As a long-time ghost story fanatic, this is the kind of story which gives the other gently terrifying stories of the same genre, such as The Others, a real run for their money. Thrill-seekers who want a good ghost story are after A-bump-a-minute scenarios which, thankfully, this film does not have, instead garnering a slow but natural and steady pace which involves wonderful hints and twists throughout and a wonderful, touching and ultimately, creepy conclusion.
I have never been a great fan of Aidan Quinn or Kate Beckinsale, though their chemistry here makes the film very watchable, and Quinn is acceptable as a hapless if not quite lovable hero. Beckinsale is also on generally good, charming form and, to be fair to both actors, there are several points in the script where the dialogue is so shallow and blunt, that Laurence Olivier and Gielgud himself (who appears and is wonderful as the local doctor) would have struggled to bring any more life to them without making the words seem silly and unrealistic.
The show-stealer, as per usual in almost everything he is in, is undoubtedly Anthony Andrews, as the understatedly creepy yet charmingly alluring elder brother. Andrews is a very-much underrated actor as it is, but his performance and changes in attitude towards Quinn as the guest in their sprawling home, very much makes the film and most of the tension therein.
Anna Massey too is wonderful as the housekeeper/nanny and creates a very sorry character with whom one instantly feels sympathy, playing out her pivotal role right until the very end with her usual grace and unabashed talent.
To one who knows the ins and outs of modern twists and turns in movies and stories such as these, the ending is not altogether unpredictable, but the well-disguised yet compelling hints throughout make it all much more exciting, and the scenes of ghostly appearance are, for a change, nicely inserted without too much musical decoration or unnecessary special effects, making the whole thing very watchable. The sets and locations are stunning and elegant at all times, bringing up both the believability and charm of the story. This film, overall, falls into the category of a sadly overlooked, but wonderful fireside story, which deserves more publicity than it gets.
I have never been a great fan of Aidan Quinn or Kate Beckinsale, though their chemistry here makes the film very watchable, and Quinn is acceptable as a hapless if not quite lovable hero. Beckinsale is also on generally good, charming form and, to be fair to both actors, there are several points in the script where the dialogue is so shallow and blunt, that Laurence Olivier and Gielgud himself (who appears and is wonderful as the local doctor) would have struggled to bring any more life to them without making the words seem silly and unrealistic.
The show-stealer, as per usual in almost everything he is in, is undoubtedly Anthony Andrews, as the understatedly creepy yet charmingly alluring elder brother. Andrews is a very-much underrated actor as it is, but his performance and changes in attitude towards Quinn as the guest in their sprawling home, very much makes the film and most of the tension therein.
Anna Massey too is wonderful as the housekeeper/nanny and creates a very sorry character with whom one instantly feels sympathy, playing out her pivotal role right until the very end with her usual grace and unabashed talent.
To one who knows the ins and outs of modern twists and turns in movies and stories such as these, the ending is not altogether unpredictable, but the well-disguised yet compelling hints throughout make it all much more exciting, and the scenes of ghostly appearance are, for a change, nicely inserted without too much musical decoration or unnecessary special effects, making the whole thing very watchable. The sets and locations are stunning and elegant at all times, bringing up both the believability and charm of the story. This film, overall, falls into the category of a sadly overlooked, but wonderful fireside story, which deserves more publicity than it gets.