In " Jane Doe Till Death Do Us Part," Lea Thompson stars as a top-notch crime investigator in this compulsively watchable made-for-television mystery. Thompson plays Kathy Davis, a mild-mannered housewife. She is also the best in the business in her double life of "Jane Doe," an undercover investigative operative, which she keeps a secret from her family.
This film was interesting in the contrasting family scenes resembling the Brady Bunch and the police scenes involving Jane's investigation of an L.A. crime boss. The local godfather made a daring prison break by faking a heart attack and fleeing the Lompoc, California prison, and Jane Doe is able to get on his trail through careful crime reconstruction. Thompson shines in her role, and her best scene is when Jane adopts the disguise of an Italian vixen from Brooklyn worthy of "The Sopranos."
Armand Mastroianni, the director of this film, deserves to be mentioned in this review. The set-ups, camera angles, and colorful location filming in west Los Angeles evoke the film's effective atmosphere. The actors in both the family and crime stories are well-cast in their roles. Many of the run-of-the-mill films that appear on the various cable channels could learn a great deal from studying "Jane Doe Till Death Do Us Part." In the scripting, production values, and performances, this film was a cut above the regular television fare.
Thompson was successful in carrying the film. She resembles the fine actress Angie Dickinson, who played a similar role in her popular television series "Police Woman" in the 1970s. " Jane Doe Till Death Do Us Part " is all-too-predictable, and it suffers in places from lack of suspense. But Thompson was very effective in the convincing portrayal of a Mom leading two lives.
This film was interesting in the contrasting family scenes resembling the Brady Bunch and the police scenes involving Jane's investigation of an L.A. crime boss. The local godfather made a daring prison break by faking a heart attack and fleeing the Lompoc, California prison, and Jane Doe is able to get on his trail through careful crime reconstruction. Thompson shines in her role, and her best scene is when Jane adopts the disguise of an Italian vixen from Brooklyn worthy of "The Sopranos."
Armand Mastroianni, the director of this film, deserves to be mentioned in this review. The set-ups, camera angles, and colorful location filming in west Los Angeles evoke the film's effective atmosphere. The actors in both the family and crime stories are well-cast in their roles. Many of the run-of-the-mill films that appear on the various cable channels could learn a great deal from studying "Jane Doe Till Death Do Us Part." In the scripting, production values, and performances, this film was a cut above the regular television fare.
Thompson was successful in carrying the film. She resembles the fine actress Angie Dickinson, who played a similar role in her popular television series "Police Woman" in the 1970s. " Jane Doe Till Death Do Us Part " is all-too-predictable, and it suffers in places from lack of suspense. But Thompson was very effective in the convincing portrayal of a Mom leading two lives.