From the talented mind who brought you White Noise 2: The Light, Mirrors 2, and the forthcoming Leprechaun: Origins and the highly sought after Mexican director of
well, absolutely nothing comes a new vision of a new vision of horror. Fright Night 2, being a remake of a remake, takes the exact same characters as the first film, dumps them in Romania, and instead of continuing the story in any sane fashion, decides it's just easier to start from scratch
again.
Jaime Murray as the new Gerri the vampire is completely wasted in this throw away film that lives more for moments than anything else. Particularly impressive is her little sonar bit in the tunnel of a tunnel of a subway. The rest of the cast is absolutely boring. I don't understand why the filmmakers decided not to continue the story from the 2011 (*ahem) blockbuster. Or why didn't they just create a whole new bunch of characters? Or why not try and remake the original sequel—now, THAT would have been interesting.
And another thing, why is it that all these low budget straight-to-DVD horror sequels have to be so poorly made? There are plenty of great low budget films. All you need is a writer that cares enough about the story, a director that cares about more than getting another title under his belt or paycheck, and a studio that wants to deliver a quality product to its audience. Is that so hard?
Jesus.
Jaime Murray as the new Gerri the vampire is completely wasted in this throw away film that lives more for moments than anything else. Particularly impressive is her little sonar bit in the tunnel of a tunnel of a subway. The rest of the cast is absolutely boring. I don't understand why the filmmakers decided not to continue the story from the 2011 (*ahem) blockbuster. Or why didn't they just create a whole new bunch of characters? Or why not try and remake the original sequel—now, THAT would have been interesting.
And another thing, why is it that all these low budget straight-to-DVD horror sequels have to be so poorly made? There are plenty of great low budget films. All you need is a writer that cares enough about the story, a director that cares about more than getting another title under his belt or paycheck, and a studio that wants to deliver a quality product to its audience. Is that so hard?
Jesus.