A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
Bartertown is a city on the edge of a desert that has managed to retain some technology if no civilization. Max has his supplies stolen and must seek shelter there in a post apocalyptic world where all machines have begun to break down and barbarians hold what is left. He becomes involved in a power struggle in this third Mad Max film where he must first survive the town, survive the desert and then rescue the innocent children he has discovered. Written by
John Vogel <email@example.com>
Max's eyes are different; the pupil in his left eye is permanently dilated. This is a nod to Mad Max 2: The Road Warrior (1981): When his car is forced off the road by Wez and Max crashes, he suffers a severe injury to, among other body parts, his left eye. The disparity is easier to see in close-ups, and VERY easy to see in HD versions of the film. In the regular version, it's most prominent when Max first looks down on the Thunderdome. See more »
When Max walks in the desert, we see him holding the monkey at his chest. However, when he abruptly falls, there is no sign of the monkey jumping from him, but we then see it alive and safe at the children's cave. See more »
Do you know who I was? Nobody. Except on the day after, I was still alive. This nobody had a chance to be somebody.
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Who could not love this movie? It's got more imagination than five average postbomb flicks, incredible visual design, enough alternate societies with enough backstory apiece for three more movies (including an aboriginal clan who look like Peter Pan's Lost Boys and speak a dialect you'll be copying for days after you see it), car chases, amazing costumes, one of the most original death-duel sequences ever, Tina Turner, *and* Mel Gibson! I mean, goddamn, what more do you want? I personally want another movie just set in Bartertown AND a movie that follows what happens to Anna Goanna and her clan, and they don't even have to have Mel Gibson in them - that's how rich I think the imaginative depth of this movie is. I like it more every time I see it. Genuinely something special.
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