Interfilm International Short Film Festival Berlin is back with its 38th edition, running from the 15th to the 20th of November 2022. This year the regional focus will be on the cinematography of the Philippines, while the thematic focus Ghosts of Europe looks towards the EU. Interfilm dedicates also a spotlight program to Belarusian filmmaking, which courageously takes on the current regime.
To use the organisers’ words: “The competitions present themselves as usual politically, combative and at the same time empathetic and full of confidence. Great stories meet abstract animation, essayistic forms meet concrete narration. (…) Interforum is the place to discuss and learn, and various special programs and events round off the week dedicated to short film.“
You can find the full programme on the official website here.
Here are all the Asian titles:
International Competition
Anxious Body by Yoriko Mizushiri // France – Japan 2021
A Guitar in the Bucket by Boyoung Kim...
To use the organisers’ words: “The competitions present themselves as usual politically, combative and at the same time empathetic and full of confidence. Great stories meet abstract animation, essayistic forms meet concrete narration. (…) Interforum is the place to discuss and learn, and various special programs and events round off the week dedicated to short film.“
You can find the full programme on the official website here.
Here are all the Asian titles:
International Competition
Anxious Body by Yoriko Mizushiri // France – Japan 2021
A Guitar in the Bucket by Boyoung Kim...
- 11/4/2022
- by Adriana Rosati
- AsianMoviePulse
“Waikiki” and “Hawaiian Soul” won the Made in Hawai’i awards at the the 40th edition of the Hawai’i International Film Festival.
The awards were announced at a virtual gala held Sunday. “Waikiki” is described as a dramatic and visceral allegory for the contemporary issues that plague Hawaii’s people, including mental illness, physical abuse and the loss of Hawaiian identity.
“In his feature debut, director Christopher Kahunahana unravels a hauntingly beautiful film that depicts the complicated and intertwined sides of paradise, both darkness and light,” the festival jury said of “Waikiki.” “Against the backdrop of Hawaii’s natural beauty, Kahunahana and cast focus on the very real struggles of many Hawaiian residents – and leave us wondering how we can be a part of the solution, not just the problem.”
The jury gave a special award for cinematography to Ryan Miyamoto for his work on “Waikiki” and said, “A...
The awards were announced at a virtual gala held Sunday. “Waikiki” is described as a dramatic and visceral allegory for the contemporary issues that plague Hawaii’s people, including mental illness, physical abuse and the loss of Hawaiian identity.
“In his feature debut, director Christopher Kahunahana unravels a hauntingly beautiful film that depicts the complicated and intertwined sides of paradise, both darkness and light,” the festival jury said of “Waikiki.” “Against the backdrop of Hawaii’s natural beauty, Kahunahana and cast focus on the very real struggles of many Hawaiian residents – and leave us wondering how we can be a part of the solution, not just the problem.”
The jury gave a special award for cinematography to Ryan Miyamoto for his work on “Waikiki” and said, “A...
- 11/29/2020
- by Dave McNary
- Variety Film + TV
“Crip Camp” leads all films in nominations for the 36th annual IDA Documentary Awards, the International Documentary Association announced on Tuesday.
The film by directors Nicole Newnham and Jim LeBrecht deals with a New York summer camp in the early 1970s that became a key launching pad for the disability rights movement. It was an opening-night film at this year’s Sundance Film Festival, where it won the documentary audience award.
“Crip Camp” received five IDA doc awards nominations, including Best Feature, Best Director, Best Editing and Best Writing. Four films received three nominations each: Sam Pollard’s “MLK/FBI,” Garrett Bradley’s “Time,” Michael Dweck and Gregory Kershaw’s “The Truffle Hunters” and Pippa Ehrlich and James Reed’s “My Octopus Teacher,” the only film whose three nominations did not include the Best Feature category.
Other Best Feature nominees are “Collective,” “Gunda,” “The Reason I Jump,” “Reunited,” “Softie” and “Welcome to Chechnya.
The film by directors Nicole Newnham and Jim LeBrecht deals with a New York summer camp in the early 1970s that became a key launching pad for the disability rights movement. It was an opening-night film at this year’s Sundance Film Festival, where it won the documentary audience award.
“Crip Camp” received five IDA doc awards nominations, including Best Feature, Best Director, Best Editing and Best Writing. Four films received three nominations each: Sam Pollard’s “MLK/FBI,” Garrett Bradley’s “Time,” Michael Dweck and Gregory Kershaw’s “The Truffle Hunters” and Pippa Ehrlich and James Reed’s “My Octopus Teacher,” the only film whose three nominations did not include the Best Feature category.
Other Best Feature nominees are “Collective,” “Gunda,” “The Reason I Jump,” “Reunited,” “Softie” and “Welcome to Chechnya.
- 11/24/2020
- by Steve Pond
- The Wrap
Leading the International Documentary Association Documentary Awards nominees with five nominations is “Crip Camp,” Netflix’s look back at an influential activist summer camp for the disabled, followed by Garrett Bradley’s poetic black-and-white “Time” (Amazon Studios) and Sam Pollard’s 60s archival dive “MLK/FBI” (IFC Films) with four noms each.
“The Truffle Hunters” (Sony Pictures Classics) scored three nods. All four films landed nods for Best Feature and Director, along with Jerry Rothwell’s “The Reason I Jump.” Netflix also landed multiple nominations for “Dick Johnson Is Dead” And “My Octopus Teacher.”
The IDAs are among the most reliable bellwethers of the Oscar documentary feature race. Last year’s IDA Best Feature winner, “For Sama,” was among the final five Oscar nominees, along with three out of 10 IDA nominees, including eventual Oscar-winner “American Factory.”
Starting December 7, IDA members are invited to vote online for Best Feature and Best...
“The Truffle Hunters” (Sony Pictures Classics) scored three nods. All four films landed nods for Best Feature and Director, along with Jerry Rothwell’s “The Reason I Jump.” Netflix also landed multiple nominations for “Dick Johnson Is Dead” And “My Octopus Teacher.”
The IDAs are among the most reliable bellwethers of the Oscar documentary feature race. Last year’s IDA Best Feature winner, “For Sama,” was among the final five Oscar nominees, along with three out of 10 IDA nominees, including eventual Oscar-winner “American Factory.”
Starting December 7, IDA members are invited to vote online for Best Feature and Best...
- 11/24/2020
- by Anne Thompson
- Indiewire
Leading the International Documentary Association Documentary Awards nominees with five nominations is “Crip Camp,” Netflix’s look back at an influential activist summer camp for the disabled, followed by Garrett Bradley’s poetic black-and-white “Time” (Amazon Studios) and Sam Pollard’s 60s archival dive “MLK/FBI” (IFC Films) with four noms each.
“The Truffle Hunters” (Sony Pictures Classics) scored three nods. All four films landed nods for Best Feature and Director, along with Jerry Rothwell’s “The Reason I Jump.” Netflix also landed multiple nominations for “Dick Johnson Is Dead” And “My Octopus Teacher.”
The IDAs are among the most reliable bellwethers of the Oscar documentary feature race. Last year’s IDA Best Feature winner, “For Sama,” was among the final five Oscar nominees, along with three out of 10 IDA nominees, including eventual Oscar-winner “American Factory.”
Starting December 7, IDA members are invited to vote online for Best Feature and Best...
“The Truffle Hunters” (Sony Pictures Classics) scored three nods. All four films landed nods for Best Feature and Director, along with Jerry Rothwell’s “The Reason I Jump.” Netflix also landed multiple nominations for “Dick Johnson Is Dead” And “My Octopus Teacher.”
