In a stark desert landscape where humanity is broken, two rebels just might be able to restore order: Max, a man of action and of few words, and Furiosa, a woman of action who is looking to make it back to her childhood homeland.
A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
As the Clone Wars near an end, the Sith Lord Darth Sidious steps out of the shadows, at which time Anakin succumbs to his emotions, becoming Darth Vader and putting his relationships with Obi-Wan and Padme at risk.
Bartertown is a city on the edge of a desert that has managed to retain some technology if no civilization. Max has his supplies stolen and must seek shelter there in a post apocalyptic world where all machines have begun to break down and barbarians hold what is left. He becomes involved in a power struggle in this third Mad Max film where he must first survive the town, survive the desert and then rescue the innocent children he has discovered. Written by
John Vogel <firstname.lastname@example.org>
The film was intended to be the final chapter of the "Mad Max' trilogy, with Mel Gibson bowing out of the role of Max and ending with Max regaining his humanity and walking away into the sunset. See more »
When Max "parks" his weapons, we hear the sound of 15 separate items (counting the shotgun shells as one item) hitting the counter, yet when he's finished, there are only about 7 items in the pile. Also, he puts his shotgun down second, on the right side of the counter. It immediately disappears for several shots and then reappears on the left side. See more »
[after inspecting a bomb]
It's a class job. One mistake, and it'll blow the crap out of this place! Literally.
See more »
Third "Mad Max" film doesn't measure up, as Max finds himself in a violent and corrupt town, run by a despotic woman(Tina Turner, a peculiar choice, but does sing the title song.) where he is forced to fight in Thunderdome for his survival, only to be banished to the desert, where he is rescued by a group of orphaned children, whom he must help.
Film is technically well-made, and Mel Gibson tries, but film lacks energy and purpose, and is also slow, with not enough action to compensate. Max seems sidelined here, and Mel Gibson, though still game, looks disinterested, and who can blame him? Not enough story here to engage the viewer, and so it feels lethargic. A pity.
7 of 11 people found this review helpful.
Was this review helpful to you?