8/10
Great Little Indie Flick That's Light On The Gore, Heavy On The Smarts...
5 December 2008
Warning: Spoilers
Hypothetical question time, peeps. Let's say you're a budding collegiate journalist, and you are looking for the scoop of the century. Something way outside the box. Something that doesn't involve covering rush week parties, local charity bake sales, sports events and the usual bland 'human interest' stories.

Let's kick it up a notch, even. Fred Krueger. Michael Myers. Jason Voorhees. Charles Lee Ray, aka "Chucky." What would it be worth to you to be able to interview these guys BEFORE they started their careers in stalking, terror and mass murder, and then have the rare opportunity to be able to follow them, step-by-step, as they outlined every trick of the trade, every detail of how they create their 'legend' at the very beginning?

You will finally find your answers in Scott Glosserman's blackly funny docu-satire BEHIND THE MASK: THE RISE OF LESLIE VERNON. There have been very similar movies made in this vein, such as MAN BITES DOG and in some respects THE BLAIR WITCH PROJECT, but the best and most effective examples of this sub-genre have always come from overseas. BEHIND THE MASK is the first independently-made American feature that finally gets it right.

Nathan Baesel is a name you should be watching for in the future, because in his film debut as the titular 'hero' of the piece, he's funny, charming, self-ingratiating and as focused, dedicated and meticulous as any up-and-coming, hard-charging young hopeful should be. Too bad his biggest dream in life is to become the heir apparent to Mikey, Freddy and Jason. He's like Jim Carrey with a sharp implement fetish...only scarier!

Angela Goethals is also very good as Taylor Gentry, the aspiring on-camera reporter who gets sucked into Leslie's disarming charm when he agrees to allow her and her film crew to document every aspect of his first major endeavor: the selection, preparation for and actual execution of a bunch of drunk, horny teens. At one point, the crew even get roped into becoming co-conspirators of sorts.

Taylor and her team are even introduced to Les' doting mentor, Eugene (a great turn by Scott Wilson) and his lovely wife. It's all a good time until somebody gets a post-hole digger shoved through their chest...

There are really so many things I want to blab about concerning this great deconstruction of the slasher horror genre, one of the best since the first SCREAM installment. But the delights go over better if you know nothing about what's coming, so as far as saying anything else, I love the fact that horror icons Robert Englund, Zelda Rubenstein and Kane Hodder all lend their considerable presences to the film. (I won't say where you'll see them...just pay close attention.)

And I also want to mention the best part of the flick - when it makes its startling transition from "faux horror documentary" to out-and-out horror film. Don't worry; you'll pretty much know when it happens.

Glosserman and co-writer David J. Stieve have done a great job in finding an imaginative way to recharge the batteries of the slasher flick on a low-budget, using clichés in a manner that nobody has ever thought of, rather than simply giving in to the temptation to simply use them like every other 'FRIDAY THE 13TH'/NIGHTMARE ON ELM STREET/HALLOWEEN knockoff.Gorehounds will find the relatively light blood-letting a little disappointing, but there's so much more to enjoy here than the raptures of evisceration and dismemberment.

I'm excited that this is Glosserman's first feature, because it makes a great calling card, and gives us fans so much more to look forward to from him.

So if you are a fan who's become a little jaded with the horror releases of late, go rent BEHIND THE MASK immediately!. You won't be sorry, I promise. And DO stick around for the credits, if just to hear the Talking Heads' original rendition of the great (and fitting) song, "Psycho Killer"...you'll be glad you did!
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