Resurrecting the Lone Ranger with Johnny Depp must’ve sounded like one of the all-time Hollywood no-brainers when it was pitched to Disney in 2011. After all, the mysterious masked man used to be the all-American icon with the greatest chase-music (“The William Tell Overture”), the greatest sidekick (Tonto), and the greatest catchphrase (“Hi-yo, Silver, away!”). Plus, though Depp is playing a boldly reimagined Tonto opposite Armie Hammer’s Ranger, he was reuniting with producer Jerry Bruckheimer and director Gore Verbinski, the creative triumvirate that made Disney billions with the Pirates of the Caribbean franchise. But getting The Lone Ranger into...
- 7/2/2013
- by Jeff Labrecque
- EW - Inside Movies
Tim Blake Nelson has joined the cast of Marvel Studios' "The Incredible Hulk".
The movie, which Louis Leterrier is directing, sees Bruce Banner/Hulk on the run, trying to avoid capture long enough to cure the condition that turns him into a monster.
Nelson will play a scientist named Samuel Sterns. In Hulk lore, Sterns, aka "The Leader", is one of the Hulk's major antagonists, a menial worker in a chemical research plant who is bombarded with gamma radiation. He emerges from his accident not only green-skinned but also superintelligent, with an oversized brain.
Nelson joins a strong comic book movie cast that includes two-time Oscar nominee Edward Norton (Banner), Liv Tyler (Betty Ross), Tim Roth (villain Emil Blonsky/the Abomination) and William Hurt (General Ross, Betty's father).
Zak Penn wrote the latest big-screen adventure of the green goliath, which Universal Pictures is distributing domestically June 13, 2008.
The film is being produced by Avi Arad, Gale Anne Hurd and Kevin Feige, while Jim Van Wyck, David Maisel, Ari Arad and Stan Lee executive produce.
The movie, which Louis Leterrier is directing, sees Bruce Banner/Hulk on the run, trying to avoid capture long enough to cure the condition that turns him into a monster.
Nelson will play a scientist named Samuel Sterns. In Hulk lore, Sterns, aka "The Leader", is one of the Hulk's major antagonists, a menial worker in a chemical research plant who is bombarded with gamma radiation. He emerges from his accident not only green-skinned but also superintelligent, with an oversized brain.
Nelson joins a strong comic book movie cast that includes two-time Oscar nominee Edward Norton (Banner), Liv Tyler (Betty Ross), Tim Roth (villain Emil Blonsky/the Abomination) and William Hurt (General Ross, Betty's father).
Zak Penn wrote the latest big-screen adventure of the green goliath, which Universal Pictures is distributing domestically June 13, 2008.
The film is being produced by Avi Arad, Gale Anne Hurd and Kevin Feige, while Jim Van Wyck, David Maisel, Ari Arad and Stan Lee executive produce.
- 7/26/2007
- The Hollywood Reporter - Movie News
William Hurt has joined the all-star cast of Marvel Studios' The Incredible Hulk.
The movie, which Louis Leterrier is directing, sees Bruce Banner/Hulk on the run, trying to avoid capture long enough to cure the condition that turns him into a monster. Hurt will play Gen. Thaddeus "Thunderbolt" Ross, the man who has dedicated his life to capturing the Hulk -- and who also is the father of Banner's love interest, Betty Ross.
Hulk is shaping up to having one of the stronger comic book movie casts in quite a while as Hurt joins two-time Oscar nominee Edward Norton, who is playing Banner, Liv Tyler as Betty and Tim Roth as villain Emil Blonsky/the Abomination.
Zak Penn wrote the latest big-screen adventure of the green goliath, which Universal Pictures is distributing.
The film is being produced by Avi Arad, Gale Anne Hurd and Kevin Feige, while Jim Van Wyck, David Maisel, Ari Arad and Stan Lee executive produce.
The movie, which Louis Leterrier is directing, sees Bruce Banner/Hulk on the run, trying to avoid capture long enough to cure the condition that turns him into a monster. Hurt will play Gen. Thaddeus "Thunderbolt" Ross, the man who has dedicated his life to capturing the Hulk -- and who also is the father of Banner's love interest, Betty Ross.
Hulk is shaping up to having one of the stronger comic book movie casts in quite a while as Hurt joins two-time Oscar nominee Edward Norton, who is playing Banner, Liv Tyler as Betty and Tim Roth as villain Emil Blonsky/the Abomination.
