This is one of the most rewarding short films I have ever seen - and I have seen many! - and it haunts me even now, more than 35 years after I saw it for the first (and only) time. That was during a cinema club season in Bergen, Norway, where part of the program was a "short film night" devoted to silent movies, short movies, and various combinations of these. The audience was clearly confused, since "Film" was obviously not what most had expected. And in company with "Nosferatu" (l922), "Freaks" (1932) and "Terminus" (1961 - a documentary of a British railway station) it did strike a very different chord than sheer horror and sober facts did.
Beckett's work at that time was slowly gaining ground in Norway, as did Pinter's - trying to promote either was an uphill task in a mountainous country unused to modern drama and more tuned to sports. The discussions in a seminar after the showing proved this... But this resistance to something obviously alien did not detract from my pleasure (and several others') in relishing a masterpiece, where nothing could have been improved on. A book called "Film by Samuel Beckett" was published by Faber in 1971, and generously offers complete scenario and a profusion of illustrations and production shots. It has also comments by Beckett and an essay by Schneider, and is a useful substitute for anybody without access to the Film itself.
Agreeing with other commentators, I can only say that this is really an absorbing and disturbing experience - quite unique! And one that leaves you thinking and wondering and shuddering for a long time.
Beckett's work at that time was slowly gaining ground in Norway, as did Pinter's - trying to promote either was an uphill task in a mountainous country unused to modern drama and more tuned to sports. The discussions in a seminar after the showing proved this... But this resistance to something obviously alien did not detract from my pleasure (and several others') in relishing a masterpiece, where nothing could have been improved on. A book called "Film by Samuel Beckett" was published by Faber in 1971, and generously offers complete scenario and a profusion of illustrations and production shots. It has also comments by Beckett and an essay by Schneider, and is a useful substitute for anybody without access to the Film itself.
Agreeing with other commentators, I can only say that this is really an absorbing and disturbing experience - quite unique! And one that leaves you thinking and wondering and shuddering for a long time.