My Take: It' ain't great, but its funny and interesting, and packed with wildly imaginative special effects.
Part-Hitchcockian manhunt thriller, part-James Whale and part-screwball special effects comedy, John Carpenter's 1992 misunderstood MEMOIRS OF AN INVISIBLE MAN is a delightful although not entirely great comedy. Or was it really meant to be a comedy? Although it's obviously a Chevy Chase vehicle pumped up by (for-the-time) groundbreaking special effects. But was it really a comedy? John Carpenter refuses to tell us exactly what the identity of, not the character, bu the movie. It was both a thriller, a comedy and a love story at the same time. And, although Carpenter wasn't able to balance all three genres together and make them mesh together completely, he does provide an interesting and skillfully-made little film. The special effects are dated compared to today's standards (By the following year, these kind of special effects would be extinct and would make way for CGI with JURASSIC PARK) but they are still quite convincing at some scenes. As a matter of fact, they're actually quite funny in some scenes (The scene where Chase sees the food he just ate digesting was pretty hilarious). The performances are decent at best, with Sam Niell in fine form as the antagonist, a ruthless undercover agent, and Daryll Hannah as a fine damsel-in-distress. Chase is pretty good too, although due to his comedic screen presence, it's quite hard to take him seriously during his scenes that are meant to be serious.
Although flawed, MEMOIRS OF AN INVISIBLE MAN is a skillfully-paced and hilarious film. It might be an overstatement to say Carpenter was in control here, but no one can say he didn't at least do a passable job.
Rating: *** out of 5.
Part-Hitchcockian manhunt thriller, part-James Whale and part-screwball special effects comedy, John Carpenter's 1992 misunderstood MEMOIRS OF AN INVISIBLE MAN is a delightful although not entirely great comedy. Or was it really meant to be a comedy? Although it's obviously a Chevy Chase vehicle pumped up by (for-the-time) groundbreaking special effects. But was it really a comedy? John Carpenter refuses to tell us exactly what the identity of, not the character, bu the movie. It was both a thriller, a comedy and a love story at the same time. And, although Carpenter wasn't able to balance all three genres together and make them mesh together completely, he does provide an interesting and skillfully-made little film. The special effects are dated compared to today's standards (By the following year, these kind of special effects would be extinct and would make way for CGI with JURASSIC PARK) but they are still quite convincing at some scenes. As a matter of fact, they're actually quite funny in some scenes (The scene where Chase sees the food he just ate digesting was pretty hilarious). The performances are decent at best, with Sam Niell in fine form as the antagonist, a ruthless undercover agent, and Daryll Hannah as a fine damsel-in-distress. Chase is pretty good too, although due to his comedic screen presence, it's quite hard to take him seriously during his scenes that are meant to be serious.
Although flawed, MEMOIRS OF AN INVISIBLE MAN is a skillfully-paced and hilarious film. It might be an overstatement to say Carpenter was in control here, but no one can say he didn't at least do a passable job.
Rating: *** out of 5.