Isabelle Huppert is having a great time making movies, taking on any kind of oddity they push at her. It's a bit rough on her fans, who get stuck with items like this and CACTUS but I suppose you take the rough with the smooth.
A Korean girl facing a crisis sets down to write a script in which Huppert appears as "the French Woman." Now you can't complain about mis-casting. Complete with the sound of typing (thank you Twilight Zone) she puts our heroine into three different scenarios set in the so nice timber beach front home, where she encounters the same characters in different arrangements, looking for a light house, losing an umbrella and getting amorously involved with the men. Kind of precious.
The material is presented in sharp, subdued colour with minimal editing. It's not worth it's star's time or the viewer's.
A Korean girl facing a crisis sets down to write a script in which Huppert appears as "the French Woman." Now you can't complain about mis-casting. Complete with the sound of typing (thank you Twilight Zone) she puts our heroine into three different scenarios set in the so nice timber beach front home, where she encounters the same characters in different arrangements, looking for a light house, losing an umbrella and getting amorously involved with the men. Kind of precious.
The material is presented in sharp, subdued colour with minimal editing. It's not worth it's star's time or the viewer's.