Zak Penn wrote the latest big-screen adventure of the green goliath, which Universal Pictures is distributing.
The film is being produced by Avi Arad, Gale Anne Hurd and Kevin Feige, while Jim Van Wyck, David Maisel, Ari Arad and Stan Lee executive produce.
- 6/13/2007
- The Hollywood Reporter - Movie News
Tim Roth is in negotiations to star opposite Ed Norton and Liv Tyler in Marvel Studios' "The Incredible Hulk".
Universal Pictures is distributing.
Roth would play Emil Blonsky, a vicious mercenary who turns into the Abomination, a gamma-spawned being stronger than the Hulk. Louis Leterrier is directing the latest big-screen rendition for the jade juggernaut from a Zak Penn screenplay.
The story begins with Hulk-houser Bruce Banner on the run, trying to avoid capture long enough to cure the condition that turns him into a monster.
In comic book annals, the Abomination was a KGB agent who deliberately exposed himself to radiation to gain strength. The character, who was created in the 1960s, did not appear in the 2003 Ang Lee movie "Hulk".
Shooting for the new "Hulk" is slated to begin in June in Toronto.
Avi Arad, Gale Anne Hurd and Kevin Feige are producing. Jim Van Wyck, David Maisel, Ari Arad and Stan Lee are executive producing.
Roth, the indie darling who hails from London, next stars in Francis Ford Coppola's "Youth Without Youth", which was just picked up for distribution by Sony Pictures Classics.
Universal Pictures is distributing.
Roth would play Emil Blonsky, a vicious mercenary who turns into the Abomination, a gamma-spawned being stronger than the Hulk. Louis Leterrier is directing the latest big-screen rendition for the jade juggernaut from a Zak Penn screenplay.
The story begins with Hulk-houser Bruce Banner on the run, trying to avoid capture long enough to cure the condition that turns him into a monster.
In comic book annals, the Abomination was a KGB agent who deliberately exposed himself to radiation to gain strength. The character, who was created in the 1960s, did not appear in the 2003 Ang Lee movie "Hulk".
Shooting for the new "Hulk" is slated to begin in June in Toronto.
Avi Arad, Gale Anne Hurd and Kevin Feige are producing. Jim Van Wyck, David Maisel, Ari Arad and Stan Lee are executive producing.
Roth, the indie darling who hails from London, next stars in Francis Ford Coppola's "Youth Without Youth", which was just picked up for distribution by Sony Pictures Classics.
- 5/10/2007
- The Hollywood Reporter - Movie News
The setup is clear in "16 Blocks": Burnt-out cynic and imperiled idealist, forced together under life-threatening circumstances, will save each other, body and soul. Although much of the plot defies credulity, Richard Donner directs the odd-couple action drama with a nimble facility that draws viewers in. It doesn't hurt that leads Bruce Willis and Mos Def can effortlessly enlist audience sympathy, though here, ultimately, they're asked to try too hard, Mos Def in particular. Richard Wenk's script juices the genre basics with a compressed timeline, but the juice turns to sap as he insists on forsaking the story's darker instincts in order to deliver a feel-good capper. This tale of a cop and a baker running for their lives wants to have its cake and eat it too. Despite its dramatic holes, it looks primed for solid action at the boxoffice.
The film begins with a disastrous standoff and backtracks several hours to show how NYPD Detective Jack Mosley (Willis) wound up surrounded by New York's finest. About to end his shift at 8 a.m., he very reluctantly agrees to a bit of OT, ferrying a prisoner from a holding cell to a grand jury. Drained of life, Scotch in his veins, sporting a thinning comb-back and barely able to muster the strength to take his next step -- bad leg notwithstanding -- he has no tolerance for the nonstop chatter of Eddie (a hyperkinetic, shaven-headed Mos Def). Jack leaves him in the car to stop at a liquor store and shuffles back outside just in time to save Eddie from being murdered by a hit man.
