Review of Babylon

Babylon (1980)
7/10
A cult classic which deserves more attention.
2 September 2013
As an avid follower of British cinema, I like to think that I've seen most of the worthwhile films that our country has produced. But I'm always on the lookout for films that I haven't seen, but sound interesting, and so I stumbled upon Babylon, then tracked it down on DVD and gave it a watch.

Co-written by the writer of Quadrophenia, and directed by an Italian born director, and starring Brinsley Forde of Aswad, comedian Mel Smith, and Karl Howman, perhaps best known these days as the face of Flash household cleaning products, it seems an unlikely sort of project, which perhaps, not surprisingly due to its sensitive subject matter dealing with the institutionalised racism of late 1970's England, seemed to receive little attention when it was released.

This is a shame, as although not quite a classic film, the director, Franco Rosso, who sadly was unable to generate funding for any future film projects after making this film, shows that given time he could have been a significant voice in British Cinema. Babylon is a film made by a gifted director just finding his feet, with some memorable scenes littered throughout. It strikingly portrays working class London in the late 1970's as a pretty unforgiving environment, though, the drab atmosphere of the setting is frequently punctuated by tracks from the film's reggae soundtrack, bringing you into the characters' world as they seek solace from these surroundings in the reggae music they play through their cherished sound system.

Babylon should definitely have a place in anyone's top 100 British films of all time. For me It only narrowly falls short of classic status because the ending feels a tad abrupt, and the whole film does feel like it does not run quite as seamlessly as it should. Perhaps that's down to the editing maybe. Even so, I'd recommend it to anyone with an interest in British films.
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