In 1958, director Irving Lerner scraped together enough money to make two poverty row features that Columbia released. The first, Murder By Contract, is one of the fine sleeper classics of low-budget film-making, Vince Edwards as a professional hit-man.. By virtue of that film, Andrew Sarris includes a paragraph on Lerner in his seminal book on film directors and auteur theory, American Cinema.
Unfortunately, the second film doesn't measure up to the first. Still, City of Fear has its moments, particularly in the hand-held location shots that lend some much needed pacing. And that's a key problem with this thriller-- it stalls whenever the scenes shift to the offices where Archer and Talbot as police officials add little energy needed to rev up the chase. Thus we get a kind of jerky effect that can't sustain the story momentum.
And a good story premise it is, as the authorities try to track down Edwards before he can loose a big dose of radio-active cobalt on LA. In my book, Edwards was an interesting actor at this early stage, a genuinely commanding presence in a lot of better-than-average B-films. There's also the under-rated Kathie Browne who could be a pixie one minute and a hellion the next (though her part here is small). Steven Ritch too, is an interestingly obscure figure, collaborating on a number of B-level scripts as well as acting in them. And what guy could pass up a chance at the really luscious Patricia Blair-- move over Marilyn!
Anyway, it looks like Sarris was right-- Lerner was a one-shot wonder. Nonetheless, he manages a few neat tricks on display here. All things considered, this minor thriller is still worth a look-see, even 50 years later.
Unfortunately, the second film doesn't measure up to the first. Still, City of Fear has its moments, particularly in the hand-held location shots that lend some much needed pacing. And that's a key problem with this thriller-- it stalls whenever the scenes shift to the offices where Archer and Talbot as police officials add little energy needed to rev up the chase. Thus we get a kind of jerky effect that can't sustain the story momentum.
And a good story premise it is, as the authorities try to track down Edwards before he can loose a big dose of radio-active cobalt on LA. In my book, Edwards was an interesting actor at this early stage, a genuinely commanding presence in a lot of better-than-average B-films. There's also the under-rated Kathie Browne who could be a pixie one minute and a hellion the next (though her part here is small). Steven Ritch too, is an interestingly obscure figure, collaborating on a number of B-level scripts as well as acting in them. And what guy could pass up a chance at the really luscious Patricia Blair-- move over Marilyn!
Anyway, it looks like Sarris was right-- Lerner was a one-shot wonder. Nonetheless, he manages a few neat tricks on display here. All things considered, this minor thriller is still worth a look-see, even 50 years later.