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Quo Vadis (1951)

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A fierce Roman commander becomes infatuated with a beautiful Christian hostage and begins questioning the tyrannical leadership of the despot Emperor Nero.

Directors:

, (uncredited)

Writers:

(screen play), (screen play) | 2 more credits »
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Nominated for 8 Oscars. Another 4 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Felix Aylmer ...
Nora Swinburne ...
Ralph Truman ...
Norman Wooland ...
Peter Miles ...
Geoffrey Dunn ...
Terpnos
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Storyline

Returning to Rome after three years in the field, General Marcus Vinicius meets Lygia and falls in love with her, though as a Christian she wants nothing to do with a warrior. Though she grew up Roman, the adopted daughter of a retired general, Lygia is technically a hostage of Rome. Marcus gets Emperor Nero to give her to him for services rendered but finds himself succumbing gradually to her Christian faith. Written by John Oswalt <jao@jao.com>

Plot Summary | Plot Synopsis

Taglines:

Colossal [Quo Vadis] See more »


Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 December 1951 (USA)  »

Also Known As:

Qvo Vadis  »

Box Office

Budget:

$7,623,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Kathleen Byron was considered for the role of Lygia. See more »

Goofs

At the beginning two Generals are seen arriving at Rome by Chariot.The Roman Army of the 1st Centuary AD did not use chariots. See more »

Quotes

Emperor Nero: [as Vinicius and the other soldiers march past] Come closer. Look. They march as they fight: strong, brave, relentless... our unconquerable children. We must take them to our breast.
Poppaea: [Obviously attracted to Vinicius and interpreting the double-entendre literally] Yes, my lord.
See more »

Connections

Featured in Timeshift: Epic: A Cast of Thousands! (2011) See more »

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User Reviews

The original novel and this cinema version of it are two very different kettles of fish!
13 September 2003 | by (Portland, Oregon) – See all my reviews

A fellow IMDb-er from Poland, defending Henryk Sienkiewicz's monumental, Nobel Prize-winning novel (which I HAVE read, by the way) calls this M-G-M Technicolor spectacle "CRAP"!

Please! The novel is incredibly dense and detailed; possibly a lot truer to what was known in the early part of the twentieth century of the actual events of the time of its plot; with lots of references to the cruelty and luxury of Nero's Rome; frequent mentions of the pervasive nudity under all kinds of circumstances among the Romans of the time; and, given its length, a perhaps more respectful view of the emergence of Christianity at a time when its converts risked their very lives to admit their beliefs. There is no way that even a multi-part TV mini-(I mean, maxi-)series could come close to approximating the novel's overwhelming complexity.

But, as a piece of filmed entertainment, this cinema extravaganza is not at all worthy of being consigned to the proverbial garbage heap. The cast, yes, including Robert Taylor and Deborah Kerr, but, especially the supporting actors (Peter Ustinov, of course; plus Leo Genn, in particular, as well as Patricia Laffan, Marina Berti, Finlay Currie, Felix Aylmer, Rosalie Crutchley, et al.) all take full advantage of a script that had many witty as well as dramatic moments and, for its day, a fairly reverent (though not historically accurate) rendering of Christianity's emergence in a hostile Roman world.

In addition its production values have never been surpassed; in fact, they've never been equalled. One understands how beleaguered those of Polish descent often must feel (I, for one, have never been a fan of so-called "Polish jokes."), but let's not set impossible standards for a translation of one of Poland's most memorable literary achievements! This production is an example of Hollywood marshalling some impressive resources, while avoiding more than a modicum of the cliches that can sabotage such a project. It may not honor its source as some might wish, but it's still a quite grand and opulently eye-filling way to enjoy close to three hours.


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