The IDAs are among the most reliable bellwethers of the Oscar documentary feature race. Last year’s IDA Best Feature winner, “For Sama,” was among the final five Oscar nominees, along with three out of 10 IDA nominees, including eventual Oscar-winner “American Factory.”
Starting December 7, IDA members are invited to vote online for Best Feature and Best...
- 11/24/2020
- by Anne Thompson
- Thompson on Hollywood
The International Documentary Association has announced the nominees for its 36th Annual IDA Documentary Awards, and a certain streaming service dominates. Netflix scored a leading 18 noms for the 2020 IDAs, more than three times its nearest rival. PBS is second with five, followed by HBO (four).
The IDA also said today that its 2020 ceremony is going virtual on January 21.
“The nominees present an inspiring and urgent range of stories from around the globe,” said Simon Kilmurry, executive director of the IDA. “The broad range of subjects and approaches to storytelling underscores that documentary is our most exciting form of cultural expression, a vital art form and a crucial element of democratic dialogue.”
Ten films are up for the marquee Best Feature award: Collective, Crip Camp (Netflix), Gunda (Neon), MLK/FBI (IFC Films), The Reason I Jump (Kino Lorber), Reunited, Softie, Time, The Truffle Hunters (Sony Pictures Classics) and Welcome to Chechnya (HBO).
The helmers of five of those films also are up for Best Director: Garrett Bradley (Time), Michael Dweck and Gregory Kershaw (The Truffle Hunters), Nicole Newnham and Jim LeBrecht (Crip Camp), Sam Pollard (MLK/FBI) and Jerry Rothwell (The Reason I Jump).
On the TV side, five programs will vie for Best Curated Series): ESPN’s 30 for 30, PBS’ American Experience, Thirteen Productions’ American Masters, Illinois Public Media’s Reel Midwest and PBS/World Channel’s Reel South.
The nominees for Best Episodic Series are Cheer (Netflix), Hip Hop: The Songs That Shook America (AMC), Last Chance U (Netflix), Seven Planets, One World (BBC America) and We’re Here (HBO).
Up for Best Multi-Part Documentary are Asian Americans (PBS), Atlanta’s Missing and Murdered (HBO), City So Real (National Geographic), Hillary (Hulu) and Lenox Hill (Netflix).
“This is a year that has been one of reflection, looking inwards, and living life differently than we have always known it to be,” said James Costa, co-chair of the Feature Documentary Nominating Committee and IDA Board of Directors’ co-vice president. “Through the art of filmmaking these films gave us an opportunity to truly look and learn through the lenses of others.”
Here is the full list of nominees for the 2020 IDA Documentary Awards:
Best Feature
Collective
Director/Producer: Alexander Nanau
Producer: Bianca Oana
Crip Camp (USA / Netflix)
Directors/Producers: Nicole Newnham, Jim LeBrecht
Producer: Sara Bolder
Gunda
Director: Victor Kossakovsky
Producer: Anita Rehoff Larsen
MLK/FBI (USA / IFC Films)
Director: Sam Pollard
Producer: Benjamin Hedin
The Reason I Jump
Director: Jerry Rothwell
Producers: Jeremy Dear, Stevie Lee, Al Morrow
Reunited (Denmark)
Director: Mira Jargil
Producer: Kirstine Barfod
Softie (Kenya / Pov)
Director/Producer: Sam Soko
Producer: Toni Kamau
Time
Director/Producer: Garrett Bradley
Producers: Lauren Domino, Kellen Quinn
The Truffle Hunters
Directors/Producers: Michael Dweck, Gregory Kershaw
Welcome to Chechnya (USA / HBO)
Director/Producer: David France
Producers: Alice Henty, Joy A. Tomchin and Askold Kurov
Best Director
Garrett Bradley
Time
USA / Amazon Studios, Concordia Studio, The New York Times
Michael Dweck and Gregory Kershaw
The Truffle Hunters
USA, Italy, Greece / Sony Pictures Classics
Nicole Newnham and Jim LeBrecht
Crip Camp
USA / Netflix
Sam Pollard
MLK/FBI
USA / IFC Films
Jerry Rothwell
The Reason I Jump
USA, UK / Kino Lorber
Best Short
Abortion Helpline, This is Lisa
Directors/Producers: Barbara Attie, Mike Attie, Janet Goldwater
All That Perishes at the Edge of Land (Pakistan)
Director/Producer: Hira Nabi
Producer: Till Passow
Huntsville Station (USA / New York Times Op-Docs)
Directors/Producers: Jamie Meltzer, Chris Filippone
Hysterical Girl (USA / New York Times Op-Docs)
Director: Kate Novack
Producer: Andrew Rossi
John Was Trying to Contact Aliens (USA / Netflix)
Director/Producer: Matthew Killip
The Lost Astronaut (USA / New York Times Op-Docs)
Director: Ben Proudfoot
Producers: Abby Lynn Kang Davis, Gabriel Berk Godoi
Mizuko
Directors/Producers: Kira Dane, Katelyn Rebelo
sống ở đây
Director/Producer: Melanie Ho
To Calm the Pig Inside (Ang Pagpakalma sa Unos) (Philippines)
Director/Producer: Joanna Vasquez Arong
Unforgivable (El Salvador)
Director/Producer: Marlén Viñayo
Producer: Carlos Martínez
Best Curated Series
30 for 30 (USA / ESPN)
Executive Producers: John Dahl, Libby Geist, Rob King, Erin Leyden, Connor Schell
American Experience (USA / PBS)
Executive Producers: Susan Bellows and Mark Samels
American Masters
Executive Producer: Michael Kantor
Reel Midwest (USA / Illinois Public Media)
Executive Producer: Moss Bresnahan
Reel South
Executive Producers: Don Godish and Rachel Raney
Best Episodic Series
Cheer (USA / Netflix)
Director/Executive Producer: Greg Whiteley
Producers: Adam Leibowitz, Arielle Kilker, Chelsea Yarnell
Executive Producers: Andrew Fried, Dane Lillegard, Jasper Thomlinson, Bert Hamelinck
Hip Hop: The Songs That Shook America (USA / AMC)
Executive Producers: Ahmir “Questlove” Thompson, Tariq “Black Thought” Trotter, Shawn Gee, Alex Gibney, Stacey Offman, Richard Perello, Shea Serrano, Angie Day, One9, Erik Parker, Isaac Bolden
Last Chance U (USA / Netflix)
Director/Executive Producer: Greg Whiteley
Executive Producers: Joe Labracio, James D. Stern, Lucas Smith, Andrew Fried, Dane Lillegard
Seven Planets, One World (UK / BBC America)
Directors: Fredi Devas, Emma Napper, Giles Badger, Chadden Hunter
Executive Producer: Jonny Keeling
We’re Here (USA / HBO)
Executive Producers: Eli Holzman, Aaron Saidman, Stephen Warren, Johnnie Ingram, Peter LoGreco, Erin Gamble
Best Multi-Part Documentary
Asian Americans (USA / PBS)
Directors: Leo Chiang, Geeta Gandbhir, Grace Lee
Producers: Renee Tajima-Peña, Mark Jonathan Harris
Executive Producers: Jeff Bieber, Sally Jo Fifer, Stephen Gong, Jean Tsien, Donald Young
Atlanta’s Missing and Murdered (USA / HBO)
Directors/Executive Producers: Sam Pollard, Maro Chermayeff, Joshua Bennett, Jeff Dupre
Executive Producers: John Legend, Mike Jackson, Ty Stiklorious, Nancy Abraham, Lisa Heller
City So Real (USA / National Geographic)
Director/ Producer: Steve James.
