Inspired by the drive-in success of The Evil Dead, Deadbeat at Dawn is disturbingly effective film-making. It's violent, gritty, and has shock value that's second to none. Jim Van Bebber is a madman behind the camera. He controlled every aspect of this film: he wrote, edited, acted, choreographed stunts and fights, created make-up effects, and directed. In Deadbeat, Van Bebber stars as Goose (or Goose Lee as he's known to my friends and I), the leader of the Ravens and the greatest anti-hero ever. The leader of the rival gang, the Spiders, orders his best goons to attack Goose at home. Instead of finding Goose, they find his girlfriend...and beat her to death. Goose returns home after a hard day of drug dealing only to find his girlfriend's mangled body. That's when Goose goes ballistic. And you better bring along a strong stomach. It's a standard tale of revenge and redemption but there's something special about it. It taps into the raw and savage power of film. The action and violence are unbelievable, but there are breaks in between to let the viewer slow down and take a deep breath. In these breaks, there are hints at social commentary. One scene sums this up: Goose watching two children shoot each other with toy guns. It's so short and there's no dialogue but it certainly says a lot. There's an unspoken element there that's missing from most action movies. I honestly expected all of the reviews I read to dog the film. To my surprise, it was actually well-received. It seems as though everyone who has experienced Deadbeat appreciates the awkward feelings it inspires. Deadbeat at Dawn is truly an American independent action classic.
Note: The Spider's outfits with the underwear on the outside were created as an homage to A Clockwork Orange.
Note: The Spider's outfits with the underwear on the outside were created as an homage to A Clockwork Orange.