A fierce Roman commander becomes infatuated with a beautiful Christian hostage and begins questioning the tyrannical leadership of the despot Emperor Nero.

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, (uncredited)

Writers:

(screen play), (screen play) | 2 more credits »
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Nominated for 8 Oscars. Another 4 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Abraham Sofaer ...
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Nora Swinburne ...
Ralph Truman ...
Norman Wooland ...
Peter Miles ...
Geoffrey Dunn ...
Terpnos
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Storyline

Returning to Rome after three years in the field, General Marcus Vinicius meets Lygia and falls in love with her, though as a Christian she wants nothing to do with a warrior. Though she grew up Roman, the adopted daughter of a retired general, Lygia is technically a hostage of Rome. Marcus gets Emperor Nero to give her to him for services rendered but finds himself succumbing gradually to her Christian faith. Written by John Oswalt <jao@jao.com>

Plot Summary | Plot Synopsis

Taglines:

Three Years in the Making! Thousands in the Cast! Filmed in Rome! See more »


Certificate:

Passed | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

25 December 1951 (USA)  »

Also Known As:

Qvo Vadis  »

Box Office

Budget:

$7,623,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Elizabeth Taylor: an extra See more »

Goofs

The real Petroius committed suicide two years before Nero after being accused of treason by Tigellinus. See more »

Quotes

Emperor Nero: [During the burning of Rome] What do they want?
Petronius: Justice.
Emperor Nero: A mob doesn't want justice - they want revenge!
See more »

Connections

Referenced in Tatort: Ordnung im Lot (2012) See more »

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User Reviews

 
Superb set and costume design. Ustinov outstanding.
15 February 2002 | by (Washington, DC) – See all my reviews

I first saw this film as a re-run in 1964--on the big screen. Much is lost, I think, when viewing it on television. Peter Ustinov's portrayal of the emperor Nero raises the bar for anyone else who is ever cast as an unbalanced and corrupt Roman emperor. Certainly, we don't see this style or quality of acting in newer films such as "Gladiator." I focus on the "Nero" character more than others because Ustinov was truly able to get inside the role, and appeared to stay very focused. Robert Taylor was fine in the movie, but his role could have been handled by nearly any leading man of the time. Ditto for Deborah Kerr. The remaining cast was very, very good. The set designs and costumes were sheer artistry and the score was effective and complimentary. I recommend this to anyone who is interested in spectacles and studying fine acting techniques (i.e., Ustinov's).


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