Producer: Zak Piper.
Executive Producers: Jeff Skoll, Diane Weyermann, Alex Kotlowitz, Gordon Quinn, Betsy Steinberg, Jolene Pinder
Hillary (USA / Hulu)
Director: Nanette Burstein
Producers: Isabel San Vargas, Timothy Moran, Chi-Young Park, Tal Ben-David
Executive Producers: Ben Silverman, Howard T. Owens, Nanette Burstein, Sierra Kos, Laurie Girion
Lenox Hill (USA / Netflix)
Directors/Executive Producers: Adi Barash and Ruthie Shatz.
Executive Producer: Josh Braun
Best Short Form Series
Almost Famous (USA / New York Times Op-Docs)
Producers: Abby Lynn Kang Davis, Gabriel Berk Godoi and Jeremy Lambert
Executive Producer: Adam Ellick
Director: Ben Proudfoot
Guardian Documentaries
Producers: Shanida Scotland, Natasha Dack Ojumu and Nikki Parrott
Executive Producers: Charlie Phillips. Lindsay Poulton, Jess Gormley
Directors: Irene Baque, Laurence Topham, Sara Khaki, Mohammad Reza Eyni, Rebecca Lloyd-Evans, Laura Dodsworth, Dan McDougall
Last Call For The Bayou: 5 Stories from Louisiana’s Disappearing Delta (USA / Smithsonian Channel Plus)
Producer: Nadia Gill
Executive Producer: Gina Hutchinson
Director: Dominic Gill
Pov Shorts (USA / PBS)
Producer: Opal H. Bennett
Executive Producers: Justine Nagan and Chris White
Run This City (USA / Quibi)
Director: Brent Hodge
Producer: Prince Vaughn
Executive Producers: Mark Wahlberg, Stephen Levinson, Archie Gips, Brent Hodge
Best Audio Documentary
Crosses in the Desert / Cruces en el desierto
Reporter: Dennis Maxwell
Producers: Catalina May, Martín Cruz
Executive Producer: Martina Castro
Fiasco: Bush v. Gore (USA / Luminary)
Producers: Leon Neyfakh, Andrew Parsons
Girl Taken (UK / British Broadcasting Corporation)
Reporter: Sue Mitchell
Producer: Richard Hannaford
Executive Producer: Philip Sellars
Heavyweight – The Marshes (USA / Gimlet Media)
Reporter, Producer and Executive Producer: Jonathan Goldstein
Reporter and Producer: Kalila Holt.
Producers: Stevie Lane, Jorge Just, BA Parker, Bobby Lord
Somebody (USA / iHeartRadio)
Reporters and Producers: Alison Flowers, Bill Healy
Reporters: Sam Stecklow, Ellen Glover, Annie Nguyen, Kahari Blackburn, Rajiv Sinclair, Henri Adams, Matilda Vojak, Dana Brozost-Kelleher, Frances McDonald, Diana Akmajian, Andrew Fan and Maddie Anderson
Producers: Shapearl Wells, Sarah Geis
Executive Producers: Jamie Kalven, Maria Zuckerman, Christy Gressman, Leital Molad
Best Music Documentary
Beastie Boys Story (USA / Apple TV+)
Director/Producer: Spike Jonze
Producers: Jason Baum and Amanda Adelson
Billie (UK / Greenwich Entertainment)
Director: James Erskine
Crock of Gold (USA / Magnolia Pictures)
Director/Producer: Julien Temple
Producers: Johnny Depp, Stephen Deuters, Stephen Malit
Los Hermanos / The Brothers
Directors/Producers: Marcia Jarmel and Ken Schneider
Universe (USA)
Directors: Sam Osborn and Nicholas Capezzera
Producers: Esther Dere and Leah Natasha Thomas
David L. Wolper Student Documentary Award
Bananas (UK / National Film and Television School)
Director/Producer: Sara Montoya Sepúlveda
Isle of Us (UK / National Film and Television School)
Director: Laura Wadha
Na Luta Delas (Brazil / Uc Berkeley Graduate School of Journalism)
Directors/Producers: Orion Rose Kelly and Pedro Cota
People Like Me (USA / University of California Santa Cruz)
Director/Producer: Marrok Sedgwick
Susana (USA / Stanford University)
Director: Laura Gamse
Producer: James Davis
Trees (UK / National Film and Television School)
Director: Rosie Morris
Producer: Jesse Romain
Best Cinematography
Acasă, My Home
Cinematographers: Radu Ciorniciuc and Mircea Topoleanu
Boys State
Director of Photography: Thorsten Thielow
The Earth is Blue as an Orange
Cinematographer: Viacheslav Tsvietkov
The Truffle Hunters
Cinematographers: Michael Dweck, Gregory Kershaw
Time
Cinematographers: Zac Manuel, Justin Zweifach, Nisa East
Best Editing
Boys State
Editor: Jeff Gilbert
Crip Camp (USA / Netflix)
Editors: Eileen Meyer and Andrew Gersh
Disclosure (USA / Netflix)
Editor: Stacy Goldate
Dick Johnson is Dead (USA / Netflix)
Editor: Nels Bangerter
Through the Night
Editor: Malika Zouhali-Worrall
Best Writing
Crip Camp (USA / Netflix)
Writers: Nicole Newnham and Jim LeBrecht
Dick Johnson is Dead
(USA / Netflix)
Writers: Nels Bangerter and Kirsten Johnson
I Am Not Alone (USA / Netflix)
Writer: Garin Hovannisian
My Octopus Teacher (USA / Netflix)
Writers: Pippa Ehrlich and James Reed
Socks on Fire (USA)
Writers: Max Allman, Bo McGuire
Best Music Score
Dancing with the Birds (USA / Netflix)
Composer: David Mitcham
David Attenborough: Life On Our Planet
Composer: Steven Price
Hope Frozen: A Quest to Live Twice (USA / Netflix)
Composer: Chapavich Temnitikul)
My Octopus Teacher (USA / Netflix)
Composer: Kevin Smuts
Rising Phoenix (USA / Netflix)
Composer: Daniel Pemberton
ABC News VideoSource Award
#Unfit: The Psychology of Donald Trump (USA / Dark Star)
Director/Producer: Dan Partland
Producer: Art Horan
Bully. Coward. Victim.: The Story of Roy Cohn (USA / HBO)
Director: Ivy Meeropol
Producers: Julie Goldman, Christopher Clements, Carolyn Hepburn
Crip Camp (USA / Netflix)
Directors/Producers: Nicole Newnham, Jim LeBrecht
Producer: Sara Bolder
Kill Chain: The Cyber War on America’s Elections (USA / HBO)
Director: Sarah Teale
Directors/Producers: Simon Ardizzone and Russell Michaels
Producers: Michael Hirschorn and Jessica Antonini
MLK/FBI (USA / IFC Films)
Director: Sam Pollard
Producer: Benjamin Hedin
The First Rainbow Coalition
Director/Producer: Ray Santisteban
Pare Lorentz Award
Winner
My Octopus Teacher (USA / Netflix)
Director: Pippa Ehrlich, James Reed
Producer: Craig Foster
Honorable Mention
Crip Camp (USA / Netflix)
Directors/Producers: Nicole Newnham, Jim LeBrecht
Producer: Sara Bolder
Honorary Awards
Amicus Award
Regina K. Scully
Career Achievement Award
Sam Pollard (MLK/FBI)
Courage Under Fire Award
David France, David Isteev and Olga Baranova (Welcome to Chechnya)
Emerging Documentary Filmmaker Award
Garrett Bradley (Time)
Pioneer Award
Firelight Media
Truth to Power Award
Maria Ressa and Rappler (A Thousand Cuts)...
