Pill-popping, alcoholic wife of a struggling businessman, Minou(the foxy bright red head Dagmar Lassander, often covered with heavy facial make-up)is being tormented by a sexual deviant/sadist(Simón Andreu)who has her listen to a cassette tape that might just possibly link her husband the killer of an investor who was recently found dead. Minou adores her husband and even if he's a killer she's willing to give up her body to this cretin if it saves her beloved from being implicated in a crime of his own doing. What Minou doesn't realize is that the blackmailing sicko photographed their sexual activity and now threatens to expose pictures to her husband if she doesn't allow herself to becoming his sex slave! The blackmailer is quite elusive and any trace of his identity seems hard to come by..Minou's husband Peter(Pier Paolo Capponi)and Police Commissioner Frank(Osvaldo Genazzani)believe it's quite possible she's having a nervous breakdown or a collapse in sanity. Only her nympomaniacal best friend Dominique(the VERY sexy Susan Scott who is wardrobed to show the goods and figure she's blessed with)seems to believe Minou's cries that there is a sadistic fiend threatening to kill her if she doesn't comply with his demands at sexual servitude. But, is the blackmailer REALLY the mastermind of the degrees of mental anguish bestowed upon Minou?
Crazy giallo has a few twists and turns, but this is a psycho-thriller where we know the heroine is voicing the truth although he's cagey and able to hide away from capture. The film puts out everyone as a suspect, even Dominque at one point. As in the very best gialli, the success of the plot depends on how the viewer is fooled..if you can see the twist coming a mile away(..and I did)then perhaps it fails. As far as the fashions..this is a gay fashion designer's wet dream. The film's a practical run-way of Italian fashion dressing Lassander and Scott in various styles. Plenty of sleaze for the average giallo-lover.
Crazy giallo has a few twists and turns, but this is a psycho-thriller where we know the heroine is voicing the truth although he's cagey and able to hide away from capture. The film puts out everyone as a suspect, even Dominque at one point. As in the very best gialli, the success of the plot depends on how the viewer is fooled..if you can see the twist coming a mile away(..and I did)then perhaps it fails. As far as the fashions..this is a gay fashion designer's wet dream. The film's a practical run-way of Italian fashion dressing Lassander and Scott in various styles. Plenty of sleaze for the average giallo-lover.