1/10
Oh Boy, Oh Boy, Oh Boy
7 November 2010
Warning: Spoilers
Judith Anderson who was the nasty, evil Danvers in Rebecca and the miscast "big mama" with a British-Louisiana accent in Cat on a Hot Tin Roof plays a former ballerina who runs a ballet school (don't they all?). Lionel Sandler who became the gruff major domo in the TV series Hart to Hart, plays a gruff non-rhyming poet. Some other guy, plays an over the top effectual show biz promoter. This other guy decides to resurrect the career of a the brilliant ballet dancer Ivor Somebody,who may or may not have killed his wife a few months early and since then he has become a looney toon recluse;he hears music in his head and sees ghost dancers with his face. Anywho, he says he is OK now and begins a series of road shows and has a hot love and marriage to another dancer, I forget her name..she made two movies in her entire career...twice as many as Ivor. Well, as luck would have it, sometime after Kansas City, Ivor sort of starts going cuckoo again. Lots of drama and jumping and twirling which is suppose to resemble ballet ensues and instead of slitting his wife's throat he takes a flying leap out the plate glass window. Kerplunk. Some silly dialog for a couple of minutes. And then the movie ends. I streamed this on Netflix but the won't give me a pro-rated credit. The acting is dreadful. The dancing by Ivor is gymnastics, not ballet. The whole thing is awful.
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