Following a fifteen-year creative hiatus and another fifteen years stranded in development hell, director George Miller’s iconic outback creation, Max Rockatansky, returned to theatres this month to a rapturous reception. “Absence makes the heart grow fonder” and “good things come to those who wait” aren’t reliable rules of thumb for filmmaking, let alone in a studio system, but Mad Max: Fury Road demonstrated the value of such back-to-basics thinking: focused storytelling, practical effects and a freedom from franchise baggage combined to make Fury Road the critical high-water mark for 2015 blockbusters. That it also performed well at the box office made Miller’s $150 million return to both the wasteland and action filmmaking a double-barreled coup d’état.
If anything, the extensive gap between Fury Road and 1985’s Mad Max Beyond Thunderdome, Rockatansky’s last adventure, afforded Miller’s fourth go-round with the character a certain clemency from the “franchise...
If anything, the extensive gap between Fury Road and 1985’s Mad Max Beyond Thunderdome, Rockatansky’s last adventure, afforded Miller’s fourth go-round with the character a certain clemency from the “franchise...
- 5/26/2015
- by Sam Woolf
- We Got This Covered
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