Exclusive: UK sales outfit Sc Films International has acquired world rights to the thriller Captive from producer Antony I. Ginnane (Screamers), and to be directed by Louise Alston (Back of the Net).
The film is set to start production this autumn. Billed as a “thrilling kidnap and ransom story,” the pic follows Mav, who wakes up in a confined space next to a dead body. She is tied and gagged and realizes she has been kidnapped. Her kidnapper explains that he knows she is the daughter of the richest woman in the State. He wants a $20,000,000 ransom paid in 12 hours, or he will kill her like the other passenger. A cat-and-mouse game ensues as her mother is unwilling to pay the ransom and neither the kidnappee nor the kidnapper are what they seem.
The pic comes from a screenplay by Stephen Vagg (All My Friends Are Leaving Brisbane) and was...
The film is set to start production this autumn. Billed as a “thrilling kidnap and ransom story,” the pic follows Mav, who wakes up in a confined space next to a dead body. She is tied and gagged and realizes she has been kidnapped. Her kidnapper explains that he knows she is the daughter of the richest woman in the State. He wants a $20,000,000 ransom paid in 12 hours, or he will kill her like the other passenger. A cat-and-mouse game ensues as her mother is unwilling to pay the ransom and neither the kidnappee nor the kidnapper are what they seem.
The pic comes from a screenplay by Stephen Vagg (All My Friends Are Leaving Brisbane) and was...
- 5/3/2023
- by Zac Ntim
- Deadline Film + TV
Thanks to both Screen Australia’s Inclusive Attachment Scheme and Screen Queensland’s SQAttach program, three emerging practitioners will join Fremantle children’s series Taylor’s Island, now filming on the Gold Coast for Nickelodeon International and Network 10.
Mary Duong will be a director’s attachment; Chase Brockett a director of photography attachment and Annie Cheung an assistant director attachment, each receiving five weeks of instruction.
Fremantle CEO Asia Pacific and executive producer Chris Oliver-Taylor said the company was committed to building an inclusive and diverse industry.
“Fostering the creatives of the future is absolutely essential and something we are passionate about across all our productions. This is a unique opportunity for Mary, Chase and Annie to experience working on a production the scope and standard of Taylor’s Island and to be guided by the best in the business,” he said.
Created by Matt Cooke, Vince Lund and Michael Ford,...
Mary Duong will be a director’s attachment; Chase Brockett a director of photography attachment and Annie Cheung an assistant director attachment, each receiving five weeks of instruction.
Fremantle CEO Asia Pacific and executive producer Chris Oliver-Taylor said the company was committed to building an inclusive and diverse industry.
“Fostering the creatives of the future is absolutely essential and something we are passionate about across all our productions. This is a unique opportunity for Mary, Chase and Annie to experience working on a production the scope and standard of Taylor’s Island and to be guided by the best in the business,” he said.
Created by Matt Cooke, Vince Lund and Michael Ford,...
- 7/26/2021
- by Staff Writer
- IF.com.au
ViacomCBS brands Nickelodeon International and Network 10 have partnered for the first time to commission a new live-action children’s series, Taylor’s Island, from Fremantle Australia.
The 20 x 22-minute comedy created by Matt Cooke, Vince Lund and Michael Ford marks Nickelodeon’s first non-preschool Australian scripted live-action production, due to premiere globally on its channels from early 2022.
The series follows taylor Young, a girl who is fascinated by the phenomena surrounding a mysterious island ever since her uncle’s disappearance there.
With a gang of friends, including Nori, a wisecracking local rebel; Meesha, a tough-as-nails thrill seeker; Ellis, a hypochondriac and born worrier; and Taylor’s stepsister Lila, an aspiring vlogger, Taylor is determined to get to the bottom of the secrets and inexplicable events of the island.
Taylor’s Island will shoot in Queensland from July. While no cast is yet to be announced, it is promised the...
The 20 x 22-minute comedy created by Matt Cooke, Vince Lund and Michael Ford marks Nickelodeon’s first non-preschool Australian scripted live-action production, due to premiere globally on its channels from early 2022.
The series follows taylor Young, a girl who is fascinated by the phenomena surrounding a mysterious island ever since her uncle’s disappearance there.
With a gang of friends, including Nori, a wisecracking local rebel; Meesha, a tough-as-nails thrill seeker; Ellis, a hypochondriac and born worrier; and Taylor’s stepsister Lila, an aspiring vlogger, Taylor is determined to get to the bottom of the secrets and inexplicable events of the island.
