The original "Paleface" feature was pretty good, but this sequel is actually better, in large part due to the addition of Roy Rogers and Trigger. Rogers and Bob Hope are two of the most likable performers that the movies have seen, and together they seem like old friends who have stopped by for an enjoyable visit. Jane Russell is also back from the original movie, though in a different role.
The story is good fun as long as you don't take it seriously. It's actually rather well-written, in that it accommodates all three stars with material well-suited for them. Hope gets plenty of one-liners and similar gags, and he pulls off even the goofiest of them with energy and aplomb. Rogers gets the chance to do some singing and to have some action sequences, and Trigger gets several good moments. Russell is given a character that allows her to stay within the role of the tough, glowering beauty.
There are enough connections to the first movie to add to the enjoyment if you have seen it, but "Son of Paleface" could also easily stand on its own, and in fact overall it probably is actually a little bit better.
The story is good fun as long as you don't take it seriously. It's actually rather well-written, in that it accommodates all three stars with material well-suited for them. Hope gets plenty of one-liners and similar gags, and he pulls off even the goofiest of them with energy and aplomb. Rogers gets the chance to do some singing and to have some action sequences, and Trigger gets several good moments. Russell is given a character that allows her to stay within the role of the tough, glowering beauty.
There are enough connections to the first movie to add to the enjoyment if you have seen it, but "Son of Paleface" could also easily stand on its own, and in fact overall it probably is actually a little bit better.