A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
Bartertown is a city on the edge of a desert that has managed to retain some technology if no civilization. Max has his supplies stolen and must seek shelter there in a post apocalyptic world where all machines have begun to break down and barbarians hold what is left. He becomes involved in a power struggle in this third Mad Max film where he must first survive the town, survive the desert and then rescue the innocent children he has discovered. Written by
John Vogel <email@example.com>
Ironbar fires an arrow through the train/truck's door and through Pig Killer's leg. The arrow has a huge four-bladed broadhead on it, yet the hole in the door and the hole in Pig Killer's leg are only the size of the arrow's shaft. See more »
Third "Mad Max" film doesn't measure up, as Max finds himself in a violent and corrupt town, run by a despotic woman(Tina Turner, a peculiar choice, but does sing the title song.) where he is forced to fight in Thunderdome for his survival, only to be banished to the desert, where he is rescued by a group of orphaned children, whom he must help.
Film is technically well-made, and Mel Gibson tries, but film lacks energy and purpose, and is also slow, with not enough action to compensate. Max seems sidelined here, and Mel Gibson, though still game, looks disinterested, and who can blame him? Not enough story here to engage the viewer, and so it feels lethargic. A pity.
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