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Mad Max Beyond Thunderdome (1985)

6.2
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Ratings: 6.2/10 from 75,421 users  
Reviews: 158 user | 70 critic

A former Australian policeman is rescued by a tribe of children when he is banished from a desert town and sent into the desert to die by the desert town's evil queen.

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Title: Mad Max Beyond Thunderdome (1985)

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Nominated for 1 Golden Globe. Another 1 win & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Adam Cockburn ...
...
...
Angelo Rossitto ...
The Master
Paul Larsson ...
The Blaster
Angry Anderson ...
...
George Spartels ...
Edwin Hodgeman ...
Bob Hornery ...
Andrew Oh ...
Ollie Hall ...
Lee Rice ...
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Storyline

Bartertown is a city on the edge of a desert that has managed to retain some technology if no civilization. Max has his supplies stolen and must seek shelter there in a post apocalyptic world where all machines have begun to break down and barbarians hold what is left. He becomes involved in a power struggle in this third Mad Max film where he must first survive the town, survive the desert and then rescue the innocent children he has discovered. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

Max is back...and Tina's got him! See more »


Certificate:

PG-13 | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

10 July 1985 (USA)  »

Also Known As:

Mad Max Beyond Thunderdome  »

Box Office

Budget:

$12,305,523 (estimated)

Gross:

$36,200,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

It is a popular misbelief that the vehicle Max is seen driving at the beginning and end of the film is based on a Ford F150 pick-up truck. However a modified early to mid 70's model Australian Ford Fairlane ZF-ZG was used as the base vehicle. Although the exterior of the car has been heavily modified, the vehicle is identified through the remaining pieces of the cars interior. These include a curved dashboard and ignition switch along with steering column positioning (common style of Australian Ford model's between the years 1971 to 1976,) Along with the a ZG seat trim and steering wheel. This can be confirmed through close-ups of the interior during the final chase sequence. The ZG Fairlane shares a very similar body style, chassis and engine (351, 5.8 liter V8 Cleveland) to Max's original yellow Interceptor used in "Mad Max". Making all three of the main vehicles used by Max in each film a similar variation of each other (Australian Model Ford V8, mid 70's Sedan,Coupe). See more »

Goofs

As Max is clearing the path for the plane, and just before he reaches Aunty's armada, he climbs out of his truck on the right side (where the steering wheel is). However, when he jumps off the truck, he jumps from the left side. See more »

Quotes

Max: [Max recognizes Jedediah] YOU!
Jedediah the Pilot: Me?
Max: You, it's your lucky day!
Jedediah the Pilot: It is?
Max: Uh huh. You've got a plane.
Jedediah the Pilot: I have?
Max: [Outside, a plane is being started] It might just save your life.
Jedediah the Pilot: It will?
Max: Uh huh.
See more »

Crazy Credits

Mel Gibson, who plays Mad Max, is listed again among the Stunt Crew in the End Credits. See more »

Connections

Referenced in Mystery Science Theater 3000: Laserblast (1996) See more »

Soundtracks

We Don't Need Another Hero (Thunderdome)
Written by Terry Britten and Graham Lyle
Performed by Tina Turner
Produced by Terry Britten
Copyright (c) 1985 Good Single Music Ltd. & My Axe Music Ltd.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Half and half
2 June 1999 | by (Cincinnati, OH.) – See all my reviews

The first half of this film -- the part with Bartertown, Thunderdome, etc -- is brilliant, not just a repeat of THE ROAD WARRIOR but a totally new concept, thoroughly fleshed out. The second half, with the lost children, isn't as good -- and, more to the point, doesn't quite mesh with the first half, despite Miller's attempts to tie it all together at the end. Still, it's well above average in a genre that has increasingly come to believe (wrongly) that special effects are more important than plot and character.


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