Eh, I thought this was slightly above average for Hou. Which means I still didn't care for it much, but I didn't exactly dislike it, either. As far as the (non- or possibly anti-) story goes, it's probably his slightest yet. A young woman is newly pregnant. She wanders around, rides the trains, hangs out with a friend, has half-heard conversations on a cell phone, eats, drinks milk, eats some more and generally avoids the issue of what's in her belly. So, yes, it's pretty dull. But Hou does capture an ambiance that is pleasant, at the very least. I have in the past likened Hou's work to sitting on a bus and eavesdropping. Funny, as one of the main characters in this film enjoys recording ambient noises on passenger trains. At least in this film you get to hang around a pretty Japanese girl and Tadanobu Asano, star of such great Asian flicks as Ichi the Killer and Last Life in the Universe. I loved the last sequence and the final shot.
Review of Café Lumière
