4/10
Looks good, but plodding and muddled
18 April 2013
This 1984 version of Ordeal By Innocence doesn't just fail as an adaptation, it also fails on its own terms too, the latter of which I always try to base my opinion of a film on. There are two adaptations(as far as I'm aware) of Ordeal By Innocence, this and the Geraldine McEwan adaptation. Neither really do the story justice and have similar problems to each other, but the McEwan version probably gives its actors more to do. The story is not perhaps masterpiece status, but it still has all the ingredients that make Agatha Christie so well worth reading. Just reading what it's about alone makes you want to engross yourself in the book and also watch an adaptation of it. Ordeal By Innocence is not a complete disaster. It does look good, it's well shot, slick and the costumes and sets are very handsome. Christopher Plummer is appropriately wry, Cassie Stuart is just lovely and lights up the film and while Faye Dunnaway deserved much more than a 2-3 cameo appearance she is quite memorable as a character who's easy to hate. However, while the cast is a who's who and were good on paper they don't have much to do. Donald Sutherland is rather workmanlike and Ian McShane brings some wit to his role but is given little to work with, while Annette Crosbie Sarah Miles are wasted and Michael Elphick- looking miserable with one of the worst Scottish accents I've ever heard on film- is embarrassingly bad. It's not surprising that most of the cast didn't register, because the characters are sketchy and not developed well at all. You have a vague sense of what their roles in the story are but little more than that, so it makes the audience find it difficult to properly care. The dialogue, when we could hear it, lacked flow and felt very flat. Same with the direction. The story is a great one, but told in this film confusingly and ploddingly with next to no suspense or life, and that is including the ending(further disadvantaged by the murderer being revealed way too early). So much so that I had a temptation to watch something else, something I don't want to feel from an Agatha Christie adaptation. And the music is just awful, overbearing and of the films I've seen recently it is by far the most out of place score I've heard for any film since watching 1965's Ten Little Indians(a film I actually liked). Overall, disappointing. 4/10 Bethany Cox
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