From new voices like NoViolet Bulawayo to rediscovered old voices like James Salter, from Dave Eggers's satire to David Thomson's history of film, writers, Observer critics and others pick their favourite reads of 2013. And they tell us what they hope to find under the tree …
Curtis Sittenfeld
Novelist
My favourite books of 2013 are Drama High (Riverhead) by Michael Sokolove, Sea Creatures (Turnaround) by Susanna Daniel, and & Sons (Harper Collins) by David Gilbert. Drama High is incredibly smart, moving non-fiction about an American drama teacher who for four decades coaxed sophisticated and nuanced theatrical performances out of teenage students who weren't privileged or otherwise remarkable and in so doing, changed their conceptions of what they could do with their lives. Sea Creatures is a gripping, beautifully written novel about the mother of a selectively mute three-year-old boy; when she takes a job ferrying supplies to a hermit off the coast of Florida,...
Curtis Sittenfeld
Novelist
My favourite books of 2013 are Drama High (Riverhead) by Michael Sokolove, Sea Creatures (Turnaround) by Susanna Daniel, and & Sons (Harper Collins) by David Gilbert. Drama High is incredibly smart, moving non-fiction about an American drama teacher who for four decades coaxed sophisticated and nuanced theatrical performances out of teenage students who weren't privileged or otherwise remarkable and in so doing, changed their conceptions of what they could do with their lives. Sea Creatures is a gripping, beautifully written novel about the mother of a selectively mute three-year-old boy; when she takes a job ferrying supplies to a hermit off the coast of Florida,...
- 11/24/2013
- by Ali Smith, Robert McCrum, Tim Adams, Kate Kellaway, Rachel Cooke, Sebastian Faulks, Jackie Kay
- The Guardian - Film News
During rush hour, the London Underground is as populous as Glasgow. What happens to us when we travel on the tube, and how is this linked to its strange absence from film, TV and novels? John Lanchester investigates
The first District line train out of Upminster in the morning is the first train anywhere on the underground network. It leaves the depot at 4.53, the only train anywhere in the system to set out from its base before 5am. That's a kind of record: if you catch that train, you might be tempted to say ta-dah! – except you probably wouldn't, because nobody is thinking ta-dah! at seven minutes to five in the morning; certainly nobody on this train. People look barely awake, barely even alive. They feel the same way they look; I know because, this morning, I'm one of them.
I've lived in London for more than quarter of a century now,...
The first District line train out of Upminster in the morning is the first train anywhere on the underground network. It leaves the depot at 4.53, the only train anywhere in the system to set out from its base before 5am. That's a kind of record: if you catch that train, you might be tempted to say ta-dah! – except you probably wouldn't, because nobody is thinking ta-dah! at seven minutes to five in the morning; certainly nobody on this train. People look barely awake, barely even alive. They feel the same way they look; I know because, this morning, I'm one of them.
I've lived in London for more than quarter of a century now,...
- 3/2/2013
- by John Lanchester
- The Guardian - Film News
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