The IDA also said today that its 2020 ceremony is going virtual on January 21.
“The nominees present an inspiring and urgent range of stories from around the globe,” said Simon Kilmurry, executive director of the IDA. “The broad range of subjects and approaches to storytelling underscores that documentary is our most exciting form of cultural expression, a vital art form and a crucial element of democratic dialogue.”
Ten films are up for the marquee Best Feature award: Collective, Crip Camp (Netflix), Gunda (Neon), MLK/FBI (IFC Films), The Reason I Jump (Kino Lorber), Reunited, Softie, Time, The Truffle Hunters (Sony Pictures Classics) and Welcome to Chechnya (HBO).
The helmers of five of those films also are up for Best Director: Garrett Bradley (Time), Michael Dweck and Gregory Kershaw (The Truffle Hunters), Nicole Newnham and Jim LeBrecht (Crip Camp), Sam Pollard (MLK/FBI) and Jerry Rothwell (The Reason I Jump).
On the TV side, five programs will vie for Best Curated Series): ESPN’s 30 for 30, PBS’ American Experience, Thirteen Productions’ American Masters, Illinois Public Media’s Reel Midwest and PBS/World Channel’s Reel South.
The nominees for Best Episodic Series are Cheer (Netflix), Hip Hop: The Songs That Shook America (AMC), Last Chance U (Netflix), Seven Planets, One World (BBC America) and We’re Here (HBO).
Up for Best Multi-Part Documentary are Asian Americans (PBS), Atlanta’s Missing and Murdered (HBO), City So Real (National Geographic), Hillary (Hulu) and Lenox Hill (Netflix).
“This is a year that has been one of reflection, looking inwards, and living life differently than we have always known it to be,” said James Costa, co-chair of the Feature Documentary Nominating Committee and IDA Board of Directors’ co-vice president. “Through the art of filmmaking these films gave us an opportunity to truly look and learn through the lenses of others.”
Here is the full list of nominees for the 2020 IDA Documentary Awards:
Best Feature
Collective
Director/Producer: Alexander Nanau
Producer: Bianca Oana
Crip Camp (USA / Netflix)
Directors/Producers: Nicole Newnham, Jim LeBrecht
Producer: Sara Bolder
Gunda
Director: Victor Kossakovsky
Producer: Anita Rehoff Larsen
MLK/FBI (USA / IFC Films)
Director: Sam Pollard
Producer: Benjamin Hedin
The Reason I Jump
Director: Jerry Rothwell
Producers: Jeremy Dear, Stevie Lee, Al Morrow
Reunited (Denmark)
Director: Mira Jargil
Producer: Kirstine Barfod
Softie (Kenya / Pov)
Director/Producer: Sam Soko
Producer: Toni Kamau
Time
Director/Producer: Garrett Bradley
Producers: Lauren Domino, Kellen Quinn
The Truffle Hunters
Directors/Producers: Michael Dweck, Gregory Kershaw
Welcome to Chechnya (USA / HBO)
Director/Producer: David France
Producers: Alice Henty, Joy A. Tomchin and Askold Kurov
Best Director
Garrett Bradley
Time
USA / Amazon Studios, Concordia Studio, The New York Times
Michael Dweck and Gregory Kershaw
The Truffle Hunters
USA, Italy, Greece / Sony Pictures Classics
Nicole Newnham and Jim LeBrecht
Crip Camp
USA / Netflix
Sam Pollard
MLK/FBI
USA / IFC Films
Jerry Rothwell
The Reason I Jump
USA, UK / Kino Lorber
Best Short
Abortion Helpline, This is Lisa
Directors/Producers: Barbara Attie, Mike Attie, Janet Goldwater
All That Perishes at the Edge of Land (Pakistan)
Director/Producer: Hira Nabi
Producer: Till Passow
Huntsville Station (USA / New York Times Op-Docs)
Directors/Producers: Jamie Meltzer, Chris Filippone
Hysterical Girl (USA / New York Times Op-Docs)
Director: Kate Novack
Producer: Andrew Rossi
John Was Trying to Contact Aliens (USA / Netflix)
Director/Producer: Matthew Killip
The Lost Astronaut (USA / New York Times Op-Docs)
Director: Ben Proudfoot
Producers: Abby Lynn Kang Davis, Gabriel Berk Godoi
Mizuko
Directors/Producers: Kira Dane, Katelyn Rebelo
sống ở đây
Director/Producer: Melanie Ho
To Calm the Pig Inside (Ang Pagpakalma sa Unos) (Philippines)
Director/Producer: Joanna Vasquez Arong
Unforgivable (El Salvador)
Director/Producer: Marlén Viñayo
Producer: Carlos Martínez
Best Curated Series
30 for 30 (USA / ESPN)
Executive Producers: John Dahl, Libby Geist, Rob King, Erin Leyden, Connor Schell
American Experience (USA / PBS)
Executive Producers: Susan Bellows and Mark Samels
American Masters
Executive Producer: Michael Kantor
Reel Midwest (USA / Illinois Public Media)
Executive Producer: Moss Bresnahan
Reel South
Executive Producers: Don Godish and Rachel Raney
Best Episodic Series
Cheer (USA / Netflix)
Director/Executive Producer: Greg Whiteley
Producers: Adam Leibowitz, Arielle Kilker, Chelsea Yarnell
Executive Producers: Andrew Fried, Dane Lillegard, Jasper Thomlinson, Bert Hamelinck
Hip Hop: The Songs That Shook America (USA / AMC)
Executive Producers: Ahmir “Questlove” Thompson, Tariq “Black Thought” Trotter, Shawn Gee, Alex Gibney, Stacey Offman, Richard Perello, Shea Serrano, Angie Day, One9, Erik Parker, Isaac Bolden
Last Chance U (USA / Netflix)
Director/Executive Producer: Greg Whiteley
Executive Producers: Joe Labracio, James D. Stern, Lucas Smith, Andrew Fried, Dane Lillegard
Seven Planets, One World (UK / BBC America)
Directors: Fredi Devas, Emma Napper, Giles Badger, Chadden Hunter
Executive Producer: Jonny Keeling
We’re Here (USA / HBO)
Executive Producers: Eli Holzman, Aaron Saidman, Stephen Warren, Johnnie Ingram, Peter LoGreco, Erin Gamble
Best Multi-Part Documentary
Asian Americans (USA / PBS)
Directors: Leo Chiang, Geeta Gandbhir, Grace Lee
Producers: Renee Tajima-Peña, Mark Jonathan Harris
Executive Producers: Jeff Bieber, Sally Jo Fifer, Stephen Gong, Jean Tsien, Donald Young
Atlanta’s Missing and Murdered (USA / HBO)
Directors/Executive Producers: Sam Pollard, Maro Chermayeff, Joshua Bennett, Jeff Dupre
Executive Producers: John Legend, Mike Jackson, Ty Stiklorious, Nancy Abraham, Lisa Heller
City So Real (USA / National Geographic)
Director/ Producer: Steve James.
Producer: Zak Piper.
Executive Producers: Jeff Skoll, Diane Weyermann, Alex Kotlowitz, Gordon Quinn, Betsy Steinberg, Jolene Pinder
Hillary (USA / Hulu)
Director: Nanette Burstein
Producers: Isabel San Vargas, Timothy Moran, Chi-Young Park, Tal Ben-David
Executive Producers: Ben Silverman, Howard T. Owens, Nanette Burstein, Sierra Kos, Laurie Girion
Lenox Hill (USA / Netflix)
Directors/Executive Producers: Adi Barash and Ruthie Shatz.
