Jim Varney IS funny in this film -- assuming you enjoy the sort of absurd slapstick that lies at the center of every Ernest movie. The problem is, whenever the camera wanders away from Varney's rubber-faced goofing, the movie starts to wander as well.
The supporting cast does what it can (the men who play Ernest's after-work basketball teammates do especially well), but the story wanders, and the pacing is very slow at times. It's too "talky" at times to attract a kid audience, but not complex enough to hold an adult audience whenever the comedy quiets down. And there's the problem: the comedy quiets down too often, and when it does, the movie seems unsure of what it wants to do with itself. There's a cameo by Kareem Abdul Jabbar (an actor he is NOT!) and a rather bizarre about-face by the main female supporting character, which is never adequately explained, even by comedy-film standards.
In the end, Varney's antics as the lovable goofball with the heart of gold and the brain of lead save this movie from being a complete washout -- but it's really no thanks to the script.
In conclusion: Varney is still the best thing to happen to "lovable idiot" comedy since Lou Costello, but he succeeds in spite of this movie, not because of it. Better to rent "Ernest Goes To Jail" or one of the other early Ernest films, if you want to see just how much fun an Ernest movie can be.
The supporting cast does what it can (the men who play Ernest's after-work basketball teammates do especially well), but the story wanders, and the pacing is very slow at times. It's too "talky" at times to attract a kid audience, but not complex enough to hold an adult audience whenever the comedy quiets down. And there's the problem: the comedy quiets down too often, and when it does, the movie seems unsure of what it wants to do with itself. There's a cameo by Kareem Abdul Jabbar (an actor he is NOT!) and a rather bizarre about-face by the main female supporting character, which is never adequately explained, even by comedy-film standards.
In the end, Varney's antics as the lovable goofball with the heart of gold and the brain of lead save this movie from being a complete washout -- but it's really no thanks to the script.
In conclusion: Varney is still the best thing to happen to "lovable idiot" comedy since Lou Costello, but he succeeds in spite of this movie, not because of it. Better to rent "Ernest Goes To Jail" or one of the other early Ernest films, if you want to see just how much fun an Ernest movie can be.