Disney's upcoming movie is certainly an exciting prospect; I know it will be excellent since WETA is involved. (They did all of the Lord of the Rings props and costumes and more.) Many of us who look forward to the 2005 film fondly remember growing up with the BBC "WonderWorks" version from 1988. The best way to watch this movie is: not after Lord of the Rings. I mean it. You are spoiling it for yourself if you go into it expecting too much.
The worst thing about this film is definitely the effects. Most of them you can move beyond if you try to have a pre-Toy-Story-revolutionized-world attitude. The worst thing for me was the green-screen flying sequence. Even with an open mind, that one's tough.
Aslan actually looks pretty lion-ey until he talks, then you have to try to concentrate anywhere but his mouth. Anyone remember "Wishbone," the PBS beagle-mutt who took us all on adventures in classic literature? His mouth didn't move at all, and by the third or fourth episode, you believed it without a problem. If you have patience, Aslan gets better as the movie progresses. He falls a little short of "majestic," but the Stone Table scene had me in tears even when I was past the cry-in-Free-Willy age. (The Beavers also take a little imagination -- but come on, it was 1988... how else do you do a Beaver who talks and acts?
Those few less-than-stellar aspects aside, this movie was fantastically done. The acting was definitely the strongest point. The Professor was hands-down the best character as far as performance goes, though he was in it little, but the others were all good too. Barbara Kellerman as the White Witch was excellent as well; I think that of all the comparisons between this film and the upcoming version, the White Witch will be the hardest for me to accept. I mean sure, they can beat the all technical stuff without any effort at all, but can the new White Witch be quite as regally evil? We'll see. The four children are very naturally good, they act just like four young British children who come upon such and adventure would act. (Which is a much bigger accomplishment than it sounds, and not all that common. Can anyone say nine-year-old Anakin Skywalker?)
Also, the script is taken from the book nearly verbatim, which gives is much credibility. Anyone who feels the need to improve upon C.S. Lewis loses a few points in my book.
Long story short, if you have the ability to forget you've seen computer-animated creatures interact flawlessly with live action, and you can use your imagination a little, then you will enjoy this beautifully crafted tale. Although, I do recommend trying to see it BEFORE you catch Disney's in December. :-D
The worst thing about this film is definitely the effects. Most of them you can move beyond if you try to have a pre-Toy-Story-revolutionized-world attitude. The worst thing for me was the green-screen flying sequence. Even with an open mind, that one's tough.
Aslan actually looks pretty lion-ey until he talks, then you have to try to concentrate anywhere but his mouth. Anyone remember "Wishbone," the PBS beagle-mutt who took us all on adventures in classic literature? His mouth didn't move at all, and by the third or fourth episode, you believed it without a problem. If you have patience, Aslan gets better as the movie progresses. He falls a little short of "majestic," but the Stone Table scene had me in tears even when I was past the cry-in-Free-Willy age. (The Beavers also take a little imagination -- but come on, it was 1988... how else do you do a Beaver who talks and acts?
Those few less-than-stellar aspects aside, this movie was fantastically done. The acting was definitely the strongest point. The Professor was hands-down the best character as far as performance goes, though he was in it little, but the others were all good too. Barbara Kellerman as the White Witch was excellent as well; I think that of all the comparisons between this film and the upcoming version, the White Witch will be the hardest for me to accept. I mean sure, they can beat the all technical stuff without any effort at all, but can the new White Witch be quite as regally evil? We'll see. The four children are very naturally good, they act just like four young British children who come upon such and adventure would act. (Which is a much bigger accomplishment than it sounds, and not all that common. Can anyone say nine-year-old Anakin Skywalker?)
Also, the script is taken from the book nearly verbatim, which gives is much credibility. Anyone who feels the need to improve upon C.S. Lewis loses a few points in my book.
Long story short, if you have the ability to forget you've seen computer-animated creatures interact flawlessly with live action, and you can use your imagination a little, then you will enjoy this beautifully crafted tale. Although, I do recommend trying to see it BEFORE you catch Disney's in December. :-D