'Il Postino' is a love story between men. There's something poetic about that, in this movie about love & poetry. Neither of them is gay, mind you. In fact, a ravishing beauty (Maria Grazia Cucinotta) is the object of the title character's affection. Still, this movie belongs to Philippe Noiret and the Oscar-nominated Massimo Troisi. Noiret is a Chilean poet, exiled in Italy for his communist leanings. Troisi is the postman, a man going nowhere who comes to idolize this intelligent poet. They become friends and Noiret essentially Cyranos Troisi into Cucinotta's ample heart.
I didn't find the entire film to be heart-rending, but the final scenes add deep resonance to the material. My eyebrows were raised when the movie ended and there was a "For Massimo" credit. Troisi died less than a day after they finished shooting. It seems fitting that the end of the film is bittersweet because the cast & crew had been working with a dying man who wanted nothing more than to finish this final project. 'Il Postino' ended up grossing a boatload of money, so his subtle performance clearly struck a chord with audiences.
Troisi got all the press for his fine work, but Noiret is certainly his equal. Director Michael Radford does well to stay out of their way. I like how he didn't sentimentalize the Troisi/Cucinotta relationship. He's infatuated with her, but that diminishes a bit once he gets her. They're a fair representation of a real couple who were brought together for what might have been the wrong reasons. In fact, the film is filled with surprises. It's a quiet character study, but all the players in 'Il Postino' go through earth-shaking changes of personal proportions. And the Noiret/Troisi friendship is right at the heart of the matter.
I didn't find the entire film to be heart-rending, but the final scenes add deep resonance to the material. My eyebrows were raised when the movie ended and there was a "For Massimo" credit. Troisi died less than a day after they finished shooting. It seems fitting that the end of the film is bittersweet because the cast & crew had been working with a dying man who wanted nothing more than to finish this final project. 'Il Postino' ended up grossing a boatload of money, so his subtle performance clearly struck a chord with audiences.
Troisi got all the press for his fine work, but Noiret is certainly his equal. Director Michael Radford does well to stay out of their way. I like how he didn't sentimentalize the Troisi/Cucinotta relationship. He's infatuated with her, but that diminishes a bit once he gets her. They're a fair representation of a real couple who were brought together for what might have been the wrong reasons. In fact, the film is filled with surprises. It's a quiet character study, but all the players in 'Il Postino' go through earth-shaking changes of personal proportions. And the Noiret/Troisi friendship is right at the heart of the matter.