Taylor’s Island will shoot in Queensland from July. While no cast is yet to be announced, it is promised the...
- 3/2/2021
- by Jackie Keast
- IF.com.au
72 544x376 Normal 0 false false false En-us X-none X-none
By Fred Blosser
Kino Lorber Studio Classics has released “Against All Flags,” a 1952 pirate movie from Universal-International, in a new Blu-ray edition. In the opening scene, British naval Lt. Brian Hawke (Errol Flynn) endures a shipboard flogging in front of a stern-faced audience of enlisted men and fellow officers. It isn’t clear what crime he’s charged with. Cowardice? Disobeying orders? Breaking into the admiral’s rum supply? Not that it matters, because as we quickly learn, the whipping is only a cover story. Publicly, Hawke is a disgraced man. Privately, he’s assigned to infiltrate a troublesome pirate stronghold on Madagascar. There, posing as disgruntled turncoats, he and two loyal subordinates will covertly locate and disable the camouflaged batteries of cannon that protect the island. This will clear the way for a British warship to safely swoop in and get rid of the miscreants.
By Fred Blosser
Kino Lorber Studio Classics has released “Against All Flags,” a 1952 pirate movie from Universal-International, in a new Blu-ray edition. In the opening scene, British naval Lt. Brian Hawke (Errol Flynn) endures a shipboard flogging in front of a stern-faced audience of enlisted men and fellow officers. It isn’t clear what crime he’s charged with. Cowardice? Disobeying orders? Breaking into the admiral’s rum supply? Not that it matters, because as we quickly learn, the whipping is only a cover story. Publicly, Hawke is a disgraced man. Privately, he’s assigned to infiltrate a troublesome pirate stronghold on Madagascar. There, posing as disgruntled turncoats, he and two loyal subordinates will covertly locate and disable the camouflaged batteries of cannon that protect the island. This will clear the way for a British warship to safely swoop in and get rid of the miscreants.
- 10/29/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
“Two Pints Of Guinness”
By Raymond Benson
Kino Lorber’s new double-bill Blu-ray release of comedy classics starring the legendary Alec Guinness features the nautical-themed The Captain’s Paradise, and Barnacle Bill. The former is often thought of as one of the Ealing comedies, but it is not so.
Paradise was nominated for the “Story” Academy Award (a category that no longer exists), and it was written by Alec Coppel. It is indeed a well-written and clever vehicle for Guinness, who delivers his usual above-it-all confident demeanor when his character is faced with domestic and professional disaster. He plays Captain Henry St. James, whom his chief officer Ricco (Charles Goldner) constantly calls a “genius” because Henry has found the perfect path to “paradise”—a double life with two women—one in the Spanish town of Kalique (actually Ceuta) in North Africa, next to Morocco, and one in Gibraltar. His ship, The Golden Fleece,...
By Raymond Benson
Kino Lorber’s new double-bill Blu-ray release of comedy classics starring the legendary Alec Guinness features the nautical-themed The Captain’s Paradise, and Barnacle Bill. The former is often thought of as one of the Ealing comedies, but it is not so.
Paradise was nominated for the “Story” Academy Award (a category that no longer exists), and it was written by Alec Coppel. It is indeed a well-written and clever vehicle for Guinness, who delivers his usual above-it-all confident demeanor when his character is faced with domestic and professional disaster. He plays Captain Henry St. James, whom his chief officer Ricco (Charles Goldner) constantly calls a “genius” because Henry has found the perfect path to “paradise”—a double life with two women—one in the Spanish town of Kalique (actually Ceuta) in North Africa, next to Morocco, and one in Gibraltar. His ship, The Golden Fleece,...
- 2/23/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
It's with a great sense of disbelief - a feeling I know is shared by many in our industry still reeling from the passing of Jeff Truman - that I solemnly inform Awg members that we have lost the significant talents of James Walker from our screens.
A bright and sharp-minded contributor to Australian scriptwriting for more than a decade, James - at the youthful age of 41 years, husband and father of two young boys - succumbed to a diabetic coma on 11 January and was tragically unable to recover. He passed away peacefully on 20 January, surrounded by family.
A boy from Perth, James' talent was noticed early; he was singled out via a competition and sent to La for an experience that cemented his intention to become a writer. In various roles - including Script Editor, Script Producer and freelance writer - James worked on many of our fine dramas,...