Jack might be as surprised as the audience that he still has his reflexes. Something awakens in him -- Willis doesn't push it, but it's fully felt -- and his second wake-up call arrives when he realizes that petty criminal Eddie is about to deliver crucial testimony in the D.A.'s investigation of witness tampering. The criminals out to kill him are corrupt cops, chief among them Jack's former partner, Frank (slick gum-chewing evil from David Morse, who used to play good guys). After saving Eddie's life a second time, Jack must get Eddie to the courthouse by 10 a.m., when the grand jury's tenure ends. Those 16 blocks through Chinatown are now a minefield studded with Frank's team, out to kill "the kid" and save their hides.
Weaving their way through the basements, apartment buildings, businesses and rooftops of the neighborhood, Eddie and Jack, predictably, develop mutual respect despite their diametrically opposed philosophies. For Jack, who's clearly boozing to numb enormous existential pain, it all comes down to "Life is too long" and "People don't change". Eddie, a street kid with a business plan and a notebook full of birthday cake recipes, believes it's exactly the other way around.
Without overdoing the buddy business, the leads convey convincing chemistry. The underrated Willis provides a typically generous and nuanced performance and does his best to downplay the script's sentimental indulgences. Rapper-actor Mos Def is compelling as always, but his character's optimistic, nasal chatter becomes tiresome; he registers best in Eddie's quiet moments of reckoning.
As orchestrated by Donner and DP Glen MacPherson, the action has tensile strength and a visceral punch, with key contributions in Arv Greywal's production design and Klaus Badelt's percussive score. But after trawling through some grim and grimy territory, the film winds up ultra-eager for sunshine, leaving by the wayside its potentially complex questions about moral authority and collateral damage.
16 Blocks
Warner Bros. Pictures
An Alcon Entertainment/Millennium Films presentation of an Emmet/Furla Films and Cheyenne Enterprises production
Credits:
Director: Richard Donner
Screenwriter: Richard Wenk
Producers: Jim Van Wyck, John Thompson, Arnold Rifkin, Avi Lerner, Randall Emmett
Executive producers: Andreas Thiesmeyer, Josef Lautenschlager, Danny Dimbort, Trevor Short, Boaz Davidson, George Furla, Hadeel Reda
Director of photography: Glen MacPherson
Production designer: Arv Greywal
Music: Klaus Badelt
Co-producers: Derek Hoffman, Brian Read
Editor: Steven Mirkovich
Cast:
Jack Mosley: Bruce Willis
Eddie Bunker: Mos Def
Frank Nugent: David Morse
Diane Mosley: Jenna Stern
Capt. Gruber: Casey Sander
Jimmy Mulvey: Cylk Cozart
Robert Torres: David Zayas
Jerry Shue: Robert Racki
Ortiz: Conrad Pla
Maldonado: Hechter Ubarry
Deputy Commissioner Wagner: Richard Fitzpatrick
MPAA rating PG-13
Running time -- 101 minutes...
The film begins with a disastrous standoff and backtracks several hours to show how NYPD Detective Jack Mosley (Willis) wound up surrounded by New York's finest. About to end his shift at 8 a.m., he very reluctantly agrees to a bit of OT, ferrying a prisoner from a holding cell to a grand jury. Drained of life, Scotch in his veins, sporting a thinning comb-back and barely able to muster the strength to take his next step -- bad leg notwithstanding -- he has no tolerance for the nonstop chatter of Eddie (a hyperkinetic, shaven-headed Mos Def). Jack leaves him in the car to stop at a liquor store and shuffles back outside just in time to save Eddie from being murdered by a hit man.
Jack might be as surprised as the audience that he still has his reflexes. Something awakens in him -- Willis doesn't push it, but it's fully felt -- and his second wake-up call arrives when he realizes that petty criminal Eddie is about to deliver crucial testimony in the D.A.'s investigation of witness tampering. The criminals out to kill him are corrupt cops, chief among them Jack's former partner, Frank (slick gum-chewing evil from David Morse, who used to play good guys). After saving Eddie's life a second time, Jack must get Eddie to the courthouse by 10 a.m., when the grand jury's tenure ends. Those 16 blocks through Chinatown are now a minefield studded with Frank's team, out to kill "the kid" and save their hides.
Weaving their way through the basements, apartment buildings, businesses and rooftops of the neighborhood, Eddie and Jack, predictably, develop mutual respect despite their diametrically opposed philosophies. For Jack, who's clearly boozing to numb enormous existential pain, it all comes down to "Life is too long" and "People don't change". Eddie, a street kid with a business plan and a notebook full of birthday cake recipes, believes it's exactly the other way around.