Executive Producer: Josh Braun
Best Short Form Series
Almost Famous (USA / New York Times Op-Docs)
Producers: Abby Lynn Kang Davis, Gabriel Berk Godoi and Jeremy Lambert
Executive Producer: Adam Ellick
Director: Ben Proudfoot
Guardian Documentaries
Producers: Shanida Scotland, Natasha Dack Ojumu and Nikki Parrott
Executive Producers: Charlie Phillips. Lindsay Poulton, Jess Gormley
Directors: Irene Baque, Laurence Topham, Sara Khaki, Mohammad Reza Eyni, Rebecca Lloyd-Evans, Laura Dodsworth, Dan McDougall
Last Call For The Bayou: 5 Stories from Louisiana’s Disappearing Delta (USA / Smithsonian Channel Plus)
Producer: Nadia Gill
Executive Producer: Gina Hutchinson
Director: Dominic Gill
Pov Shorts (USA / PBS)
Producer: Opal H. Bennett
Executive Producers: Justine Nagan and Chris White
Run This City (USA / Quibi)
Director: Brent Hodge
Producer: Prince Vaughn
Executive Producers: Mark Wahlberg, Stephen Levinson, Archie Gips, Brent Hodge
Best Audio Documentary
Crosses in the Desert / Cruces en el desierto
Reporter: Dennis Maxwell
Producers: Catalina May, Martín Cruz
Executive Producer: Martina Castro
Fiasco: Bush v. Gore (USA / Luminary)
Producers: Leon Neyfakh, Andrew Parsons
Girl Taken (UK / British Broadcasting Corporation)
Reporter: Sue Mitchell
Producer: Richard Hannaford
Executive Producer: Philip Sellars
Heavyweight – The Marshes (USA / Gimlet Media)
Reporter, Producer and Executive Producer: Jonathan Goldstein
Reporter and Producer: Kalila Holt.
Producers: Stevie Lane, Jorge Just, BA Parker, Bobby Lord
Somebody (USA / iHeartRadio)
Reporters and Producers: Alison Flowers, Bill Healy
Reporters: Sam Stecklow, Ellen Glover, Annie Nguyen, Kahari Blackburn, Rajiv Sinclair, Henri Adams, Matilda Vojak, Dana Brozost-Kelleher, Frances McDonald, Diana Akmajian, Andrew Fan and Maddie Anderson
Producers: Shapearl Wells, Sarah Geis
Executive Producers: Jamie Kalven, Maria Zuckerman, Christy Gressman, Leital Molad
Best Music Documentary
Beastie Boys Story (USA / Apple TV+)
Director/Producer: Spike Jonze
Producers: Jason Baum and Amanda Adelson
Billie (UK / Greenwich Entertainment)
Director: James Erskine
Crock of Gold (USA / Magnolia Pictures)
Director/Producer: Julien Temple
Producers: Johnny Depp, Stephen Deuters, Stephen Malit
Los Hermanos / The Brothers
Directors/Producers: Marcia Jarmel and Ken Schneider
Universe (USA)
Directors: Sam Osborn and Nicholas Capezzera
Producers: Esther Dere and Leah Natasha Thomas
David L. Wolper Student Documentary Award
Bananas (UK / National Film and Television School)
Director/Producer: Sara Montoya Sepúlveda
Isle of Us (UK / National Film and Television School)
Director: Laura Wadha
Na Luta Delas (Brazil / Uc Berkeley Graduate School of Journalism)
Directors/Producers: Orion Rose Kelly and Pedro Cota
People Like Me (USA / University of California Santa Cruz)
Director/Producer: Marrok Sedgwick
Susana (USA / Stanford University)
Director: Laura Gamse
Producer: James Davis
Trees (UK / National Film and Television School)
Director: Rosie Morris
Producer: Jesse Romain
Best Cinematography
Acasă, My Home
Cinematographers: Radu Ciorniciuc and Mircea Topoleanu
Boys State
Director of Photography: Thorsten Thielow
The Earth is Blue as an Orange
Cinematographer: Viacheslav Tsvietkov
The Truffle Hunters
Cinematographers: Michael Dweck, Gregory Kershaw
Time
Cinematographers: Zac Manuel, Justin Zweifach, Nisa East
Best Editing
Boys State
Editor: Jeff Gilbert
Crip Camp (USA / Netflix)
Editors: Eileen Meyer and Andrew Gersh
Disclosure (USA / Netflix)
Editor: Stacy Goldate
Dick Johnson is Dead (USA / Netflix)
Editor: Nels Bangerter
Through the Night
Editor: Malika Zouhali-Worrall
Best Writing
Crip Camp (USA / Netflix)
Writers: Nicole Newnham and Jim LeBrecht
Dick Johnson is Dead
(USA / Netflix)
Writers: Nels Bangerter and Kirsten Johnson
I Am Not Alone (USA / Netflix)
Writer: Garin Hovannisian
My Octopus Teacher (USA / Netflix)
Writers: Pippa Ehrlich and James Reed
Socks on Fire (USA)
Writers: Max Allman, Bo McGuire
Best Music Score
Dancing with the Birds (USA / Netflix)
Composer: David Mitcham
David Attenborough: Life On Our Planet
Composer: Steven Price
Hope Frozen: A Quest to Live Twice (USA / Netflix)
Composer: Chapavich Temnitikul)
My Octopus Teacher (USA / Netflix)
Composer: Kevin Smuts
Rising Phoenix (USA / Netflix)
Composer: Daniel Pemberton
ABC News VideoSource Award
#Unfit: The Psychology of Donald Trump (USA / Dark Star)
Director/Producer: Dan Partland
Producer: Art Horan
Bully. Coward. Victim.: The Story of Roy Cohn (USA / HBO)
Director: Ivy Meeropol
Producers: Julie Goldman, Christopher Clements, Carolyn Hepburn
Crip Camp (USA / Netflix)
Directors/Producers: Nicole Newnham, Jim LeBrecht
Producer: Sara Bolder
Kill Chain: The Cyber War on America’s Elections (USA / HBO)
Director: Sarah Teale
Directors/Producers: Simon Ardizzone and Russell Michaels
Producers: Michael Hirschorn and Jessica Antonini
MLK/FBI (USA / IFC Films)
Director: Sam Pollard
Producer: Benjamin Hedin
The First Rainbow Coalition
Director/Producer: Ray Santisteban
Pare Lorentz Award
Winner
My Octopus Teacher (USA / Netflix)
Director: Pippa Ehrlich, James Reed
Producer: Craig Foster
Honorable Mention
Crip Camp (USA / Netflix)
Directors/Producers: Nicole Newnham, Jim LeBrecht
Producer: Sara Bolder
Honorary Awards
Amicus Award
Regina K. Scully
Career Achievement Award
Sam Pollard (MLK/FBI)
Courage Under Fire Award
David France, David Isteev and Olga Baranova (Welcome to Chechnya)
Emerging Documentary Filmmaker Award
Garrett Bradley (Time)
Pioneer Award
Firelight Media
Truth to Power Award
Maria Ressa and Rappler (A Thousand Cuts)...
- 11/24/2020
- by Erik Pedersen
- Deadline Film + TV
“A contemplative film on the effects a typhoon leaves on a seaside city in the Philippines. Myths are woven in to try to understand how people cope with the devastation and trauma. A girl’s voice divulges bits and pieces of her own memory of her grandmother and mother to tie in the experiences she felt visiting this ravaged port city.”
