The second in a trilogy of movies about Elisabeth "Sissi" of Austria, the film chronicles the married life of the young empress as she tries to adjust to formal and strict life in the palace and an overbearing mother-in-law.
An elaborate adaptation of Dickens' classic tale of the French Revolution. Dissipated lawyer Sydney Carton defends emigre Charles Darnay from charges of spying against England. He becomes ... See full summary »
Robert Z. Leonard
Edna May Oliver
Returning to Rome after 3 years in the field, General Marcus Vinicius meets Lygia and falls in love with her. She is a Christian and doesn't want to have anything to do with a warrior. Though she grew up Roman, the adopted daughter of a retired general, Lygia is technically a hostage of Rome. Marcus gets Emperor Nero to give her to him for services rendered Written by
John Oswalt <firstname.lastname@example.org>
Obvious "blue spill" on characters in several scenes, revealing the use of rear-projection footage. Examples of this include the close-ups in the chariot scene and the scenes of characters overlooking the burning of Rome. See more »
You ask why I do this. Because I love Nero, perhaps? He fills me with loathing!
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Lives up to your expectations...Leo Genn and Peter Ustinov steal the acting honors...
Ancient Rome never looked so good--especially in the gorgeous MGM technicolor of 1951. Costumes, sets, photography and music are all of a high order--and all of the performances are competent with two outstanding ones by Leo Genn (Petronius) and Peter Ustinov (Nero). Ustinov reminds me of an overbaked Charles Laughton in some of his mad scenes, but he is a convincing weakling as Nero. Leo Genn has some of the wittiest dialogue and handles his lines with professional ease, his eyes flashing with humor as he pretends to agree with Nero on certain points. Robert Taylor is stalwart in the lead giving his usual dependable performance and Deborah Kerr is lovely (if a bit British in manner) as Lygia.
All the action and excitement you want from a spectacle--the burning of Rome, Christians in the arena thrown to the lions, the triumphal marches accompanied by Miklos Rozsa's mighty score--and scenes with sentimental and religious overtones (sometimes too extended and talky) --all combine to make the kind of lush spectacle MGM knew would be popular at the box-office. Although discriminating critics found fault with certain factors, it won eight Academy award nominations with Ustinov and Genn both nominated for supporting roles.
Grand scale spectacle--but don't expect anything deep.
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