This sort of biopic is the best example of "we bring who we are to a film." I'm surprised at the few reviews I've read as they seem to think John Lennon was an adult. I thought the film daunting because it so obviously was exploring Lennon's psychological state and it was spot on. He was a man-child who did not mature. I can think of few films I've seen where we know we are watching someone who just can't get past their childhood pain. We are shown why Lennon is hurt. His mind swirls constantly around this pain. His reaction to his pain is barely veiled fury, a rage to hurt as many others as he can and an obvious self- loathing that cut to the quick. Lennon is absolutely crippled interpersonally. He sees "them" as all the people external to his self and then there is "me," who he knows is acerbic and difficult and he is stuck in this horribly vicious cycle. It is terribly sad and disturbing because, I suppose, Lennon is iconic.
Along comes Yoko Ono and by some completely mystifying chance, he hooks up with someone who allows that injured child to come out and play and feel some freedom of expression. Does this cure him? No. Does it help him? Maybe. You do feel he is a bit happier, though still desperate. He glues himself at the hip to Yoko and never lets go.
The film does not explore his creativity at all. In this I can't say the film is just as I don't know. But I did not think Lennon original, merely clever at being reactionary to anything that touched him. He refined "acting out" to an art form and melded this with Yoko's performance art. He lived his life asleep, his unconscious in total reign and it was a vindictive and hateful shadow that ruled him.
I wonder how this man wrote "Imagine." I now think it was as much a personal plea to his inner self as it was a plea to the world.
Along comes Yoko Ono and by some completely mystifying chance, he hooks up with someone who allows that injured child to come out and play and feel some freedom of expression. Does this cure him? No. Does it help him? Maybe. You do feel he is a bit happier, though still desperate. He glues himself at the hip to Yoko and never lets go.
The film does not explore his creativity at all. In this I can't say the film is just as I don't know. But I did not think Lennon original, merely clever at being reactionary to anything that touched him. He refined "acting out" to an art form and melded this with Yoko's performance art. He lived his life asleep, his unconscious in total reign and it was a vindictive and hateful shadow that ruled him.
I wonder how this man wrote "Imagine." I now think it was as much a personal plea to his inner self as it was a plea to the world.