Jacques Villeret is the best actor in the world, period.
Although his "Gaspard" (no surname) is similar to his "Jojo Braconnier" in "Un crime au Paradis", he never grows weary, nor do we. Such honesty is rare.
The film's plot is trite. Its development could be less melodramatic but. I didn't complete like Tom, the protagonist, but he's good at making and unbearably stubborn child not be hateable, but to understand his mourning and flights to fantasy (he's no angel, make no mistake). Claude Brasseur makes an eerily similar character to his superb role in "camping". Again, he's a man who loves cars, money and stereotypes a bit too much :), but he carries it off like if he was born for the role.
Clovis Cornillac is a young father who could be more convincing, but that's the story's fault, who shows him making completely different choices in the beginning and the end.
As usual with French films, the "country and the city" subplot is like a river, always full of energy. From the difference in vocabulary and "useful knowledge" to the way to educate/discipline children and treat women, all is different, and yet, as we're in a comedy of sorts, all is happily solved within a few minutes.
The technical aspects are fine. You feel the mountain, the cold, and the piano theme is perfect for the action. Not too romantic, but with feelings.
Nice for a Saturday evening.
Although his "Gaspard" (no surname) is similar to his "Jojo Braconnier" in "Un crime au Paradis", he never grows weary, nor do we. Such honesty is rare.
The film's plot is trite. Its development could be less melodramatic but. I didn't complete like Tom, the protagonist, but he's good at making and unbearably stubborn child not be hateable, but to understand his mourning and flights to fantasy (he's no angel, make no mistake). Claude Brasseur makes an eerily similar character to his superb role in "camping". Again, he's a man who loves cars, money and stereotypes a bit too much :), but he carries it off like if he was born for the role.
Clovis Cornillac is a young father who could be more convincing, but that's the story's fault, who shows him making completely different choices in the beginning and the end.
As usual with French films, the "country and the city" subplot is like a river, always full of energy. From the difference in vocabulary and "useful knowledge" to the way to educate/discipline children and treat women, all is different, and yet, as we're in a comedy of sorts, all is happily solved within a few minutes.
The technical aspects are fine. You feel the mountain, the cold, and the piano theme is perfect for the action. Not too romantic, but with feelings.
Nice for a Saturday evening.