Marion Davies was given quite the acting challenge by MGM and her paramour William Randolph Hearst. In doing Peg O' My Heart she was taking on a role that was made immortal on stage and in a silent screen version by Laurette Taylor. But Marion was more than up to the challenge.
In fact the film was the best of possible worlds for Davies. She could be the sweet heroine that Mr. Hearst always saw her as. But the part called for some singing and Irish dancing and Marion's great talents for mimicry. She's got the brogue down perfect, she really does sound like J. Farrell MacDonald's daughter and he came by his brogue naturally.
The play was written for Laurette Taylor by her husband J. Hartley Manners and became Taylor's signature part. Davies did make it her own. The play was considerably expanded from the stage version which only takes place in the drawing room of the Chichester home in Great Britain.
Young Peg O'Connell was the daughter of MacDonald and an English mother who left them because she couldn't stand the life in the fishing village in the west of Ireland. What's great for some is bad for others, the village looks and feels a whole lot like Innisfree where John Wayne couldn't wait to move to in The Quiet Man.
But mom's died and she's left a will that says the Chichester family will be paid an installment to educate young Peg in proper English ways and then Peg's to receive a big inheritance. Looks like mom made out quite fine after she left J. Farrell MacDonald. Anyway she's also to cut off contact from her father completely.
The usual English and Irish stereotypes circa 1912 when Peg O' My Heart opened on Broadway for a 603 performance run abound in the film version. Peg's presence however changes quite a few things in the lives of the Chichesters before she makes up her mind what her destiny is.
Marion is just fine in the part, I certainly would like to know what Laurette Taylor might have thought of her performance.
In fact the film was the best of possible worlds for Davies. She could be the sweet heroine that Mr. Hearst always saw her as. But the part called for some singing and Irish dancing and Marion's great talents for mimicry. She's got the brogue down perfect, she really does sound like J. Farrell MacDonald's daughter and he came by his brogue naturally.
The play was written for Laurette Taylor by her husband J. Hartley Manners and became Taylor's signature part. Davies did make it her own. The play was considerably expanded from the stage version which only takes place in the drawing room of the Chichester home in Great Britain.
Young Peg O'Connell was the daughter of MacDonald and an English mother who left them because she couldn't stand the life in the fishing village in the west of Ireland. What's great for some is bad for others, the village looks and feels a whole lot like Innisfree where John Wayne couldn't wait to move to in The Quiet Man.
But mom's died and she's left a will that says the Chichester family will be paid an installment to educate young Peg in proper English ways and then Peg's to receive a big inheritance. Looks like mom made out quite fine after she left J. Farrell MacDonald. Anyway she's also to cut off contact from her father completely.
The usual English and Irish stereotypes circa 1912 when Peg O' My Heart opened on Broadway for a 603 performance run abound in the film version. Peg's presence however changes quite a few things in the lives of the Chichesters before she makes up her mind what her destiny is.
Marion is just fine in the part, I certainly would like to know what Laurette Taylor might have thought of her performance.