A bright and sharp-minded contributor to Australian scriptwriting for more than a decade, James - at the youthful age of 41 years, husband and father of two young boys - succumbed to a diabetic coma on 11 January and was tragically unable to recover. He passed away peacefully on 20 January, surrounded by family.
A boy from Perth, James' talent was noticed early; he was singled out via a competition and sent to La for an experience that cemented his intention to become a writer. In various roles - including Script Editor, Script Producer and freelance writer - James worked on many of our fine dramas,...
- 1/21/2015
- by Sarah Walker
- IF.com.au
Political thriller The Code took the major Awgie award as well as the trophy for best original miniseries at the Australian Writers. Guild awards on Friday night.
The six-hour series, which premieres on ABC on September 21, is written by Blake Ayshford, Shelley Birse and Justin Monjo and produced by Playmaker Media. The major Awgie recognises the best of the night's winners across stage, screen, new media and radio.
The feature film award went to Adelaide writer Matthew Cormack for his first debut feature 52 Tuesdays, the gender-bending drama hailed as .bold and structurally adventurous..
Winner of the best documentary prize was Sally McKenzie for A Woman.s Journey Into Sex.
Andrew Knight was rewarded for his script for Essential Media and Entertainment.s telemovie The Broken Shore, adapted from the Peter Temple novel. Writer/director Peter Duncan won best TV series script for Essential.s Rake.
Niki Aken and Felicity Packard...
The six-hour series, which premieres on ABC on September 21, is written by Blake Ayshford, Shelley Birse and Justin Monjo and produced by Playmaker Media. The major Awgie recognises the best of the night's winners across stage, screen, new media and radio.
The feature film award went to Adelaide writer Matthew Cormack for his first debut feature 52 Tuesdays, the gender-bending drama hailed as .bold and structurally adventurous..
Winner of the best documentary prize was Sally McKenzie for A Woman.s Journey Into Sex.
Andrew Knight was rewarded for his script for Essential Media and Entertainment.s telemovie The Broken Shore, adapted from the Peter Temple novel. Writer/director Peter Duncan won best TV series script for Essential.s Rake.
Niki Aken and Felicity Packard...
- 9/5/2014
- by Don Groves
- IF.com.au
Louise Alston’s ‘womantic’ comedy Jucy will be part of the Contemporary World Cinema program at the Toronto International Film Festival; Michael Henry’s Blame, Leon Ford’s Griff the Invisible and Ben C. Lucas’ Wasted on the Young will screen in the Discovery program.
Jucy is about best friends Jackie and Lucy, who spend all their time together, but not everyone approves of their “womance.” Accused of being weird and codependent, they set out to prove their maturity. Jackie gets the guy and Lucy gets the job, but can their friendship survive their newfound independence?
Produced by Kelly Chapman; written by Stephen Vagg. International sales handled by Odin’s Eye Entertainment.
Blame tells the story of a group of young vigilantes seeking revenge for a sexual betrayal fall far from grace. When the truth is out, they find themselves on the dark side of justice. PackScreen will release it in October.
Jucy is about best friends Jackie and Lucy, who spend all their time together, but not everyone approves of their “womance.” Accused of being weird and codependent, they set out to prove their maturity. Jackie gets the guy and Lucy gets the job, but can their friendship survive their newfound independence?
Produced by Kelly Chapman; written by Stephen Vagg. International sales handled by Odin’s Eye Entertainment.
Blame tells the story of a group of young vigilantes seeking revenge for a sexual betrayal fall far from grace. When the truth is out, they find themselves on the dark side of justice. PackScreen will release it in October.
- 8/25/2010
- by Miguel Gonzalez
- Encore Magazine
Australian playwright and screenwriter Stephen Vagg and his wife, director Louise Alston, have teamed up again for Jucy, a new film about the payoffs and pitfalls that riddle modern relationships. The film has been described as "womantic" (the female equivalent of a "bromance") - it has the sentiment and trajectory of a romantic comedy, but it's about finding friends, not romance. Vagg and Alston are the creative team behind the indie Australian comedy, All My Friends Are Leaving Brisbane. Jucy will be the second installment in what will hopefully be a trilogy of quarter-life-crisis themed films. Jucy is a subtly crafted script examining the suburban status quo, and the relationships that create it: "It's about the changing nature of relationships in the 21st century, and in particular the intense bonds that can form between platonic couples.
- 1/14/2009
- FilmInk.com.au
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