I kept it on for as long as I could, but after awhile this movie really began to bother me, so finally I turned it off. NOT one of Rutger Hauer's best films, or probably anybody involved best films by a long shot.
It's not like I was expecting a great movie. I admit, it was only the presence of Rutger Hauer and my knowlege of some bad blood on the set that made me want to watch this in the first place. The story, which is somewhat like Frankenstein, is about a young man (Wil Wheaton) who is patched together from various cadevers by an odd reclusive type (Hauer). The young man is horrifying in appearance, but brilliant in knowlege. The old man also possesses a great amount of knowledge, so he knows enough to keep his creation secluded into an odd building where everything is white. I think the white somehow represented a sign of religion, which was pointlessly made to look all bad, and like science was the key. That, along with the fact that Hauer "suddenly having to go away" (and never coming back) quite quickly played major factors in my turning it. I don't care for Wil Wheaton nearly enough to watch him by himself, and what was he supposed to DO for the rest of the movie without Hauer? I did not feel like finding out.
Note: Hauer "suddenly had to go away" because director Roger Avery asked him to leave the set...permanently. It seems that he and much of the cast were at odds with the rest of the crew. (maybe he didn't like the ridiculous view the film took on religion). Editing problems were also supposed to be a problem for this film. Those could be two reasons as to why it turned out so...oddly.
It's not like I was expecting a great movie. I admit, it was only the presence of Rutger Hauer and my knowlege of some bad blood on the set that made me want to watch this in the first place. The story, which is somewhat like Frankenstein, is about a young man (Wil Wheaton) who is patched together from various cadevers by an odd reclusive type (Hauer). The young man is horrifying in appearance, but brilliant in knowlege. The old man also possesses a great amount of knowledge, so he knows enough to keep his creation secluded into an odd building where everything is white. I think the white somehow represented a sign of religion, which was pointlessly made to look all bad, and like science was the key. That, along with the fact that Hauer "suddenly having to go away" (and never coming back) quite quickly played major factors in my turning it. I don't care for Wil Wheaton nearly enough to watch him by himself, and what was he supposed to DO for the rest of the movie without Hauer? I did not feel like finding out.
Note: Hauer "suddenly had to go away" because director Roger Avery asked him to leave the set...permanently. It seems that he and much of the cast were at odds with the rest of the crew. (maybe he didn't like the ridiculous view the film took on religion). Editing problems were also supposed to be a problem for this film. Those could be two reasons as to why it turned out so...oddly.