“To Calm the Pig Inside” is an emotional journey through a ravaged landscape, where locals are faced with great adversity and struggle in dealing with tragedy. Director Joanna Vasquez Arong presents the information through an engaging narrative, delivered by a young girl relating both personal experience and second hand stories. Within the narration, the documentary touches on various perspectives of a devastated community. On top of the sincere interpretation through a young woman’s words, the dialogue also reflects on the media/political coverage, tragic accounts and folklore. Conveying...
“To Calm the Pig Inside” is an emotional journey through a ravaged landscape, where locals are faced with great adversity and struggle in dealing with tragedy. Director Joanna Vasquez Arong presents the information through an engaging narrative, delivered by a young girl relating both personal experience and second hand stories. Within the narration, the documentary touches on various perspectives of a devastated community. On top of the sincere interpretation through a young woman’s words, the dialogue also reflects on the media/political coverage, tragic accounts and folklore. Conveying...
- 2/5/2020
- by Adam Symchuk
- AsianMoviePulse
“Murmur,” from director Heather Young, won the Narrative Feature Grand Jury Prize from the 26th Slamdance Film Festival, the festival announced at its awards ceremony at the Treasure Mountain Inn in Park City, Utah on Thursday night.
The jury at the festival also recognized Merawi Gerima’s “Residue” with an honorable mention, and “Residue” also took home the audience award for narrative feature.
“We congratulate the winners of Slamdance 2020 and we celebrate all of our new filmmakers who have shown us that the art of filmmaking is brilliantly alive,” Slamdance co-founder Peter Baxter said in a statement. “This next generation collectively brings us art formed in risk taking, bravery and the unexpected. It’s not just their characters who are on an adventure. It’s the filmmakers as well and Slamdance will continue to be their companion.”
Also Read: The Scene From TheWrap at Sundance (Photos)
“The Grand Jury Award...
The jury at the festival also recognized Merawi Gerima’s “Residue” with an honorable mention, and “Residue” also took home the audience award for narrative feature.
“We congratulate the winners of Slamdance 2020 and we celebrate all of our new filmmakers who have shown us that the art of filmmaking is brilliantly alive,” Slamdance co-founder Peter Baxter said in a statement. “This next generation collectively brings us art formed in risk taking, bravery and the unexpected. It’s not just their characters who are on an adventure. It’s the filmmakers as well and Slamdance will continue to be their companion.”
Also Read: The Scene From TheWrap at Sundance (Photos)
“The Grand Jury Award...
- 1/31/2020
- by Brian Welk
- The Wrap
Heather Young’s debut feature film Murmur won the Narrative Feature Grand Jury Prize at the Slamdance Film Festival, which announced winners at the end of its 26th edition Thursday. Merawi Gerima’s Residue was named honorable mention and won the fest’s audience award.
The jury called Murmur a “richly detailed and deeply humane drama” that “offers an insightful and sympathetic portrait of a lonely woman … who goes to self-destructive extremes while attempting to fill the gaping void in her life.”
Residue, awarded for its “at once inventive, poetic and angry about issues of identity, gentrification and the difficulty of returning home,” according to the jury, also won star Obinna Nwachukwu the Slamdance Acting Award.
The Documentary Feature Grand Jury Prize went to Higher Love, directed by Hasan Oswald.
Other audience winners included Brian Morrison’s Bastards’ Road, which won for Documentary Feature. Shoot to Marry, directed by Steve Markle,...
The jury called Murmur a “richly detailed and deeply humane drama” that “offers an insightful and sympathetic portrait of a lonely woman … who goes to self-destructive extremes while attempting to fill the gaping void in her life.”
Residue, awarded for its “at once inventive, poetic and angry about issues of identity, gentrification and the difficulty of returning home,” according to the jury, also won star Obinna Nwachukwu the Slamdance Acting Award.
The Documentary Feature Grand Jury Prize went to Higher Love, directed by Hasan Oswald.
Other audience winners included Brian Morrison’s Bastards’ Road, which won for Documentary Feature. Shoot to Marry, directed by Steve Markle,...
- 1/31/2020
- by Patrick Hipes
- Deadline Film + TV
Heather Young’s drama “Murmur” has been selected as the winner of the narrative feature grand jury prize at the Slamdance Film festival.
The movie, which won the Fipresci Discovery Prize at the Toronto International Film Festival, stars Shan MacDonald as an older woman who, while performing community service at an animal shelter, begins compulsively adopting pets to ease her loneliness. Merawi Gerima’s first feature, “Residue,” won an Honorable mention from the jury and the Audience Award for Narrative Feature.
“The Grand Jury Award for Narrative Feature goes to Murmur, the quietly devastating debut feature from Canadian filmmaker Heather Young,” the jury said. “This richly detailed and deeply humane drama offers an insightful and sympathetic portrait of a lonely woman — affectingly portrayed by newcomer Shan McDonald — who goes to self-destructive extremes while attempting to fill the gaping void in her life. An Honorable Mention goes to Merawi Gerima’s mesmerizing first feature,...
The movie, which won the Fipresci Discovery Prize at the Toronto International Film Festival, stars Shan MacDonald as an older woman who, while performing community service at an animal shelter, begins compulsively adopting pets to ease her loneliness. Merawi Gerima’s first feature, “Residue,” won an Honorable mention from the jury and the Audience Award for Narrative Feature.
“The Grand Jury Award for Narrative Feature goes to Murmur, the quietly devastating debut feature from Canadian filmmaker Heather Young,” the jury said. “This richly detailed and deeply humane drama offers an insightful and sympathetic portrait of a lonely woman — affectingly portrayed by newcomer Shan McDonald — who goes to self-destructive extremes while attempting to fill the gaping void in her life. An Honorable Mention goes to Merawi Gerima’s mesmerizing first feature,...
- 1/31/2020
- by Dave McNary
- Variety Film + TV
Residue, Bastards’ Road, Shoot To Marry among audience award winners.
An annual award from Slamdance alumni Joe and Anthony Russo was among prizes handed out at the festival’s 26th edition came to a close in park City on Thursday night (30).
Heather Young’s Murmur received the Slamdance narrative feature grand jury prize, while the documentary feature grand jury prize was awarded to Higher Love by Hasan Oswald.
Festival brass announced winners in all competitive categories at the annual Sparky Awards. The documentary short grand jury prize went to To Calm the Pig Inside by Joanna Vasquez Arong, and the...
An annual award from Slamdance alumni Joe and Anthony Russo was among prizes handed out at the festival’s 26th edition came to a close in park City on Thursday night (30).
Heather Young’s Murmur received the Slamdance narrative feature grand jury prize, while the documentary feature grand jury prize was awarded to Higher Love by Hasan Oswald.
Festival brass announced winners in all competitive categories at the annual Sparky Awards. The documentary short grand jury prize went to To Calm the Pig Inside by Joanna Vasquez Arong, and the...
- 1/30/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
What will the next year's festivals be showing? Look at what the Hubert Bals Fund of the International Film Festival Rotterdam (Iffr) has selected for a preview: nineteen film projects will receive grants for script development, digital production, postproduction or workshops. In its Spring 2012 selection round, the Fund gives 260,000 Euro to projects from fifteen Asian, African and Latin-American and Eastern European countries. (See full list below)
In this selection round, the Fund welcomes promising first or second time feature film projects by Song Fang, Huang Ji (both China), Gurvinder Singh (India), Caroline Kamya (Uganda), Ognjen Glavonic (Serbia), Sebastian Hofmann (Mexico) and Eduardo Nunes (Brazil).
