler, played by Jon Heder. This sad sack, who still lives with Mom, seems downright goofy next to the "cool" Joby Taylor--to use Joby's term for just about anything that requires his approval. But in being so cool, Joby has lost out on any of the good that comes with ordinary "un-cool" life.
Paul Dano's performance is outstanding in this film. The director, So Young Kim, lets the camera linger a little too long on bleak landscapes and nearly deserted highways, but her long closeups of Joby Taylor's face are effective, thanks to Paul Dano.
The very final sequence is something of a cop-out. Even before we see where it is leading, I knew that it would be a replay of the final sequence in "Five Easy Pieces." And that explains why I have tagged this review with a Spoiler Alert.