Recycling genres, troubleshooting studio politics and making scandals disappear might have been too much of a cross to bear for Josh Brolin's Eddie Mannix in "Hail, Caesar!" But for cinematographer Roger Deakins, it was a fun return to the cockeyed caravan of working with Joel and Ethan Coen. "The thing was not to go too far with the films-within-the-films because it wouldn't flow as a unified piece," said Deakins, who, of course, shot on film once again. "And it helped that most of the time you're seeing the films on a screen in a dailies room or during a sequence at a movie premiere." "Hail, Caesar!" embraces the gray zone of Hollywood reality and artifice in typical Coen brothers fashion. And the early '50s studio shenanigans are almost film noir compared to the tired movies they're making at the MGM-like Capitol Pictures. There's the "Quo Vadis" vibe of...
- 2/10/2016
- by Bill Desowitz
- Thompson on Hollywood
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