Supporting more experienced filmmakers, the Fund has selected projects from, among others, Pablo Stoll (Uruguay), Aditya Assarat (Thailand) and Tariq Teguia (Algeria).
The selection round also awards 5,000 Euro prize money for the Hubert Bals Fund Award, to be handed out to the most promising fiction project at the upcoming Durban FilmMart (20-23 July 2012), and a grant for the next Colón Workshop for Latin American filmmakers, partner organization of the Rotterdam Lab.
Postproduction
When finished in time, the films receiving Hbf postproduction grants are expected to screen at the 2013 International Film Festival Rotterdam.
After her short film 'Goodbye' (2009, awarded at Cannes’ Cinefondation), Chinese filmmaker Song Fang makes her feature debut with 'Memories Look At Me', a strikingly observed portrait of her Chinese family life.
DoP or editor of films by among others Fernando Eimbcke, Carlos Reygadas and Gerardo Tort, Sebastian Hoffman (Mexico) writes and directs his first feature film 'Halley', a contemporary gothic story that casts a compassionate look at the life of a zombie.
After 'Rome Rather Than You' (which premiered 2006 in Venice) and 'Inland', Tariq Teguia (Algeria) is working on his third feature film, 'Ibn Battuta' which follows a journalist on his investigative journey throughout North Africa and the Middle East. The project previously received a script development grant from the Hubert Bals Fund.
Digital production
This round, digital production support goes to acclaimed filmmakers Yang Heng (China) and Riri Riza (Indonesia). Yang’s previous works are 'Betelnut' (New Currents Award in Busan and Hivos Tiger Award competitor in 2010) and 'Sun Spots' (also supported by the Hubert Bals Fund). In his 'Lake August' he continues to portrait young adults’ life in his home province. Experienced film maker, producer and writer Riza ('Eliana, Eliana' 2002) situates his new film 'Atambua 39° Celsius' among a family separated from their relatives following the independence of the state of Eastern Timor in 2002.
Script development
The ten grants for script development support both upcoming and experienced filmmakers. Huang Ji (China) works on 'Foolish Bird', the second installment of the trilogy she started with her feature debut and Hivos Tiger Award-winning 'Egg and Stone'.
Ognjen Glavonic (Serbia) writes his first feature film, 'The Load'. Set in Serbia during the Nato bombings in 1999, the film follows the driver of a freeze truck. He does not want to know what the load is, but the cargo slowly becomes his burden.
Alex Piperno (Mexico) prepares his first feature project 'Window Boy Would Also Like to Have a Submarine', in which a ship crew member discovers a solitary girl behind a mysterious door.
Caroline Kamya (Uganda) works on her second feature film, 'Hot Comb' in which two school girls from different backgrounds become close. Her debut feature 'Imani' premiered in Berlin.
Furthermore, the Fund supports the script development of new projects by two experienced filmmakers: Pablo Stoll (Uruguay) whose ‘3’ was launched at CineMart and received its premiere this year in Cannes’ Directors’ Fortnight, writes and produces his next project 'Silver Shadow'; Aditya Assarat (Thailand), Hivos Tiger Award winner for 'Wonderful Town', prepares 'The White Buffalo' also presented at this year’s CineMart.
The line up of the Iffr’s Hubert Bals Fund Spring 2012 Selection Round in full:
Post-production funding or final-financing
Halley; Sebastian Hofmann; Mexico
Ibn Battuta; Tariq Teguia; Algeria
Peculiar Vacation and Other Illnesses; Yosep Anggi Noen; Indonesia
Poor Folk; Midi Z; Myanmar
Memories Look At Me; Song Fang; China
Digital production
Atambua 39° Celcius; Riri Riza; Indonesia
Lake August; Yang Heng; China
Script and projectdevelopment
Foolish Bird; Huang Ji; China
The Fourth Direction; Gurvinder Singh; India
A Happy Death; Eduardo Nunes; Brazil
Hot Comb; Caroline Kamya; Uganda
Leave It For Tomorrow, For Night Has Fallen; Jet Leyco; Philippines
The Load; Ognjen Glavonic; Serbia
The Sigbin Chronicles; Joanna Vasquez Arong; Philippines
Silver Shadow; Pablo Stoll; Uruguay
The White Buffalo; Aditya Assarat; Thailand
Window Boy Would Also Like to Have a Submarine; Alex Piperno; Uruguay
Workshops
Durban FilmMart; South Africa, Hubert Bals Fund Award
Xiii Colón Workshop for Latin American Filmmakers; Argentina
Profile of the Hubert Bals Fund
The Hubert Bals Fund (Hbf), along with the CineMart, is part of the International Film Festival Rotterdam (Iffr). The 42nd Iffr will take place January 23 – February 3, 2013. Year-round news on Iffr, Hbf and CineMart can be found onwww.filmfestivalrotterdam.com.
The Hubert Bals Fund is designed to bring remarkable or urgent feature films and feature-length creative documentaries by innovative and talented filmmakers from developing countries closer to completion. The Hubert Bals Fund provides grants that often turn out to play a crucial role in enabling these filmmakers to realize their projects. Although the Fund looks closely at the financial aspects of a project, the decisive factors remain its content and artistic value. Since the Fund started in 1989, hundreds of projects from independent filmmakers in Africa, Asia, Latin America, the Middle East and parts of Eastern Europe have received support. Approximately 80% of these projects have been realized or are currently in production. Every year, the Iffr screens completed films supported by the Fund.
The Hubert Bals Fund is supported by the Dutch Ministry of Foreign Affairs, Media Mundus, Dutch non-governmental development organization Hivos Culture Foundation, the Doen Foundation and the Dioraphte Foundation and Lions Club Rotterdam: L’Esprit du Temps.
Grants and selection rounds
Annually, the Hubert Bals Fund is able to make individual grants of up to Euro 10,000 for script and project development, Euro 20,000 for digital production, Euro 30,000 for post-production, Euro 15,000 towards distribution costs in the country of origin or Euro 10,000 for special projects such as workshops. Selection rounds take place twice a year and have application deadlines on March 1 and August 1.
Hubert Bals Fund-supported films in Iffr and on DVD/VOD
Most of the films supported by the Hubert Bals Fund throughout the year are screened during the International Film Festival Rotterdam in attendance of the filmmaker. Subsequently, part of the Hbf-supported films is released by the Iffr on DVD or VOD, available on www.filmfestivalrotterdam.com/webshop (VOD for viewers in the Benelux only).
In this selection round, the Fund welcomes promising first or second time feature film projects by Song Fang, Huang Ji (both China), Gurvinder Singh (India), Caroline Kamya (Uganda), Ognjen Glavonic (Serbia), Sebastian Hofmann (Mexico) and Eduardo Nunes (Brazil).
Supporting more experienced filmmakers, the Fund has selected projects from, among others, Pablo Stoll (Uruguay), Aditya Assarat (Thailand) and Tariq Teguia (Algeria).
The selection round also awards 5,000 Euro prize money for the Hubert Bals Fund Award, to be handed out to the most promising fiction project at the upcoming Durban FilmMart (20-23 July 2012), and a grant for the next Colón Workshop for Latin American filmmakers, partner organization of the Rotterdam Lab.
Postproduction
When finished in time, the films receiving Hbf postproduction grants are expected to screen at the 2013 International Film Festival Rotterdam.
After her short film 'Goodbye' (2009, awarded at Cannes’ Cinefondation), Chinese filmmaker Song Fang makes her feature debut with 'Memories Look At Me', a strikingly observed portrait of her Chinese family life.