Without overdoing the buddy business, the leads convey convincing chemistry. The underrated Willis provides a typically generous and nuanced performance and does his best to downplay the script's sentimental indulgences. Rapper-actor Mos Def is compelling as always, but his character's optimistic, nasal chatter becomes tiresome; he registers best in Eddie's quiet moments of reckoning.
As orchestrated by Donner and DP Glen MacPherson, the action has tensile strength and a visceral punch, with key contributions in Arv Greywal's production design and Klaus Badelt's percussive score. But after trawling through some grim and grimy territory, the film winds up ultra-eager for sunshine, leaving by the wayside its potentially complex questions about moral authority and collateral damage.
16 Blocks
Warner Bros. Pictures
An Alcon Entertainment/Millennium Films presentation of an Emmet/Furla Films and Cheyenne Enterprises production
Credits:
Director: Richard Donner
Screenwriter: Richard Wenk
Producers: Jim Van Wyck, John Thompson, Arnold Rifkin, Avi Lerner, Randall Emmett
Executive producers: Andreas Thiesmeyer, Josef Lautenschlager, Danny Dimbort, Trevor Short, Boaz Davidson, George Furla, Hadeel Reda
Director of photography: Glen MacPherson
Production designer: Arv Greywal
Music: Klaus Badelt
Co-producers: Derek Hoffman, Brian Read
Editor: Steven Mirkovich
Cast:
Jack Mosley: Bruce Willis
Eddie Bunker: Mos Def
Frank Nugent: David Morse
Diane Mosley: Jenna Stern
Capt. Gruber: Casey Sander
Jimmy Mulvey: Cylk Cozart
Robert Torres: David Zayas
Jerry Shue: Robert Racki
Ortiz: Conrad Pla
Maldonado: Hechter Ubarry
Deputy Commissioner Wagner: Richard Fitzpatrick
MPAA rating PG-13
Running time -- 101 minutes...
Opens
Wednesday, Nov. 26
Time machines certainly aren't what they used to be. The one in "Timeline" conveys our bumbling heroes into a medieval world, where they change history with nearly every hiccup and someone actually agonizes over killing a man who has in fact been dead for 650 years. "Timeline" is a glorious so-bad-it's-good entertainment that, whatever audiences' initial reaction is in its theatrical run, should prove a hit in home entertainment. This is definitely a movie to which you want to talk back or, even better, supply alternative dialogue.
While it may be surprising that such a corny/fun movie would come from tentpole director Richard Donner working from a novel by Michael Crichton, who usually nails the scientific-fiction stuff, one is grateful for such an unpretentious diversion prior to all the solemn and sometimes downright gloomy holiday films. "Timeline" is harmless fun with a game cast in the grand tradition of '50s B movies that don't seem to realize how funny their dialogue is. ("We'll be back before you know it!" says one cheerful soul as he steps into a time machine ready to blast him back to the 14th century.)
The story goes like this: Once upon a time -- so to speak -- a team of student archeologists are happily digging in the ruins of La Roque Castle in France's Dordogne Valley under the direction of chummy Professor Johnston (Billy Connolly). The fortress is the site of a famous battle between the French and English in 1357. This crew includes the professor's son Chris (Paul Walker), who digs fellow student Kate (Frances O'Connor), which is where his interest in digging ends; enthusiastic assistant professor Andre (Gerard Butler); the passionate Stern (Ethan Embry);
and a quiet Frenchman named Francois (Rossif Sutherland).
Only something is not right. The professor is disturbed by the prescient suggestions coming from the dig's sponsor, an ominous corporation in New Mexico. Determined to get to the bottom of the corporation's unusual interest in this dig, the professor jets off to headquarters and isn't heard from again. Then the students unearth a chamber sealed for 600 years only to discover a plea for help dated April 2, 1357, from ... Professor Johnston.
Demanding an explanation from the ominous corporation, the students also are flown to New Mexico, where the top scientist (David Thewlis) fesses up: A while ago, in an attempt to devise a machine to transmit 3-D objects through space much as one would send a fax, his scientists inadvertently discovered a "wormhole" in space that leads directly to La Roque Castle in 1357. When the professor learned of this, he insisted that they "fax" him back in time to have a look around. He never returned.
