Hal Hartley once outlined his objective as a film-maker as defining the essential - to reduce a narrative to it's core and purge all sundry and non-essential content. If this is indeed his manifesto, then it serves him well on Ambition, a film which achieves more unity and cohesion in it's 15 minute duration than most films achieve in 90.
Based around an artist whose modest ambition is seemingly only to be "good at what I do", the film charts his brief rise and fall with the same unemotional eye. Initially seduced by those who control art and celebrity for his unique identity and voice, he is to be discarded just as quickly.
He later finds himself attacked (quite literally) by two suited thugs who scorn his vision and drive - "I love New York because the most beautiful women in the World live there" - before concluding that he is beyond hope.
Stunning visuals, perfect dialogue and immaculate performances.
This is possibly Hal Hartley's greatest achievement.
Based around an artist whose modest ambition is seemingly only to be "good at what I do", the film charts his brief rise and fall with the same unemotional eye. Initially seduced by those who control art and celebrity for his unique identity and voice, he is to be discarded just as quickly.
He later finds himself attacked (quite literally) by two suited thugs who scorn his vision and drive - "I love New York because the most beautiful women in the World live there" - before concluding that he is beyond hope.
Stunning visuals, perfect dialogue and immaculate performances.
This is possibly Hal Hartley's greatest achievement.