Poorly acted, unconvincing "modern" adaption of Bizet's classic opera. Saddled with a two-dollar production look and a cast of (with the exception of Phifer) unprofessional actors. One fairly interesting bit is a few parts which actually set Bizet's music to raps, which only works intermittently. Inferior to both the original and Oscar Hammerstein's similarly overblown 1950s adaption (filmed, if I remember right, memorably by Otto Preminger).
All fans of musicals should avoid it, even though it holds out the promise of being a new type of musical. All fans of hip hop should avoid it, because it forces a cast that is incredibly talented in musical areas to act with hokey dialogue and no direction. It should especially be taken on for taking Mos Def, a genius of lyrics, and making him rap to mediocre lines written by some bozo the clown.
Townsend should really be taken to the cleaners over this, and in the future he should probably be advised to look the other way when offered TV productions with a look like my mama's basement (and she hasn't got one, folks).�
All fans of musicals should avoid it, even though it holds out the promise of being a new type of musical. All fans of hip hop should avoid it, because it forces a cast that is incredibly talented in musical areas to act with hokey dialogue and no direction. It should especially be taken on for taking Mos Def, a genius of lyrics, and making him rap to mediocre lines written by some bozo the clown.
Townsend should really be taken to the cleaners over this, and in the future he should probably be advised to look the other way when offered TV productions with a look like my mama's basement (and she hasn't got one, folks).