Another run-out for Ciaran Hinds, Kelly Reilly and the team, this time on the trail of the murderer of a promiscuous, drug taking young actress. As usual with La Plante, there are suspects a-plenty, sometimes there you fell just to flesh the story out and a major sub-plot with Hinds on the look-out for whoever's loose-lips cost him a coveted promotion. The convoluted plot, interspersed with a series of flash-backs, is brought, on thus occasion, I felt, to a less than riveting conclusion by the final scene, with the murderer in fact turning himself in by that point.
As for the acting, Hinds is good, perhaps helped by his more developed character, now less chauvinistic and shouty than before. Kelly Reilly as the ambitious, intuitive maverick in the pack still looks more befuddled than brainy in he part. There's some good acting in support, especially amongst the murdered girl's junkie so-called friends.
LaPlante no doubt felt at home portraying the acting world as scabrously as she does here and her dialogue for the most part rings true, but I felt an hour could have easily been lopped off the running-time and a few less unnecessary red-herrings dropped along the way which would have made the production correspondingly tighter and more compelling.
As for the acting, Hinds is good, perhaps helped by his more developed character, now less chauvinistic and shouty than before. Kelly Reilly as the ambitious, intuitive maverick in the pack still looks more befuddled than brainy in he part. There's some good acting in support, especially amongst the murdered girl's junkie so-called friends.
LaPlante no doubt felt at home portraying the acting world as scabrously as she does here and her dialogue for the most part rings true, but I felt an hour could have easily been lopped off the running-time and a few less unnecessary red-herrings dropped along the way which would have made the production correspondingly tighter and more compelling.