As expected, James Mangold’s ’60s racing epic “Ford v Ferrari,” animated feature “Toy Story 4,” and documentary “Making Waves: The Art of Cinematic Sound” took top honors at the 56th Cinema Audio Society Awards recognizing outstanding sound mixing.
As an Oscar bellwether, though, six of the past 10 Cas winners have gone on to win the sound mixing Oscar, which bodes well for “Ford v Ferrari.” However, Oscar-nominated “1917,” Sam Mendes’ continuous-shot, World War I extravaganza, was not in contention at the Cas Awards, which makes the race very competitive.
“We threw out the production sound,” said Dave Giammarco, the “Ford v Ferrari” re-recording mixer. “But when we got the real GT40, it helped inform the cut because it has its own signature [sound], and you want to wind it out and feel the whole length of it. Sometimes they would cut the shot to match the engine whine. And sometimes you...
As an Oscar bellwether, though, six of the past 10 Cas winners have gone on to win the sound mixing Oscar, which bodes well for “Ford v Ferrari.” However, Oscar-nominated “1917,” Sam Mendes’ continuous-shot, World War I extravaganza, was not in contention at the Cas Awards, which makes the race very competitive.
“We threw out the production sound,” said Dave Giammarco, the “Ford v Ferrari” re-recording mixer. “But when we got the real GT40, it helped inform the cut because it has its own signature [sound], and you want to wind it out and feel the whole length of it. Sometimes they would cut the shot to match the engine whine. And sometimes you...
- 1/26/2020
- by Anne Thompson and Bill Desowitz
- Indiewire
Disney’s Ford v Ferrari was the big winner tonight as the Cinema Audio Society handed out its 56th annual Cas Awards for outstanding achievement in sound mixing in Los Angeles. See the full winners list below.
Last year’s top Cas Award winner, Bohemian Rhapsody, went on the score the Best Achievement in Sound Editing Oscar for John Warhurst and Nina Hartstone. Ford v Ferrari will chase that checkered flag in two weeks against Ad Astra, Joker, 1917 and Once Up[on a Time in Hollywood.
Disney/Pixar’s billion-dollar sequel Toy Story 4 sporked away with the animated prize, and Making Waves: The Art of Cinematic Sound unsurprisingly won the documentary award.
A pair of series that wrapped this past year took the top TV trophies: HBO’s Game of Thrones and Amazon’s Fleabag.
Tom Fleischman accepted the group’s top lifetime honor, the Cas Career Achievement Award, during the ceremony at the...
Last year’s top Cas Award winner, Bohemian Rhapsody, went on the score the Best Achievement in Sound Editing Oscar for John Warhurst and Nina Hartstone. Ford v Ferrari will chase that checkered flag in two weeks against Ad Astra, Joker, 1917 and Once Up[on a Time in Hollywood.
Disney/Pixar’s billion-dollar sequel Toy Story 4 sporked away with the animated prize, and Making Waves: The Art of Cinematic Sound unsurprisingly won the documentary award.
A pair of series that wrapped this past year took the top TV trophies: HBO’s Game of Thrones and Amazon’s Fleabag.
Tom Fleischman accepted the group’s top lifetime honor, the Cas Career Achievement Award, during the ceremony at the...
- 1/26/2020
- by Erik Pedersen
- Deadline Film + TV
“1917” and “Ford v Ferrari” split the top sound editing prizes Sunday night at the 67th annual Mpse Golden Reel Awards at the Westin Bonaventure Hotel. “1917” took Dialogue/Adr and “Ford v Ferrari” scored for Effects/Foley. The Elton John musical fantasy, “Rocketman,” earned Musical honors and “Jojo Rabbit” topped Music Underscore.
The other Feature awards went to “Parasite” (Foreign Language), “Toy Story 4” (Animation), and “Echo in the Canyon” (Documentary).
This sets up a competitive sound editing Oscar race between Sam Mendes’ innovative, continuous-shot World War I drama and James Mangold’s thrilling race car biopic. “The absence of visible edits meant it would have been easy to be overwhelmed with sound at times, never being able to cut to a different location to reset,” said Oliver Tarney, supervising sound editor of “1917.” “We worked hard at making sure there were always multiple layers of detail in the work we were doing.
The other Feature awards went to “Parasite” (Foreign Language), “Toy Story 4” (Animation), and “Echo in the Canyon” (Documentary).
This sets up a competitive sound editing Oscar race between Sam Mendes’ innovative, continuous-shot World War I drama and James Mangold’s thrilling race car biopic. “The absence of visible edits meant it would have been easy to be overwhelmed with sound at times, never being able to cut to a different location to reset,” said Oliver Tarney, supervising sound editor of “1917.” “We worked hard at making sure there were always multiple layers of detail in the work we were doing.
- 1/20/2020
- by Bill Desowitz
- Indiewire
The Cinema Audio Society has announced its nominees for the 53rd Annual Cas Awards for Outstanding Achievement in Sound Mixing for 2016 in seven categories.
On the film side, strong contenders like “La La Land,” “Rogue One” and “Zootopia” picked up nods, while television series like “Game of Thrones,” “blackish” and “Stranger Things” also received nominations. For the first year, the Cas is honoring Documentary films, with nods like “O.J.: Made in America” and “13th” rounding out this inaugural category.
Missing from the film nods are more than a few surprises, including “Deepwater Horizon,” “The Jungle Book” and “Silence.”
“We are blessed this year with a rich portfolio of Cinema Audio art applied. As the creative contributions of sound mixing to modern filmmaking becomes more obvious to the world at large, these productions truly represent the talents of our community,” said Mark Ulano, Cas President, of the announcement.
Read More: 2017 Oscar...
On the film side, strong contenders like “La La Land,” “Rogue One” and “Zootopia” picked up nods, while television series like “Game of Thrones,” “blackish” and “Stranger Things” also received nominations. For the first year, the Cas is honoring Documentary films, with nods like “O.J.: Made in America” and “13th” rounding out this inaugural category.
Missing from the film nods are more than a few surprises, including “Deepwater Horizon,” “The Jungle Book” and “Silence.”
“We are blessed this year with a rich portfolio of Cinema Audio art applied. As the creative contributions of sound mixing to modern filmmaking becomes more obvious to the world at large, these productions truly represent the talents of our community,” said Mark Ulano, Cas President, of the announcement.
Read More: 2017 Oscar...
- 1/10/2017
- by Kate Erbland
- Indiewire
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