This brilliant, deeply contentious film has largely been ignored over the years. It came out just as 'the kitchen sink' was kicking in and, although dealing with the working class, was very much an establishment film. It's right-wing and anti-Union and it quickly became very unfashionable to think highly of it. But dramatically, it's first-rate; it has the feel of those good BBC 'Plays for today' that came out in the sixties even if does leave a very bad taste in the mouth.
It's about a man sent to coventry for not supporting an unofficial strike. He's played by Richard Attenborough and it's a great piece of acting. As written, the character isn't developed in dramatic terms but Attenborough is wonderfully naturalistic. It's an intuitive performance; he gets inside the character's skin and thought processes. He's very moving.
There is very fine work, too, from Pier Angeli as his Italian wife. (Angeli was probably brought in to sell the film in America, and there's an easy-going, unforced quality to her acting that is very 'un-British'). And Bernard Lee is excellent as the dictatorial shop steward. The film also has an unfortunate Mephistopolean character in the form of an infiltrator. He's evil and cowardly and used in such a blatantly metaphorical way you can't be sure exactly what his purpose is. And being a political, Union bashing film you may feel uneasy watching it. But there are very fine. sustained dramatic sequences, too and it is utterly unsentimental.
It's about a man sent to coventry for not supporting an unofficial strike. He's played by Richard Attenborough and it's a great piece of acting. As written, the character isn't developed in dramatic terms but Attenborough is wonderfully naturalistic. It's an intuitive performance; he gets inside the character's skin and thought processes. He's very moving.
There is very fine work, too, from Pier Angeli as his Italian wife. (Angeli was probably brought in to sell the film in America, and there's an easy-going, unforced quality to her acting that is very 'un-British'). And Bernard Lee is excellent as the dictatorial shop steward. The film also has an unfortunate Mephistopolean character in the form of an infiltrator. He's evil and cowardly and used in such a blatantly metaphorical way you can't be sure exactly what his purpose is. And being a political, Union bashing film you may feel uneasy watching it. But there are very fine. sustained dramatic sequences, too and it is utterly unsentimental.