So his students immediately form a 21st century rescue party to go fetch the professor. The group, accompanied by a couple of henchmen from the ominous corporation, make up some strange rules such as no modern weaponry, which would have really come in handy. Each wears an amulet of some sort around his neck that, when you rub it, whisks you back to present day. The ominous scientists tell the rescue party they can only last six hours in the past.
Once deposited in 1357, they make a botch of nearly everything. Two in the party are immediately killed by marauding English troops. Others get themselves captured, and one henchman, who rubs his amulet as arrows pierce his body, whisks himself back to 2003. Only he cheated by bring a grenade with him. It blows up, damaging the time machine and thus stranding the rest of the crew in 1357.
Meanwhile, the contempo crew finds themselves caught up in the siege of Castle La Roque. No worries, chimes one optimist, they can lick these medieval knights because they have "600 years of knowledge" on the warriors. A moment later, one student picks up a rock to attack a knight. So much for 600 years of knowledge.
For some reason, the time travelers decide that the French are the good guys and the English the bad, thereby blowing any chance of "Timeline" getting a White House screening. Yet every strategy proves disastrous. Worse, they keep tampering with history. Andre, for instance, falls in love with Lady Claire (Anna Friel) and is determined to save her from her fate despite the fact that her death will lead to a French victory. Meanwhile, Professor Johnston promises to give to the English forces "Greek fire" -- whatever that is -- to tip the battle in their favor.
Donner paces the action briskly and seems unaware or simply unperturbed by the campy dialogue supplied by Crichton's adapters -- writers Jeff Maguire and George Nolfi. Similarly, the actors tear into these thin roles with a passion worthy of Shakespeare. Walker is stiff and earnest as befits a '50s matinee hero, while O'Connor and Friel smile sweetly but prove their mettle when action is afoot. Michael Sheen has fun with the haughty English lord. Lambert Wilson is his fire-breathing French adversary.
The film's technical credits look very cost-conscious but get the job done nicely. The best things in the movie are Caleb Deschanel's colorful, atmospheric cinematography and the film's portrait of how a medieval army lays siege to an enemy fortress.
TIMELINE
Paramount Pictures
Paramount Pictures, Mutual Film Co. and Cobalt Media Group present
A Donners Co./Artists Production Group production
Credits:
Director: Richard Donner
Screenwriters: Jeff Maguire, George Nolfi
Based on the novel by: Michael Crichton
Producers: Lauren Shuler Donner, Jim Van Wyck, Richard Donner
Executive producers: Michael Ovitz, Gary Levinsohn, Don Grander
Director of photography: Caleb Deschanel
Production designer: Daniel T. Dorrance
Music: Brian Tyler
Costume designer: Jenny Beavan
Editor: Richard Marks
Cast:
Chris: Paul Walker
Kate: Frances O'Connor
Andre Marek: Gerard Butler
Professor Johnston: Billy Connolly
Robert Doniger: David Thewlis
Lady Claire: Anna Friel
Frank Gordon: Neal McDonough
Steven Kramer: Matt Craven
Stern: Ethan Embry
Running time -- 116 minutes
MPAA rating PG-13...
Wednesday, Nov. 26
Time machines certainly aren't what they used to be. The one in "Timeline" conveys our bumbling heroes into a medieval world, where they change history with nearly every hiccup and someone actually agonizes over killing a man who has in fact been dead for 650 years. "Timeline" is a glorious so-bad-it's-good entertainment that, whatever audiences' initial reaction is in its theatrical run, should prove a hit in home entertainment. This is definitely a movie to which you want to talk back or, even better, supply alternative dialogue.
While it may be surprising that such a corny/fun movie would come from tentpole director Richard Donner working from a novel by Michael Crichton, who usually nails the scientific-fiction stuff, one is grateful for such an unpretentious diversion prior to all the solemn and sometimes downright gloomy holiday films. "Timeline" is harmless fun with a game cast in the grand tradition of '50s B movies that don't seem to realize how funny their dialogue is. ("We'll be back before you know it!" says one cheerful soul as he steps into a time machine ready to blast him back to the 14th century.)