DoP or editor of films by among others Fernando Eimbcke, Carlos Reygadas and Gerardo Tort, Sebastian Hoffman (Mexico) writes and directs his first feature film 'Halley', a contemporary gothic story that casts a compassionate look at the life of a zombie.
After 'Rome Rather Than You' (which premiered 2006 in Venice) and 'Inland', Tariq Teguia (Algeria) is working on his third feature film, 'Ibn Battuta' which follows a journalist on his investigative journey throughout North Africa and the Middle East. The project previously received a script development grant from the Hubert Bals Fund.
Digital production
This round, digital production support goes to acclaimed filmmakers Yang Heng (China) and Riri Riza (Indonesia). Yang’s previous works are 'Betelnut' (New Currents Award in Busan and Hivos Tiger Award competitor in 2010) and 'Sun Spots' (also supported by the Hubert Bals Fund). In his 'Lake August' he continues to portrait young adults’ life in his home province. Experienced film maker, producer and writer Riza ('Eliana, Eliana' 2002) situates his new film 'Atambua 39° Celsius' among a family separated from their relatives following the independence of the state of Eastern Timor in 2002.
Script development
The ten grants for script development support both upcoming and experienced filmmakers. Huang Ji (China) works on 'Foolish Bird', the second installment of the trilogy she started with her feature debut and Hivos Tiger Award-winning 'Egg and Stone'.
Ognjen Glavonic (Serbia) writes his first feature film, 'The Load'. Set in Serbia during the Nato bombings in 1999, the film follows the driver of a freeze truck. He does not want to know what the load is, but the cargo slowly becomes his burden.
Alex Piperno (Mexico) prepares his first feature project 'Window Boy Would Also Like to Have a Submarine', in which a ship crew member discovers a solitary girl behind a mysterious door.
Caroline Kamya (Uganda) works on her second feature film, 'Hot Comb' in which two school girls from different backgrounds become close. Her debut feature 'Imani' premiered in Berlin.
Furthermore, the Fund supports the script development of new projects by two experienced filmmakers: Pablo Stoll (Uruguay) whose ‘3’ was launched at CineMart and received its premiere this year in Cannes’ Directors’ Fortnight, writes and produces his next project 'Silver Shadow'; Aditya Assarat (Thailand), Hivos Tiger Award winner for 'Wonderful Town', prepares 'The White Buffalo' also presented at this year’s CineMart.
The line up of the Iffr’s Hubert Bals Fund Spring 2012 Selection Round in full:
Post-production funding or final-financing
Halley; Sebastian Hofmann; Mexico
Ibn Battuta; Tariq Teguia; Algeria
Peculiar Vacation and Other Illnesses; Yosep Anggi Noen; Indonesia
Poor Folk; Midi Z; Myanmar
Memories Look At Me; Song Fang; China
Digital production
Atambua 39° Celcius; Riri Riza; Indonesia
Lake August; Yang Heng; China
Script and projectdevelopment
Foolish Bird; Huang Ji; China
The Fourth Direction; Gurvinder Singh; India
A Happy Death; Eduardo Nunes; Brazil
Hot Comb; Caroline Kamya; Uganda
Leave It For Tomorrow, For Night Has Fallen; Jet Leyco; Philippines
The Load; Ognjen Glavonic; Serbia
The Sigbin Chronicles; Joanna Vasquez Arong; Philippines
Silver Shadow; Pablo Stoll; Uruguay
The White Buffalo; Aditya Assarat; Thailand
Window Boy Would Also Like to Have a Submarine; Alex Piperno; Uruguay
Workshops
Durban FilmMart; South Africa, Hubert Bals Fund Award
Xiii Colón Workshop for Latin American Filmmakers; Argentina
Profile of the Hubert Bals Fund
The Hubert Bals Fund (Hbf), along with the CineMart, is part of the International Film Festival Rotterdam (Iffr). The 42nd Iffr will take place January 23 – February 3, 2013. Year-round news on Iffr, Hbf and CineMart can be found onwww.filmfestivalrotterdam.com.
The Hubert Bals Fund is designed to bring remarkable or urgent feature films and feature-length creative documentaries by innovative and talented filmmakers from developing countries closer to completion. The Hubert Bals Fund provides grants that often turn out to play a crucial role in enabling these filmmakers to realize their projects. Although the Fund looks closely at the financial aspects of a project, the decisive factors remain its content and artistic value. Since the Fund started in 1989, hundreds of projects from independent filmmakers in Africa, Asia, Latin America, the Middle East and parts of Eastern Europe have received support. Approximately 80% of these projects have been realized or are currently in production. Every year, the Iffr screens completed films supported by the Fund.
The Hubert Bals Fund is supported by the Dutch Ministry of Foreign Affairs, Media Mundus, Dutch non-governmental development organization Hivos Culture Foundation, the Doen Foundation and the Dioraphte Foundation and Lions Club Rotterdam: L’Esprit du Temps.
Grants and selection rounds
Annually, the Hubert Bals Fund is able to make individual grants of up to Euro 10,000 for script and project development, Euro 20,000 for digital production, Euro 30,000 for post-production, Euro 15,000 towards distribution costs in the country of origin or Euro 10,000 for special projects such as workshops. Selection rounds take place twice a year and have application deadlines on March 1 and August 1.
Hubert Bals Fund-supported films in Iffr and on DVD/VOD
Most of the films supported by the Hubert Bals Fund throughout the year are screened during the International Film Festival Rotterdam in attendance of the filmmaker. Subsequently, part of the Hbf-supported films is released by the Iffr on DVD or VOD, available on www.filmfestivalrotterdam.com/webshop (VOD for viewers in the Benelux only).
- 7/9/2012
- by Sydney Levine
- Sydney's Buzz
Gurvinder Singh
Gurvinder Singh, National Award winning director (Anhey Ghore Da Daan) has been selected to receive Hubert Bals Fund Spring 2012 for his next project ‘The Fourth Direction’.
The Hubert Bals Fund of the International Film Festival Rotterdam (Iffr) has selected nineteen film projects that receive grants for script development, digital production, postproduction or workshops. In its Spring 2012 selection round, the Fund offers individual grants of up to Euro 10,000 for script and project development, Euro 20,000 for digital production, Euro 30,000 for post-production, Euro 15,000 towards distribution costs in the country of origin or Euro 10,000 for special projects such as workshops.
Selection rounds take place twice a year and have application deadlines on March 1 and August 1.
Gurvinder Singh will receive the fund in Script and Project development category.
‘The Fourth Direction’ combines two short stories by well-known Punjabi writer Waryam Singh Sandhu, in the backdrop of the movement for a Sikh separatist state in the 1980s.
Gurvinder Singh, National Award winning director (Anhey Ghore Da Daan) has been selected to receive Hubert Bals Fund Spring 2012 for his next project ‘The Fourth Direction’.
The Hubert Bals Fund of the International Film Festival Rotterdam (Iffr) has selected nineteen film projects that receive grants for script development, digital production, postproduction or workshops. In its Spring 2012 selection round, the Fund offers individual grants of up to Euro 10,000 for script and project development, Euro 20,000 for digital production, Euro 30,000 for post-production, Euro 15,000 towards distribution costs in the country of origin or Euro 10,000 for special projects such as workshops.
Selection rounds take place twice a year and have application deadlines on March 1 and August 1.
Gurvinder Singh will receive the fund in Script and Project development category.
‘The Fourth Direction’ combines two short stories by well-known Punjabi writer Waryam Singh Sandhu, in the backdrop of the movement for a Sikh separatist state in the 1980s.
- 7/2/2012
- by NewsDesk
- DearCinema.com
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