The story goes like this: Once upon a time -- so to speak -- a team of student archeologists are happily digging in the ruins of La Roque Castle in France's Dordogne Valley under the direction of chummy Professor Johnston (Billy Connolly). The fortress is the site of a famous battle between the French and English in 1357. This crew includes the professor's son Chris (Paul Walker), who digs fellow student Kate (Frances O'Connor), which is where his interest in digging ends; enthusiastic assistant professor Andre (Gerard Butler); the passionate Stern (Ethan Embry);
and a quiet Frenchman named Francois (Rossif Sutherland).
Only something is not right. The professor is disturbed by the prescient suggestions coming from the dig's sponsor, an ominous corporation in New Mexico. Determined to get to the bottom of the corporation's unusual interest in this dig, the professor jets off to headquarters and isn't heard from again. Then the students unearth a chamber sealed for 600 years only to discover a plea for help dated April 2, 1357, from ... Professor Johnston.
Demanding an explanation from the ominous corporation, the students also are flown to New Mexico, where the top scientist (David Thewlis) fesses up: A while ago, in an attempt to devise a machine to transmit 3-D objects through space much as one would send a fax, his scientists inadvertently discovered a "wormhole" in space that leads directly to La Roque Castle in 1357. When the professor learned of this, he insisted that they "fax" him back in time to have a look around. He never returned.
So his students immediately form a 21st century rescue party to go fetch the professor. The group, accompanied by a couple of henchmen from the ominous corporation, make up some strange rules such as no modern weaponry, which would have really come in handy. Each wears an amulet of some sort around his neck that, when you rub it, whisks you back to present day. The ominous scientists tell the rescue party they can only last six hours in the past.
Once deposited in 1357, they make a botch of nearly everything. Two in the party are immediately killed by marauding English troops. Others get themselves captured, and one henchman, who rubs his amulet as arrows pierce his body, whisks himself back to 2003. Only he cheated by bring a grenade with him. It blows up, damaging the time machine and thus stranding the rest of the crew in 1357.
Meanwhile, the contempo crew finds themselves caught up in the siege of Castle La Roque. No worries, chimes one optimist, they can lick these medieval knights because they have "600 years of knowledge" on the warriors. A moment later, one student picks up a rock to attack a knight. So much for 600 years of knowledge.
For some reason, the time travelers decide that the French are the good guys and the English the bad, thereby blowing any chance of "Timeline" getting a White House screening. Yet every strategy proves disastrous. Worse, they keep tampering with history. Andre, for instance, falls in love with Lady Claire (Anna Friel) and is determined to save her from her fate despite the fact that her death will lead to a French victory. Meanwhile, Professor Johnston promises to give to the English forces "Greek fire" -- whatever that is -- to tip the battle in their favor.
Donner paces the action briskly and seems unaware or simply unperturbed by the campy dialogue supplied by Crichton's adapters -- writers Jeff Maguire and George Nolfi. Similarly, the actors tear into these thin roles with a passion worthy of Shakespeare. Walker is stiff and earnest as befits a '50s matinee hero, while O'Connor and Friel smile sweetly but prove their mettle when action is afoot. Michael Sheen has fun with the haughty English lord. Lambert Wilson is his fire-breathing French adversary.
The film's technical credits look very cost-conscious but get the job done nicely. The best things in the movie are Caleb Deschanel's colorful, atmospheric cinematography and the film's portrait of how a medieval army lays siege to an enemy fortress.
TIMELINE
Paramount Pictures
Paramount Pictures, Mutual Film Co. and Cobalt Media Group present
A Donners Co./Artists Production Group production
Credits:
Director: Richard Donner
Screenwriters: Jeff Maguire, George Nolfi
Based on the novel by: Michael Crichton
Producers: Lauren Shuler Donner, Jim Van Wyck, Richard Donner
Executive producers: Michael Ovitz, Gary Levinsohn, Don Grander
Director of photography: Caleb Deschanel
Production designer: Daniel T. Dorrance
Music: Brian Tyler
Costume designer: Jenny Beavan
Editor: Richard Marks
Cast:
Chris: Paul Walker
Kate: Frances O'Connor
Andre Marek: Gerard Butler
Professor Johnston: Billy Connolly
Robert Doniger: David Thewlis
Lady Claire: Anna Friel
Frank Gordon: Neal McDonough
Steven Kramer: Matt Craven
Stern: Ethan Embry
Running time -- 116 minutes
MPAA rating PG-13...
- 12/8/2003
- The Hollywood Reporter - Movie News
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